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Student Artwork Guide

Cold Day

Name Class Date

Alison Mcgill, Cold Day. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Alison Mcgill artsdot.com/en/artists/alison-mcgill/
Artist’s dates
1974 –
Original size
26 x 28 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Cold Day — Alison Mcgill

How big is it?

The original measures 26 × 28 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/alison-mcgill-cold-day-AR2DGG-en/

Colours

Measured from the image

    Main colour

    Espresso #2a3b3e

    Catalogued palette

    • #2A3B3E
    • #435B64
    • #96BECA
    • #6A8088

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Alison Mcgill over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United Kingdom 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Alison Mcgill

    1. 1 Desert Landscape, 2005 50.0%
    2. 2 Aerial View 50.0%
    3. — Cold Day this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Alison Mcgill

    The Ethereal Landscapes of Alison McGill

    Born in the historic heart of Edinburgh in 1974, Alison McGill has emerged as a profound voice in contemporary British art, crafting a visual language that bridges the gap between tangible reality and atmospheric abstraction. Her journey began amidst the vibrant cultural tapestry of Scotland, specifically within the rugged beauty of Lasswode, Midlothian. This early immersion in the shifting light and textured terrain of the Scottish landscape provided the foundational imagery for a career defined by a deep, almost spiritual engagement with nature. McGill’s work does not merely seek to replicate the world as seen by the eye, but rather to capture the ephemeral essence of a moment—the way mist clings to a mountain or how sunlight dissolves the boundaries between earth and sky.

    Her academic path was marked by an extraordinary level of distinction. During her formative years at the Edinburgh College of Art, McGill demonstrated a precocious mastery of her craft, eventually graduating with first-class honours and a Master’s degree in Drawing and Painting. It was during this period, between 1992 and 1998, that her technical identity began to coalesce. Under the mentorship of influential figures such as Minna Prytz Wolff, she moved beyond traditional representation to explore the philosophical depths of artmaking. This academic rigor provided her with a meticulous understanding of composition and light, which she would later subvert through her experimental use of unconventional mediums.

    A Mastery of Wax and Light

    What truly distinguishes McGill’s oeuvre is her signature technique: a sophisticated, tactile fusion of oil paint and molten wax. This method allows her to manipulate the surface of her work into something nearly three-dimensional, creating a sense of depth that invites the viewer to peer through layers of translucent pigment. By blending colors into warm wax, she achieves a luminosity that mimics the natural glow of dawn or the hazy diffusion of an overcast afternoon. Her process is one of careful layering and deliberate erosion, where the medium itself becomes a participant in the creation of the landscape.

    This technique finds its most striking expression in her aerial abstractions. Drawing inspiration from the perspective of flight and the geological patterns of the earth, McGill creates compositions that hover between the recognizable and the purely emotive. Her works often evoke:

    Aerial Perspectives: Capturing the sweeping, rhythmic patterns of coastlines, fields, and mountain ranges from a bird's-eye view.

    Atmospheric Depth: Utilizing the translucency of wax to simulate fog, clouds, and the weight of heavy, moisture-laden air.

    Textural Complexity: Creating a rugged, tactile surface that mirrors the geological textures of the natural world.

    While her larger oil and wax works lean toward the abstract, her pastel sketches often serve as more literal, grounded starting points, capturing the raw, unadorned beauty of the surrounding landscape before they are transformed into the ethereal visions seen in her finished paintings.

    Recognition and Artistic Legacy

    The trajectory of McGill’s career has been punctuated by significant accolades that underscore her importance within the Scottish art scene. Her talent was recognized early on when she was awarded the 1996 Students Award for Landscape Painting by the Royal Scottish Academy (RSA). Furthermore, her academic excellence was honored with the Helen A Rose Bequest Prize from the Edinburgh College of Art. These early triumphs paved the way for a professional life characterized by steady growth and prestigious exhibition opportunities, including being named a finalist in the Noble Grossart Painting Prize Exhibition at the Glasgow School of Art.

    Since 1998, McGill has maintained her studio practice within the WASPS Studios at West Park Place in Edinburgh, working alongside a community of contemporary artists. This connection to the Edinburgh art scene remains a vital part of her identity. Her evolution from a student of classical principles to an innovator of wax-based abstraction represents a significant contribution to modern landscape painting. Through her ability to distill complex sensory experiences into visually arresting compositions, Alison McGill continues to invite viewers into a contemplative space where the boundaries between the observer and the natural world beautifully dissolve.

    Where to read more

    Find this online

    QR code linking to the download page for Cold Day

    artsdot.com/en/art/download/alison-mcgill-cold-day-AR2DGG-en/

    Cite this artwork

    MLA
    Mcgill, Alison. Cold Day. n.d., https://artsdot.com/en/art/alison-mcgill-cold-day-AR2DGG-en/
    APA
    Mcgill, Alison (n.d.). Cold Day [Painting]. https://artsdot.com/en/art/alison-mcgill-cold-day-AR2DGG-en/
    Chicago
    Alison Mcgill. Cold Day. n.d. https://artsdot.com/en/art/alison-mcgill-cold-day-AR2DGG-en/
    Harvard
    Mcgill, Alison (n.d.) Cold Day. Available at: https://artsdot.com/en/art/alison-mcgill-cold-day-AR2DGG-en/

    Look closely

    Cold Day — Alison Mcgill

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: mountain landscape, winter scene”, “blue hues”. Do you agree? What would you add, or take away?
    4. Look back at Aqua Aerial View, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I use augmented reality to see "Cold Day" by Alison Mcgill in my room?

    "Cold Day" by Alison Mcgill can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    How light is "Cold Day" overall?

    Overall, "Cold Day" is recorded as balanced. Perceived brightness describes how light or dark the work appears.

    How strong are the colors of "Cold Day"?

    "Cold Day" by Alison Mcgill is recorded with a muted saturation and a monochromatic intensity.