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Student Artwork Guide

Creation

Name Class Date

alice berger hammerschlag, Creation. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
alice berger hammerschlag artsdot.com/en/artists/alice-berger-hammerschlag/
Artist’s dates
1917 – 1969
Original size
61 x 71 cm
Movement
Color Field Painting Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything.

In context

Creation — alice berger hammerschlag

How big is it?

The original measures 61 × 71 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960

Shaded: the lifetime of alice berger hammerschlag (1917–1969)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Cut Glass Reflections artsdot.com/en/art/alice-berger-hammerschlag-cut-glass-reflections-AR2F8W-en/
  • Untitled artsdot.com/en/art/alice-berger-hammerschlag-untitled-AR2F92-en/
  • Summer Ripeness artsdot.com/en/art/alice-berger-hammerschlag-summer-ripeness-AR2F9C-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/alice-berger-hammerschlag-creation-AR2F98-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9fa578

    Catalogued palette

    • #9FA578
    • #D8D8D6
    • #4D6164
    • #C33C21
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    alice berger hammerschlag

    Alice Berger Hammerschlag: A Belfast Visionary

    Alice Berger Hammerschlag (1917-1969) remains a quietly significant figure in the artistic landscape of Northern Ireland, an artist whose impact extended far beyond her own compelling abstract paintings. Born in Vienna amidst the rising tide of political upheaval, her early life instilled a deep appreciation for art and a resilience that would prove crucial as she navigated the challenges of displacement and found a new home in Belfast during World War II. Her journey represents not just an artistic evolution but also a testament to adaptability and a commitment to fostering creativity within a region grappling with complex social divisions.

    Hammerschlag’s formal training began at the Vienna Academy of Arts, where she studied under Franz Cizek, a progressive educator who emphasized experimentation and individual expression. This early exposure to modern techniques laid the groundwork for her later development as an abstract painter. However, the political climate in Austria forced her family to seek refuge in Britain, ultimately settling in Belfast in 1938. It was here that she began to forge her unique artistic identity, influenced by both European avant-garde movements and the burgeoning regional art scene.

    A Painter of Rhythm and Emotion

    Hammerschlag’s work is characterized by a dynamic interplay of color, form, and rhythm. Initially exploring abstract expressionism, she gradually developed a distinctive style that incorporated elements of color field painting and gestural abstraction. Her canvases are often dominated by bold, saturated hues—blues, reds, yellows—arranged in layered compositions that evoke a sense of movement and energy. She wasn’t simply depicting subjects; instead, she aimed to capture the feeling of a scene or emotion through carefully considered color relationships and dynamic brushstrokes.

    Her paintings frequently featured circular forms, suggesting cycles and transformations – a recurring motif reflecting her personal experiences of displacement and renewal. Critics noted a particularly strong sense of rhythm in her work, achieved through the careful placement of shapes and colors that created visual harmonies and dissonances. This was further enhanced by her use of impasto techniques, building up layers of paint to create textured surfaces that invited tactile engagement.

    From Studio to Stage: A Multifaceted Career

    While Hammerschlag’s artistic output is undeniably significant, it's important to recognize the breadth of her professional life. Following her arrival in Belfast, she secured work as a graphic designer for various publishers, honing her skills in layout and illustration. This experience proved invaluable when she transitioned into stage design, contributing significantly to the visual identity of productions at the Lyric Theatre Belfast. Her set designs were particularly notable for their innovative use of color and texture, often complementing and enhancing the themes of the plays themselves.

    Her involvement with the New Gallery, a vital space for contemporary art in Belfast during the 1950s and 60s, further cemented her role as a champion of artistic innovation. She played an active part in organizing exhibitions, fostering connections between artists and audiences, and promoting a more open-minded approach to visual culture. This commitment extended beyond the gallery walls; she was also a member of the Women’s International Art Club and the Free Painters and Sculptors, actively participating in networks of artistic exchange.

    Legacy and Recognition

    Despite facing challenges as a female artist in a predominantly male-dominated field, Alice Berger Hammerschlag left an enduring legacy. Her paintings are now held in important collections across Ireland and beyond, including the Ulster Museum and Queen’s University Belfast. Her work continues to be exhibited and studied, offering insights into the evolving artistic landscape of Northern Ireland during a period of significant social and political change. The establishment of the Alice Berger Hammerschlag Award by her husband, Heinz Hammerschlag, stands as a lasting tribute to her dedication to nurturing emerging artists.

    More than just an artist, Alice Berger Hammerschlag was a cultural catalyst—a visionary who helped shape the artistic identity of Belfast and contributed significantly to the region’s vibrant creative community. Her paintings remain powerful expressions of emotion, rhythm, and resilience, inviting viewers to contemplate the complexities of human experience and the transformative power of art.

    Where to read more

    Find this online

    QR code linking to the download page for Creation

    artsdot.com/en/art/download/alice-berger-hammerschlag-creation-AR2F98-en/

    Cite this artwork

    MLA
    hammerschlag, alice berger. Creation. n.d., https://artsdot.com/en/art/alice-berger-hammerschlag-creation-AR2F98-en/
    APA
    hammerschlag, alice berger (n.d.). Creation [Painting]. https://artsdot.com/en/art/alice-berger-hammerschlag-creation-AR2F98-en/
    Chicago
    alice berger hammerschlag. Creation. n.d. https://artsdot.com/en/art/alice-berger-hammerschlag-creation-AR2F98-en/
    Harvard
    hammerschlag, alice berger (n.d.) Creation. Available at: https://artsdot.com/en/art/alice-berger-hammerschlag-creation-AR2F98-en/

    Look closely

    Creation — alice berger hammerschlag

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract art, circular design, color harmony. Do you agree? What would you add, or take away?
    4. Look back at Cut Glass Reflections, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Color Field Painting: Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.