Student Artwork Guide
Copyright This work is in the public domain. Anton Faistauer died in 1930; copyright lasts 70 years after the artist’s death, so it ended in 2000.
In context
A Forest Path — Anton Faistauer
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 43 at death.
Painted when the artist was 27. The artist lived to 43. 3 of the 11 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Anton Faistauer (1887–1930) ▲ this work, 1914 every dated painting, decade by decade
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: artsdot.com/en/art/similar/anton-faistauer-a-forest-path-AQR22J-en/
Measured from the image
Main colour
Sap Green #766743
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 12 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
In the turbulent landscape of early 20th-century Europe, few artists captured the profound psychological shifts of the era as poignantly as Anton Faistauer. Born in 1887 to a farming family near Maishofen, his path was not originally destined for the canvas; he initially harbored ambitions of entering the priesthood. However, fate intervened through a transformative encounter with Albert Paris Gütersloh at the gymnasium in Bolzano. This meeting ignited a passion for painting that would eventually lead him away from theology and toward the radical frontiers of the avant-garde. His formal training, which took him from the private Robert Scheffer Akademie to the prestigious Academy of Fine Arts in Vienna under masters like Alois Delug and Christian Griepenkerl, provided him with a technical foundation that he would later use to dismantle academic tradition.
Faistauer’s artistic identity was forged in rebellion. In 1909, he famously resigned from the Academy, a move that signaled his refusal to adhere to conservative, stagnant dogmas. Alongside luminaries such as Egon Schiele and Anton Kolig, he became a founding member of the Neukunstgruppe, a collective dedicated to protesting academic conventions and advocating for a more visceral, expressive mode of creation. This period of wandering and exploration—stretching through Ticino, Northern Italy, and Berlin—allowed him to absorb diverse influences, refining a style that blended the raw emotion of Expressionism with a unique, symbolic depth. His work began to move beyond mere representation, seeking instead to capture the spiritual and emotional essence of his subjects.
The trajectory of Faistauer’s life was irrevocably altered by the shadows of World War I. Forced back to Maishofen and eventually drafted into the Austro-Hungarian army, he served in a capacity deemed "unsuitable" for combat, yet even amidst the upheaval of war, his creative spirit remained unextinguished. During this period, he maintained a profound connection to the art world, collaborating with Schiele on war art exhibitions and contributing to the reorganization of the Heeresgeschichtliches Museum. These years of forced stillness and military duty paradoxically provided a space for him to deepen his engagement with the symbolic power of art, using the era's collective trauma as a backdrop for his evolving visual language.
The post-war years brought both new beginnings and profound personal tragedy. Settling in Salzburg, Faistauer co-founded the radical group Der Wassermann, continuing his pursuit of experimental aesthetics. Yet, the triumphs of his professional life were often shadowed by loss; the death of his first wife on the eve of their inaugural exhibition cast a long gloom over his later years. Despite facing debilitating lung and stomach disorders that necessitated frequent therapeutic retreats to Bolzano, Faistauer’s productivity remained remarkable. He achieved significant recognition through major commissions, including breathtaking frescoes for the Kleines Festspielhaus in Salzburg and works for religious and aristocratic settings in Bamberg and Vienna.
To look upon a Faistauer painting is to witness a masterclass in texture and emotional resonance. His technique often utilized a rich, textured impasto that gave his surfaces a tactile, living quality. Whether he was rendering a somber portrait or a quiet still life, his use of color was never merely decorative; it was deeply symbolic. In works such as German Gedeckter Tisch, one can observe a post-impressionistic approach where flattened perspectives and vibrant hues create a sense of structured intimacy. Conversely, his watercolors, like the poignant German Anbetung, demonstrate an ability to use transparency and light to evoke religious and spiritual fervor.
The enduring significance of Anton Faistauer lies in his ability to bridge the gap between the traditional and the radical. He did not simply reject the past; he reinterpreted it through a modern lens, infusing classical themes with the anxieties and intensities of the modern age. His legacy remains etched in the history of Austrian Expressionism, serving as a testament to an artist who, despite personal hardship and historical upheaval, remained steadfast in his quest to reveal the hidden truths of the human condition through the transformative power of paint.
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Look closely
A Forest Path — Anton Faistauer
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
When "A Forest Path" was created in 1914, Anton Faistauer - born in 1887 - was 27 years old.
The colors of "A Forest Path" by Anton Faistauer show a discordant palette harmony. Harmony describes how the colors relate to each other.
The colors of "A Forest Path" show a dark luminance.