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Student Artwork Guide

Girls under Trees

Name Class Date

August Macke, Girls under Trees (1914), Staatsgalerie Moderner Kunst. Public domain.

The facts

Artist
August Macke artsdot.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1914
Medium
Acrylic On Canvas
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Early Modern
Held at
Staatsgalerie Moderner Kunst artsdot.com/en/museums/staatsgalerie-moderner-kunst-munich/
Artistic style
Fauvist influences
Influences
Impressionism, Post-Imp
Notable elements
Color play, dynamic
Subject or theme
Group of girls

In context

Girls under Trees — August Macke

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1914

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/august-macke-girls-under-trees-8BWN4U-en/

Colours

Measured from the image

    Main colour

    Espresso #472925

    Catalogued palette

    • #472925
    • #D7C8C2
    • #824C4B
    • #CA904B
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Girls under Trees — August Macke

    August Macke’s ‘Girls Under Trees’: A Snapshot of Joyful Modernity

    August Macke's “Girls Under Trees” (1914) isn't merely a depiction of children playing in the woods; it’s a vibrant distillation of early 20th-century optimism and a powerful expression of German Expressionism. Painted just before the artist’s tragically short life, this work captures a fleeting moment of communal joy – a scene brimming with youthful energy and a profound connection to nature. Macke masterfully employs bold color and dynamic brushstrokes to convey not just what he saw, but how he felt about it: a sense of unburdened happiness and the simple pleasures of life.

    The Artist and His Time

    Born in Meschede, Germany, in 1887, August Macke was a pivotal figure within the burgeoning movement of German Expressionism. His artistic journey was marked by rapid experimentation, influenced initially by Impressionist techniques before evolving into a uniquely expressive style. The context of his work is crucial; 1914 represents a period of intense artistic innovation across Europe, with artists grappling with modernity and seeking new ways to represent the human experience. Macke’s membership in “Der Blaue Reiter” (The Blue Rider) – a group dedicated to exploring non-representational art and spiritual themes – highlights his engagement with these avant-garde currents. His brief but impactful career was cut short by the outbreak of World War I, leaving behind a legacy of intensely colored and emotionally charged paintings.

    A Symphony of Color and Form

    Macke’s technique is immediately striking. He utilizes loose, almost frantic brushstrokes to create a sense of movement and spontaneity. The figures aren't rendered with meticulous detail; instead, they are suggested through blocks of color and simplified forms. This approach aligns perfectly with the Expressionist desire to convey emotion rather than objective reality. Notice how he blends the children’s dresses – greens, blues, yellows – seamlessly into the surrounding foliage, dissolving the boundaries between figure and landscape. The composition itself is dynamic, drawing the viewer's eye across the canvas through a carefully orchestrated arrangement of shapes and colors. This technique reflects Macke's interest in integrating elements of the avant-garde, particularly the influence of Orphism—the use of color to create visual rhythms and harmonies.

    Symbolism and Emotional Resonance

    "Girls Under Trees" resonates with a powerful sense of nostalgia and innocence. The children’s carefree laughter and joyful interaction evoke a longing for simpler times – a sentiment deeply rooted in the anxieties of a rapidly changing world. The trees themselves, rendered as monumental forms, symbolize strength, stability, and connection to nature—themes central to many Expressionist works. Macke's ability to capture this emotional core through his distinctive style elevates the painting beyond a mere depiction of children; it becomes a timeless meditation on joy, community, and the beauty of the natural world. The painting’s enduring appeal lies in its ability to tap into universal human emotions – a reminder that even amidst chaos and uncertainty, moments of pure happiness can be found.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Museum

    Staatsgalerie Moderner Kunst

    On show in Munich, Germany

    A Legacy of Avant-Garde: Exploring the Staatsgalerie Moderner Kunst

    Nestled in the heart of Munich, Germany, the Staatsgalerie Moderner Kunst (State Gallery of Modern Art) stands as a beacon for those captivated by the transformative power of 20th and 21st-century art. More than just a repository of masterpieces, it’s a dynamic space where artistic boundaries are challenged, dialogues between eras unfold, and the very definition of “modern” is continually re-examined. The gallery's story is one interwoven with Bavaria’s rich cultural heritage and its embrace of progressive thought, evolving from royal collections to become a leading international institution.

    The roots of the Staatsgalerie Moderner Kunst trace back to the late 18th century and the Wittelsbach family’s burgeoning art holdings. However, it was the period following 1900 that truly defined its trajectory. As artistic movements like Expressionism, Cubism, and Surrealism began to reshape the landscape of visual culture, Munich emerged as a vital hub for innovation. The gallery initially housed works deemed “contemporary” – a term that now feels delightfully antiquated when considering the breadth of its current collection. Following World War II, a need arose for dedicated space to showcase these groundbreaking pieces, leading to the establishment of the Staatsgalerie moderner Kunst and eventually, its relocation to the architecturally stunning Pinakothek der Moderne in 2002.

    The Architecture: A Temple to Interdisciplinary Creativity

    The Pinakothek der Moderne itself is a masterpiece of design. Conceived as a “four-in-one” museum complex, it seamlessly integrates art, graphic arts, architecture, and design under one expansive glass roof. The building’s imposing rotunda serves not merely as an entrance but as a central gathering space—a vibrant forum for contemplation and exchange. This architectural philosophy mirrors the gallery's curatorial approach: fostering connections between disciplines and encouraging visitors to perceive art in new and unexpected ways. The sheer scale of the space allows for ambitious installations and thematic presentations, providing ample room for works to breathe and resonate.

    A Collection That Speaks Volumes

    Within its walls, the Sammlung Moderne Kunst boasts over 20,000 works by more than 150 artists. The collection is not organized chronologically but rather through a compelling “MIX & MATCH” approach—a deliberate juxtaposition of classical modernism with contemporary art and photography. Visitors might encounter Max Beckmann’s powerful paintings alongside the stark realism of Bernd and Hilla Becher's industrial photographs, or Paul Klee’s lyrical abstractions in conversation with the vibrant landscapes of Wassily Kandinsky. The gallery champions key figures like Pablo Picasso, Andreas Gursky, Jeff Wall, and Katharina Grosse, offering a comprehensive overview of artistic evolution over the past century.

    Beyond the Canvas: A Commitment to Dialogue

    The Staatsgalerie Moderner Kunst isn’t content with simply displaying art; it actively seeks to provoke thought and engage with contemporary issues. Recent exhibitions have explored themes ranging from social justice and political upheaval to the philosophical implications of new technologies. The gallery's commitment to showcasing diverse perspectives and challenging conventional narratives makes it a vital cultural force in Munich and beyond. The unique holdings of the Ann and Jürgen Wilde Foundation, particularly its extensive photography collection, add another layer of depth and complexity to the museum’s offerings.

    For art collectors seeking inspiration, interior designers looking for cutting-edge aesthetics, or simply those with a passion for visual culture, the Staatsgalerie Moderner Kunst offers an unparalleled experience. It is a place where history comes alive, ideas collide, and the transformative power of art is celebrated in all its multifaceted glory.

    Where to read more

    Find this online

    QR code linking to the download page for Girls under Trees

    artsdot.com/en/art/download/august-macke-girls-under-trees-8BWN4U-en/

    Cite this artwork

    MLA
    Macke, August. Girls under Trees. 1914, Staatsgalerie Moderner Kunst. https://artsdot.com/en/art/august-macke-girls-under-trees-8BWN4U-en/
    APA
    Macke, August (1914). Girls under Trees [Painting]. Staatsgalerie Moderner Kunst. https://artsdot.com/en/art/august-macke-girls-under-trees-8BWN4U-en/
    Chicago
    August Macke. Girls under Trees. 1914. Staatsgalerie Moderner Kunst. https://artsdot.com/en/art/august-macke-girls-under-trees-8BWN4U-en/
    Harvard
    Macke, August (1914) Girls under Trees. Staatsgalerie Moderner Kunst. Available at: https://artsdot.com/en/art/august-macke-girls-under-trees-8BWN4U-en/

    Look closely

    Girls under Trees — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: trees, girls, woods. Do you agree? What would you add, or take away?
    4. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Girls under Trees — August Macke

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. Which of the following best describes August Macke’s artistic style as exemplified by ‘Girls under Trees’?

      • A Precise realism with meticulous detail
      • B Expressive brushstrokes and vibrant colors characteristic of Expressionism
      • C Subtle, muted tones reflecting Impressionist principles
    2. 2. The painting ‘Girls under Trees’ was created in which year?

      • A 1904
      • B 1914
      • C 1927
    3. 3. What group did August Macke primarily belong to during his artistic career?

      • A Der Blaue Reiter (The Blue Rider)
      • B Die Brücke (The Bridge)
      • C Neue Sachlichkeit (New Objectivity)
    4. 4. Based on the description, what is a prominent element within the painting’s composition?

      • A A detailed depiction of a Nigerian landscape
      • B The use of musical instruments to represent leisure
      • C The merging of figures and environment through color
    5. 5. What is known about the circumstances surrounding August Macke’s death?

      • A He died of illness during his time in Tunisia
      • B He was killed in action during World War I
      • C He tragically drowned while painting near Lake Thun

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3A · 4C · 5B