Paper

Student Artwork Guide

Mount Monadnock

Name Class Date

Abbott Handerson Thayer, Mount Monadnock (1915), Fogg Art Museum. Public domain.

The facts

Artist
Abbott Handerson Thayer artsdot.com/en/artists/abbott-handerson-thayer/
Artist’s dates
1849 – 1921
Painted
1915
Medium
Oil
Movement
Tonalism Quiet landscapes wrapped in mist and shadow, built from a narrow range of closely related tones.
Period
19th Century
Held at
Fogg Art Museum artsdot.com/en/museums/fogg-art-museum-cambridge/
Artistic style
Tonalism
Notable elements or techniques
Blended brushstrokes, atmospheric perspective
Subject or theme
Snow-covered mountain landscape

In context

Mount Monadnock — Abbott Handerson Thayer

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Shaded: the lifetime of Abbott Handerson Thayer (1849–1921) ▲ this work, 1915

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/abbott-handerson-thayer-mount-monadnock-8YDH9P-en/

Colours

Measured from the image

    Main colour

    Cobalt Violet #625e8f

    Catalogued palette

    • #625E8F
    • #E7ECEA
    • #151411
    • #41393F
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Cobalt Violet
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Abbott Handerson Thayer

    Born in Boston, United States of America

    early life and training

    abbott handerson thayer, an american artist, was born in 1849 in boston, massachusetts. his early life was marked by a keen interest in art, leading him to pursue formal training at the bolestow (poland) school of art and later at the académie julian in paris.

    artistic career

    thayer's artistic career was characterized by his innovative approach to portraiture, landscapes, and still life. his work often featured a blend of realism and impressionism, reflecting the influences of his time. notable works include:

    the virgin (1890), a masterpiece showcasing thayer's skill in capturing light and texture.

    portrait of a young woman (1888), exemplifying his ability to convey depth and emotion through portraiture.

    landscape with figures (1895), highlighting his capacity to balance the serenity of nature with the dynamism of human figures.

    museum collections and legacy

    thayer's works are featured in several prominent museums, including:

    the museum art association of richmond (https://AllPaintingsStore.com/@@/a@d3c45v-the-museum-art-association-of-richmond-(richmond-united-states)), which houses several of his portraits.

    the cameron art museum (https://AllPaintingsStore.com/@@/a@d3cjkh-cameron-art-museum-(united-states)-a-hidden-gem-of-american-art), featuring his landscape and still life pieces.

    thayer's legacy extends beyond his art, influencing generations of american painters with his unique blend of traditional and innovative techniques.

    notable exhibitions and collections on AllPaintingsStore

    view abbott handerson thayer's artworks on AllPaintingsStore

    purchase museum reproductions of thayer's work

    abbott handerson thayer's life was a testament to the power of artistic innovation, leaving an indelible mark on american art history.

    Museum

    Fogg Art Museum

    On show in Cambridge, United States of America

    The Fogg Art Museum: A Window into Western Artistic Evolution

    Nestled within the historic heart of Cambridge, Massachusetts, the Fogg Art Museum at Harvard University stands as a remarkable testament to centuries of artistic achievement. More than simply a repository of paintings and sculptures, the Fogg is a dynamic space where art history unfolds, inviting visitors on a journey through Western civilization’s most influential movements – from the delicate brushstrokes of the Renaissance to the vibrant energy of Impressionism and beyond. Established in 1895, the museum's origins lie not solely in collecting, but in fostering a deeper understanding of visual arts through teaching and scholarly research, a philosophy that continues to shape its approach today.

    The museum’s collection is remarkably diverse, boasting over 250,000 objects spanning from antiquity to the present. Central to the Fogg's identity are its world-renowned holdings of Italian Renaissance masterpieces – Botticelli’s ethereal “Birth of Venus,” a work that embodies the era’s fascination with classical mythology and idealized beauty, sits alongside works by Raphael, Leonardo da Vinci (represented through exceptional drawings), and Michelangelo. However, the Fogg’s narrative doesn't stop there. A significant portion of its collection is devoted to British Pre-Raphaelite art, a movement characterized by its romanticism, meticulous detail, and often symbolic imagery – exemplified by works by Dante Gabriel Rossetti and John Everett Millais. The museum also houses an impressive array of French 19th-century paintings, including works by Delacroix, Manet, and Degas, offering a crucial bridge to the burgeoning Impressionist movement. And, crucially, the Fogg’s American collection provides a vital lens through which to understand the development of art in North America, showcasing artists like Winslow Homer and John Singer Sargent.

    A Building Steeped in History and Architectural Significance

    The Fogg Museum's physical space is as captivating as its collection. Originally housed within a stunning Italian Renaissance-style building designed by Richard Morris Hunt, the museum’s original structure was demolished in 1974 to make way for new student housing. However, the spirit of the original design lives on through the magnificent façade that remains – a graceful example of Beaux-Arts architecture, complete with intricate detailing and a sense of grandeur. The current building, designed by renowned architect Renzo Piano, opened in 2014 after a transformative renovation project. Piano’s design seamlessly integrates modern elements with the museum's historic roots, creating a light-filled, airy space that maximizes gallery space while preserving the building’s original character. The most striking feature is undoubtedly the expansive glass roof, which floods the galleries with natural light and offers stunning views of the surrounding campus – a clever juxtaposition of old and new.

    Exhibitions and Ongoing Discoveries

    The Fogg Art Museum isn't static; it’s a vibrant center for artistic engagement. The museum regularly hosts temporary exhibitions that delve into specific themes, movements, or artists within its vast collection. These exhibitions often provide fresh perspectives on familiar works, revealing hidden details and offering new interpretations. Recent exhibitions have explored the influence of Japanese prints on Western art, examined the role of photography in shaping visual culture, and celebrated the work of overlooked female artists. Beyond these curated shows, the Fogg’s permanent collection is constantly being re-evaluated and presented in innovative ways, ensuring that there's always something new to discover for returning visitors.

    A Legacy of Scholarship and Artistic Appreciation

    What truly distinguishes the Fogg Art Museum is its enduring commitment to art historical scholarship. The museum’s research centers – including the Center for the Technical Study of Modern Art – play a vital role in preserving, researching, and understanding the materials and techniques used by artists throughout history. The Fogg also maintains an extensive archive of drawings and prints, providing invaluable resources for scholars and students alike. More than just a museum, the Fogg is a living laboratory where art is studied, debated, and celebrated – a place dedicated to fostering a lifelong appreciation for the power and beauty of visual art.

    The Fogg’s Appeal for Interior Designers & Collectors

    For interior designers seeking inspiration, the Fogg offers an unparalleled source of artistic reference. The museum's collection provides a rich tapestry of styles, periods, and techniques – from the opulent grandeur of Baroque interiors to the delicate elegance of Rococo design. The museum’s holdings also provide valuable insights into color palettes, composition, and decorative motifs that can be translated into contemporary spaces. Collectors seeking exceptional works of art will find the Fogg a treasure trove of opportunities, with pieces available through its lending program and occasional sales. The museum's dedication to provenance and scholarship ensures that all acquisitions are handled with the utmost care and respect for artistic heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Mount Monadnock

    artsdot.com/en/art/download/abbott-handerson-thayer-mount-monadnock-8YDH9P-en/

    Cite this artwork

    MLA
    Thayer, Abbott Handerson. Mount Monadnock. 1915, Fogg Art Museum. https://artsdot.com/en/art/abbott-handerson-thayer-mount-monadnock-8YDH9P-en/
    APA
    Thayer, Abbott Handerson (1915). Mount Monadnock [Painting]. Fogg Art Museum. https://artsdot.com/en/art/abbott-handerson-thayer-mount-monadnock-8YDH9P-en/
    Chicago
    Abbott Handerson Thayer. Mount Monadnock. 1915. Fogg Art Museum. https://artsdot.com/en/art/abbott-handerson-thayer-mount-monadnock-8YDH9P-en/
    Harvard
    Thayer, Abbott Handerson (1915) Mount Monadnock. Fogg Art Museum. Available at: https://artsdot.com/en/art/abbott-handerson-thayer-mount-monadnock-8YDH9P-en/

    Look closely

    Mount Monadnock — Abbott Handerson Thayer

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: mount monadnock, landscape, snowy mountain. Do you agree? What would you add, or take away?
    4. Look back at Mother and Child, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Tonalism: Quiet landscapes wrapped in mist and shadow, built from a narrow range of closely related tones. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.