Paper

Student Artwork Guide

Two Horses

Name Class Date

amer al-obaidi, Two Horses (1976), Ibrahimi Collection. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
amer al-obaidi artsdot.com/en/artists/amer-al-obaidi/
Artist’s dates
1943 – ?
Painted
1976
Original size
80 x 70 cm
Held at
Ibrahimi Collection artsdot.com/en/museums/ibrahimi-collection-amman/

In context

Two Horses — amer al-obaidi

How big is it?

The original measures 80 × 70 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970

Shaded: the lifetime of amer al-obaidi (1943–?) ▲ this work, 1976

Compare with

  • Horses, 2001 artsdot.com/en/art/amer-al-obaidi-horses-D73JCG-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/amer-al-obaidi-two-horses-D73JDM-en/

Colours

Measured from the image

    Main colour

    Celadon #b8b8b8

    Catalogued palette

    • #B8B8B8
    • #CCCDCB
    • #403B3C
    • #786C6B
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    amer al-obaidi

    Born in Al-Najaf, Iraq

    Amer Al-Obaidi: Echoes of Tradition and Majesty

    Amer Al-Obaidi, born in Al Najaf, Iraq in 1943, stands as a prominent figure in contemporary Iraqi art, captivating audiences with his masterful depictions of Iraqi folklore and the grandeur of Arabian horses. His artistic journey began with a Bachelor’s degree in Fine Arts from Baghdad University in 1969, establishing him firmly within the burgeoning artistic landscape of Iraq during its formative years. Today, he resides in the United States, continuing to hone his craft and share his vision with the global art community.

    Early Influences: Al-Obaidi’s artistic sensibilities were deeply rooted in Iraqi cultural heritage—particularly the traditions surrounding equestrian imagery and storytelling—elements that would become central themes throughout his oeuvre. The nomadic spirit of Iraq, coupled with ancient myths and legends concerning kingship and bravery, served as a constant source of inspiration.

    Technique & Style: Al-Obaidi’s distinctive style is characterized by meticulous detail and vibrant color palettes—often employing oil paints on canvas to achieve luminous textures that convey both realism and symbolic resonance. He meticulously renders the musculature and movement of horses, capturing their power and grace with remarkable accuracy.

    Notable Works: Among his celebrated pieces are “Horses” and “Two Horses,” which exemplify his dedication to portraying Arabian horses in dynamic poses—often illuminated by dramatic lighting—emphasizing not only their physical beauty but also their cultural significance as emblems of nobility and strength. These paintings resonate with viewers through their evocative portrayal of Iraqi traditions.

    Museum Recognition: His artwork has garnered recognition within prestigious institutions such as Sant’Andrea al Quirinale in Rome, Italy, where his depictions of Saint Andrew's martyrdom contribute to the museum’s narrative on Roman art history. Similarly, Santa Cristina al Tiverone showcases Lotto’s masterpiece altarpiece and contributes to the exploration of Renaissance art.

    Exploring Iraqi Folklore Through Equine Imagery

    Al-Obaidi's artistic vision transcends mere representation; it seeks to communicate profound narratives about Iraqi identity—stories passed down through generations that celebrate courage, honor, and connection to the land. The horse motif appears repeatedly in his paintings, symbolizing resilience, nobility, and dominion—concepts deeply ingrained within Iraqi culture. He skillfully weaves these symbolic elements into his compositions, inviting viewers to contemplate the enduring legacy of Iraqi folklore.

    Contemporary Relevance & Artistic Legacy

    Amer Al-Obaidi’s work stands as a testament to the power of art to preserve cultural heritage and inspire contemplation on timeless themes. His dedication to capturing the essence of Iraqi traditions—particularly through the captivating portrayal of Arabian horses—continues to resonate with audiences worldwide. As an artist who skillfully blends meticulous technique with emotive storytelling, Al-Obaidi’s legacy ensures that the spirit of Iraq persists in the realm of visual art for generations to come.

    Further Exploration

    For a deeper understanding of Amer Al-Obaidi's artistic journey and his contribution to Iraqi art history, consult Wikipedia: Wikipedia. You can also discover more about his artwork on WahooArt.com: WahooArt.com

    Museum

    Ibrahimi Collection

    On show in Amman, Jordan

    A Sanctuary of Iraqi Resilience

    In the vibrant heart of Amman, Jordan, lies a sanctuary that transcends the boundaries of a traditional gallery, serving instead as a profound testament to the enduring spirit of Iraqi creativity. The Ibrahimi Collection is not merely an exhibition space but a carefully curated refuge dedicated to safeguarding and disseminating the luminous artistic legacy of modern and contemporary Iraq. Founded by Hasanain Al-Ibrahimy, this private institution acts as a vital bridge between the storied past of Baghdad and the global art community. While many museums attempt to capture the breadth of human history, the Ibrahimi Collection possesses the rare courage of singular focus, concentrating its immense energy on the evolution of Iraqi art from the early twentieth century onward. This deliberate depth allows visitors to witness a nation's soul through its brushstrokes and sculptures, tracing a journey marked by both unparalleled imaginative leaps and the profound challenges of a changing political landscape.

    The architectural essence of the museum is as intentional as the art it houses. Designed to harmonize seamlessly with its precious contents, the building prioritizes clean, modern lines and an abundance of natural light, creating an atmosphere of contemplative serenity. This luminous environment provides the perfect stage for works that demand both scrutiny and emotion. Within these walls, the collection breathes through the monumental sculptural visions of Jewad Selim, arguably Iraq’s most iconic figure. His pioneering works embody a modernist impulse to reimagine form and materiality, seeking to forge a new Iraqi identity through bold, tactile expressions. In dialogue with such strength, one finds the evocative paintings of Widad Al-Orfali, whose pieces are imbued with powerful social commentary. Her distinctive style, characterized by intricate layering and symbolic imagery, invites the viewer into the complex, multifaceted layers of the Iraqi experience, making her work an essential cornerstone for any serious student of Middle Eastern modernism.

    What truly distinguishes the Ibrahimi Collection is its dual identity as both a public treasure and a rigorous research center. Beyond the aesthetic pleasure offered to collectors and interior designers seeking pieces of profound cultural weight, the institution serves as a vital archive for scholars and academics. Its halls hold invaluable documents, exhibition catalogs, and images that contribute to the global understanding of Iraqi artistic history. By providing access to these archives, the museum fosters a continuous dialogue between Iraqi heritage and international art discourse. Whether one is visiting during its dedicated Monday and Wednesday afternoon hours or delving into its digital presence, the collection offers an immersive encounter with a culture that refuses to be silenced. It stands as a beacon of cultural resilience, ensuring that the vibrant colors, symbols, and stories of Iraq continue to inspire generations of artists and art lovers worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Two Horses

    artsdot.com/en/art/download/amer-al-obaidi-two-horses-D73JDM-en/

    Cite this artwork

    MLA
    al-obaidi, amer. Two Horses. 1976, Ibrahimi Collection. https://artsdot.com/en/art/amer-al-obaidi-two-horses-D73JDM-en/
    APA
    al-obaidi, amer (1976). Two Horses [Painting]. Ibrahimi Collection. https://artsdot.com/en/art/amer-al-obaidi-two-horses-D73JDM-en/
    Chicago
    amer al-obaidi. Two Horses. 1976. Ibrahimi Collection. https://artsdot.com/en/art/amer-al-obaidi-two-horses-D73JDM-en/
    Harvard
    al-obaidi, amer (1976) Two Horses. Ibrahimi Collection. Available at: https://artsdot.com/en/art/amer-al-obaidi-two-horses-D73JDM-en/

    Look closely

    Two Horses — amer al-obaidi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 3 — do you agree?)
    4. Look back at Horses (2001), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. amer al-obaidi was about 33 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.