Paper

Student Artwork Guide

Conversation

Name Class Date

Albert Bloch, Conversation (1950). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Albert Bloch artsdot.com/en/artists/albert-bloch/
Artist’s dates
1880 – 1961
Painted
1950
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

Conversation — Albert Bloch

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Painted when the artist was 70. The artist lived to 81. 26 of the 32 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Albert Bloch (1880–1961) ▲ this work, 1950 every dated painting, decade by decade

First works: up to 1916 Main working years: 1916–1946 Late works: from 1946

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/albert-bloch-conversation-8YEB9E-en/

Colours

Measured from the image

    Main colour

    Sap Green #686253

    Catalogued palette

    • #686253
    • #172326
    • #9A8D7B
    • #364041

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Sap Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Albert Bloch over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%
    2. 2 Serbia 12.5%
    3. 3 United States of America 12.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Albert Bloch

    1. 1 Night V, 1917 8.3%
    2. 2 Piping Pierrot 8.3%
    3. 3 untitled (4986) 8.3%
    4. 4 March of the clowns, 1941 4.2%
    5. 5 The blind man, 1942 4.2%
    6. 6 Lied I, 1914 4.2%
    7. 7 Figures on Dark Ground, 1916 4.2%
    8. 8 Old Graverayd, 1940 4.2%
    9. 9 The Garden of Asses II, 1939 4.2%
    10. 10 Walk to Emmaus, 1938 4.2%
    11. 11 Metamorphosis, 1948 4.2%
    12. 12 Conference 4.2%
    13. 13 Pilgrims in the Snow, 1925 4.2%
    14. 14 Cityscape with tower 4.2%
    15. 15 Blue Eclipse, 1955 4.2%
    16. 16 Mountain 4.2%
    17. 17 Procession with the Cross 4.2%
    18. 18 Prodigal, 1959 4.2%
    19. 19 untitled (2519) 4.2%
    20. Conversation, 1950 this painting 0.0%

    Together these works take 92.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 74 works by this artist, of which 21 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Albert Bloch

    Born in St. Louis, United States of America

    Albert Bloch: Pioneer of Expressionism and the Lone American Voice in Der Blaue Reiter

    Albert Bloch (August 2, 1882 – March 23, 1961) stands as a singular figure in the annals of modernist art—the sole American artist to participate in Der Blaue Reiter (“The Blue Rider”), a seminal German Expressionist collective that irrevocably shaped the artistic landscape of the early 20th century. Born in St. Louis, Missouri, Bloch’s formative years instilled within him an appreciation for both meticulous craftsmanship and profound psychological exploration—influences that would permeate his entire oeuvre.

    Early Life & Artistic Training:

    Bloch’s artistic journey commenced at the St. Louis School of Fine Arts, where he honed his skills in drawing and painting, establishing a foundation for his subsequent explorations into abstraction and symbolism. His initial foray into visual storytelling began with comic strips and cartoons for the St. Louis Star newspaper during 1901–03—a practice that cultivated his ability to convey complex narratives through simplified imagery.

    Illustrative Career & Literary Engagement:

    Between 1905 and 1908, Bloch’s talent as a caricaturist and illustrator found expression in William Marion Reedy's literary and political weekly, The Mirror. This period solidified his understanding of visual communication alongside narrative storytelling.

    The Influence of Der Blaue Reiter:

    From 1909 to 1921, Bloch’s artistic trajectory pivoted towards Germany, where he became inextricably linked with Der Blaue Reiter—a group comprised of artists including Wassily Kandinsky, Franz Marc, Oskar Kokoschka, and Emil Nolde. This association proved pivotal in shaping his artistic vision, propelling him toward experimentation with color theory and exploring the subconscious realm through expressive imagery.

    Return to America & Academic Pursuits:

    Following World War I, Bloch returned to the United States, accepting a professorship at the School of the Art Institute of Chicago for a year before securing a more permanent position as departmental head at the University of Kansas until his retirement in 1947. Despite relocating geographically, Bloch maintained an unwavering dedication to artistic education and mentorship.

    Legacy & Artistic Achievements:

    Bloch’s artistic output encompassed a diverse range of mediums—primarily oil paintings—characterized by their bold color palettes, intricate textures, and evocative depictions of landscapes and figures. Notable works include “The Garden of Asses II,” “Jordan,” and “Night II”—each reflecting Bloch's preoccupation with psychological themes and pioneering explorations into abstraction. His contribution to Der Blaue Reiter cemented his place as a pivotal figure in Expressionist art, ensuring that his distinctive style—marked by dreamlike visions and symbolic representations—continues to inspire artists today. Albert Bloch passed away March 23, 1961, in Lawrence, Kansas.

    Notable Paintings & Artistic Style

    Bloch’s artistic style is instantly recognizable for its distinctive blend of Impressionistic techniques with Expressionist sensibilities. He skillfully employed vibrant hues—particularly reds and oranges—to convey emotional intensity and psychological depth. Recurring motifs included stylized landscapes, solitary figures, and symbolic imagery designed to evoke profound contemplation. His meticulous attention to detail—evident in the layering of textures and intricate patterns—further enhanced the expressive power of his canvases. Explore “The Garden of Asses II,” “Jordan,” and “Night II” for exemplary illustrations of this artistic approach.

    Family Life & Personal Interests

    Bloch’s personal life was enriched by familial bonds—he married Hortense and had two sons, Bernard and Walter. Bernard Blochs’s academic pursuits focused on linguistics, while Walter Blochs’s creative endeavors spanned film writing under the pseudonym Walter Black. These connections provided Bloch with a grounding in intellectual discourse alongside artistic inspiration.

    Further Exploration

    For deeper insights into Albert Bloch's life and work, consult biographical resources such as Wikipedia () and the Archives of American Art (). Also consider visiting the Victoria & Albert Museum () and Royal Albert Memorial Museum () to view reproductions of his paintings and gain a broader understanding of his artistic context.

    Where to read more

    Find this online

    QR code linking to the download page for Conversation

    artsdot.com/en/art/download/albert-bloch-conversation-8YEB9E-en/

    Cite this artwork

    MLA
    Bloch, Albert. Conversation. 1950, https://artsdot.com/en/art/albert-bloch-conversation-8YEB9E-en/
    APA
    Bloch, Albert (1950). Conversation [Painting]. https://artsdot.com/en/art/albert-bloch-conversation-8YEB9E-en/
    Chicago
    Albert Bloch. Conversation. 1950. https://artsdot.com/en/art/albert-bloch-conversation-8YEB9E-en/
    Harvard
    Bloch, Albert (1950) Conversation. Available at: https://artsdot.com/en/art/albert-bloch-conversation-8YEB9E-en/

    Look closely

    Conversation — Albert Bloch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: symbols, conversations. Do you agree? What would you add, or take away?
    4. Look back at Lamentation, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color harmony does "Conversation" by Albert Bloch display?

    The colors of "Conversation" by Albert Bloch show a discordant palette harmony. Harmony describes how the colors relate to each other.

    What is the dominant hue of "Conversation" by Albert Bloch?

    "Conversation" leans toward a green to violet spectrum tone.

    How strong is the contrast in "Conversation" by Albert Bloch?

    "Conversation" by Albert Bloch shows a gentle contrast between its light and dark areas.

    Is "Conversation" more bright or more dark overall?

    The recorded values for "Conversation" by Albert Bloch are: deep_shadow brightness, dark luminance.

    What is the dominant color of "Conversation" by Albert Bloch?

    The color that stands out most in "Conversation" is sap green (#686253). The dominant color is useful when matching an artwork to an interior.

    Can I preview "Conversation" by Albert Bloch before ordering?

    To preview a reproduction of "Conversation" by Albert Bloch, open the artwork's Preview page.

    What is the format of "Conversation"?

    "Conversation" by Albert Bloch is a square composition. The proportions are worth checking before choosing a print size.

    How does "Conversation" by Albert Bloch connect Expressionism to the artist's home country?

    The Expressionism work "Conversation" was made by an artist born in United States of America.