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Student Artwork Guide

Between Two Fires

Name Class Date

Adeela Suleman, Between Two Fires (2021), Queensland Art Gallery | Gallery of Modern Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Adeela Suleman artsdot.com/en/artists/adeela-suleman/
Artist’s dates
1970 –
Painted
2021
Medium
Enamel
Original size
35 x 49 cm
Movement
Contemporary Art
Period
Contemporary
Held at
Queensland Art Gallery | Gallery of Modern Art artsdot.com/en/museums/queensland-art-gallery-gallery-of-modern-art-brisbane/

In context

Between Two Fires — Adeela Suleman

How big is it?

The original measures 35 × 49 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010
  6. 2020

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 51. 0 of the 1 dated works by this artist in our catalogue came earlier.

▲ this work, 2021 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/adeela-suleman-between-two-fires-D6G7AB-en/

Colours

Measured from the image

    Main colour

    Espresso #583b30

    Catalogued palette

    • #583B30
    • #F9F8F4
    • #AF5A34
    • #B9A297

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Between Two Fires — Adeela Suleman

    Through her lavishly painted found objects, Adeela Suleman contemplates humanity’s fascination with, and the continued presence of, violence across histories and geographies. The objects feature the techniques and motifs of South Asian miniature painting, and are inspired by a range of historical events, sites and artistic traditions from the Mughal courts to European medieval knights. Across a collection of delicate ceramic and enamel plates and dishes, Suleman depicts bloodied scenarios and violent encounters as part of her broader practice, which has continually explored local artisanal techniques and found objects to confront themes of political urgency.

    Artist and museum

    Artist

    Adeela Suleman

    Born in Karachi, Pakistan

    The Alchemy of the Everyday

    In the vibrant and often turbulent landscape of Karachi, Adeela Suleman breathes a haunting second life into the discarded and the domestic. Born in 1970, her journey to the forefront of contemporary Pakistani sculpture was not a linear path through the arts, but rather one shaped by a profound understanding of global dynamics. Having earned a Master’s degree in International Relations from the University of Karachi, Suleman brought a unique, analytical lens to her later studies in fine arts at the Indus Valley School of Art and Architecture. This academic foundation allows her to navigate the complexities of socio-political landscapes with a sculptor's precision, transforming mundane, everyday objects into powerful vessels for critique. Her work often begins with the familiar—kitchen utensils, tools, and found materials—and reconfigures them to expose the underlying tensions of gender, violence, and societal expectation in Pakistan. Through her hands, the domestic becomes political, and the ordinary is elevated to a site of profound interrogation.

    Fragility Amidst the Steel

    As her practice evolved, Suleman’s medium shifted toward the austere resilience of stainless steel, yet the emotional core of her work remained deeply rooted in the ephemeral. She masterfully employs the delicate filigree traditions of Islamic art, etching intricate patterns of birds and flowers onto hard, unyielding surfaces. This creates a striking juxtaposition: the pastoral beauty of organic motifs set against the cold, formidable nature of metal. In these compositions, one finds a profound meditation on the duality of existence—the coexistence of love for nature and the pervasive chaos of man. Her sculptures often act as silent witnesses to destruction, where symbols of weaponry are woven into scenes of tranquility, reflecting the indifference of a society to the violence that persists within its borders. Through this technique, she captures the precariousness of the human condition, suggesting both the weight of loss and the possibility of transcendental relief. One can see her themes reflected in:

    The entrapment of the private sphere, illustrated through armor and corsets crafted from functional kitchen tools.

    The tension between beauty and brutality, where delicate floral patterns meet the hard edges of steel weaponry.

    The exploration of memory and disappearance, using repetitive, organic motifs to evoke a sense of fleeting existence.

    A Legacy of Artistic Stewardship

    Beyond her individual sculptures, Suleman has been a pivotal figure in the institutional fabric of Pakistani art. Her tenure as an associate professor and head of the Fine Arts Department at the Indus Valley School of Art and Architecture allowed her to shape the next generation of creative voices. Furthermore, as a founding member and director of the Vasl Artists’ Association, she has championed the importance of collective artistic inquiry and community engagement. Her influence extends far beyond Karachi, with her work commanding attention in prestigious galleries from New York and London to Milan and Munich. Whether through her large-scale installations or her intimate, symbolic pieces, Suleman continues to challenge the boundaries between the private sphere and the public stage, leaving an indelible mark on the contemporary global art scene. Her commitment to the city is also evident in her role as project coordinator for "Reimagining the Walls of Karachi," a scheme dedicated to reclaiming urban spaces from hate graffiti, proving that her artistry is as much about community healing as it is about sculptural form.

    Museum

    Queensland Art Gallery | Gallery of Modern Art

    On show in Brisbane, Australia

    A Jewel of Brisbane: Unveiling the Queensland Art Gallery & Gallery of Modern Art

    Nestled within the vibrant heart of South Bank, Brisbane’s Queensland Art Gallery and Gallery of Modern Art (QAGOMA) stands as a testament to the city's burgeoning cultural landscape. More than simply a repository of artworks, it’s an immersive experience—a dynamic dialogue between past and present, local and international, traditional and contemporary. Established in 1895 as the Queensland National Art Gallery, QAGOMA has evolved into a dual institution, each reflecting distinct artistic visions while united by a shared commitment to fostering creativity and enriching lives. The gallery’s architecture itself is a captivating element, seamlessly blending with its surroundings and offering visitors breathtaking views of the Brisbane River.

    The core collection within the Queensland Art Gallery is remarkably diverse, spanning centuries and continents. Early holdings showcase colonial Australian art, including significant works by artists like John Lavery, whose evocative depictions of Brisbane’s social life offer a poignant glimpse into the city's formative years. However, it’s the gallery’s expansion into international art that truly captivates. You’ll discover masterpieces from European masters – Picasso’s “La Belle Hollandaise,” a vibrant exploration of light and color; Matisse’s “La Palme,” a bold celebration of nature’s beauty; and works by Monet, Renoir, and Van Gogh, each offering a unique perspective on the world. Beyond these iconic pieces, QAGOMA boasts an impressive collection of Indigenous Australian art, reflecting the rich cultural heritage and storytelling traditions of Australia's First Peoples – including intricate carvings and paintings that speak volumes about history, spirituality, and connection to the land. The gallery’s commitment to showcasing this vital artistic voice is a cornerstone of its mission.

    A Dual Vision: Gallery of Modern Art & QAGOMA

    The creation of the Gallery of Modern Art (GOMA) in 2006 marked a pivotal moment in QAGOMA's evolution. Designed by the renowned architect Robin Gibson, GOMA is an architectural marvel—a striking pavilion that dramatically contrasts with the more traditional style of the Queensland Art Gallery. Its undulating roofline and expansive glass façade create a sense of openness and invite visitors to explore its diverse collection of contemporary art. GOMA’s focus lies in showcasing cutting-edge works from both Australian and international artists, pushing boundaries and challenging conventional notions of artistic expression. From immersive installations to thought-provoking sculptures, GOMA offers a dynamic and engaging experience for audiences seeking to engage with the most innovative voices in the art world.

    Exhibitions That Spark Dialogue

    QAGOMA’s exhibition program is consistently lauded for its intellectual rigor and artistic ambition. Past highlights include “Surrealism: The Poetry of Dreams,” a captivating exploration of the movement's influence on artists like Dalí, Magritte, and Ernst; “Matisse: Drawing Life,” which showcased the artist’s masterful use of line and form; and “Andy Warhol: Revisited,” offering a profound insight into the pop art icon’s creative process. More recently, exhibitions such as "Archie Moore: kith and kin" have captivated audiences with their unique perspectives on identity and belonging. The gallery regularly hosts large-scale international touring exhibitions, bringing world-renowned artists and artworks to Brisbane, further solidifying its position as a leading cultural destination.

    Beyond the Art: Architecture & Community Engagement

    QAGOMA’s significance extends beyond its impressive collection and dynamic exhibition program. The gallery's architectural design—a harmonious blend of functionality and aesthetics—contributes significantly to the overall experience. The integration of the Queensland Cultural Centre, including the State Library of Queensland, creates a vibrant cultural hub that attracts visitors from across Australia and around the world. Furthermore, QAGOMA is deeply committed to community engagement, offering a wide range of educational programs for children and adults, fostering creativity and appreciation for the arts among all demographics. The gallery’s dedication to accessibility ensures that art remains inclusive and engaging for everyone.

    A Legacy of Innovation

    From its humble beginnings as the Queensland National Art Gallery to its current status as a dual institution—QAGOMA—the gallery has consistently demonstrated a commitment to innovation, diversity, and artistic excellence. Its ongoing evolution reflects Brisbane’s own dynamic growth and cultural vibrancy. Whether you're an art enthusiast, a collector seeking unique pieces, or simply someone looking for inspiration, QAGOMA offers a truly unforgettable experience – a journey through the world of art that will undoubtedly leave a lasting impression.

    Where to read more

    Find this online

    QR code linking to the download page for Between Two Fires

    artsdot.com/en/art/download/adeela-suleman-between-two-fires-D6G7AB-en/

    Cite this artwork

    MLA
    Suleman, Adeela. Between Two Fires. 2021, Queensland Art Gallery | Gallery of Modern Art. https://artsdot.com/en/art/adeela-suleman-between-two-fires-D6G7AB-en/
    APA
    Suleman, Adeela (2021). Between Two Fires [Painting]. Queensland Art Gallery | Gallery of Modern Art. https://artsdot.com/en/art/adeela-suleman-between-two-fires-D6G7AB-en/
    Chicago
    Adeela Suleman. Between Two Fires. 2021. Queensland Art Gallery | Gallery of Modern Art. https://artsdot.com/en/art/adeela-suleman-between-two-fires-D6G7AB-en/
    Harvard
    Suleman, Adeela (2021) Between Two Fires. Queensland Art Gallery | Gallery of Modern Art. Available at: https://artsdot.com/en/art/adeela-suleman-between-two-fires-D6G7AB-en/

    Look closely

    Between Two Fires — Adeela Suleman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: violence, history, south asian art. Do you agree? What would you add, or take away?
    4. Look back at Silencers (left) & Armour suit for Rani of Jhansi (right), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Adeela Suleman was about 51 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Between Two Fires" by Adeela Suleman a light or a dark artwork?

    "Between Two Fires" is brilliant overall, and its luminance is bright balance.

    How is "Between Two Fires" situated historically?

    "Between Two Fires" by Adeela Suleman belongs to the Contemporary Art movement, within the Contemporary period. Together they give the work its place in art history.

    What does "Between Two Fires" share with the rest of Adeela Suleman's output?

    "Between Two Fires" shares with Adeela Suleman's other works its Contemporary Art style and the recorded themes: mughal miniature painting, european medieval knights, political urgency, violence and history, social commentary, everyday objects used.