Με σύντομη περιγραφή
Αν γνωρίζετε ένα έργο του John Dee, είναι πιθανότατα το Obsidian Mirror (1400). Ο Four Castles Gold Disk (1560) και ο Sigillum Dei, Wax Disks (1582) συμπληρώνουν τα τρία έργα που οι άνθρωποι αναγνωρίζουν αμέσως. Ο κατάλογός μας περιλαμβάνει 4 έργα του John Dee. Παρακάτω εμφανίζονται τα 4 πιο γνωστά, με την ημερομηνία δημιουργίας, το πού βρίσκονται και τι τα κάνει μοναδικά.
Ξεκινήστε από εδώ: τα 10 κορυφαία έργα του John Dee
Ο John Dee ανά έτος: τα κορυφαία έργα
Τα έργα του John Dee σε αυτή την χρονοσειρά καλύπτουν 23 χρόνια, από το 1560 έως το 1582. Περιηγηθείτε σε αυτά ανάλογα με την χρονολογία, με τα πιο γνωστά έργα κάθε έτους.
Έργα ανά έτος
Επιλέξτε μια χρονιά για να δείτε τα έργα της.
Τα ερωτήματά σας για τα έργα του John Dee
Ποιο έργο του John Dee είναι το πιο διάσημο;Δείτε την απάντηση
Στην κορυφή της λίστας βρίσκεται το Obsidian Mirror (1400). Ακολουθούν το Four Castles Gold Disk (1560) και το Sigillum Dei, Wax Disks (1582).
Πόσα έργα δημιούργησε ο/η John Dee;Δείτε την απάντηση
Στο κατάλογό μας υπάρχουν 4 έργα του John Dee, με ημερομηνίες από 1560 έως 1582.
Πότε δημιούργησε ο/η John Dee τα πιο γνωστά του/της έργα;Δείτε την απάντηση
Στην 1582, περισσότερο από οποιαδήποτε άλλη εποχή: 2 από τα 4 έργα σε αυτήν τη σελίδα χρονολογούνται τότε, με Sigillum Dei, Wax Disks από αυτά να ξεχωρίζουν.
Ποια διάσημα έργα του John Dee είναι τα πρώτα και τα τελευταία;Δείτε την απάντηση
Το παλαιότερο έργο εδώ είναι το Four Castles Gold Disk (1560), ενώ το πιο πρόσφατο είναι το Sigillum Dei, Wax Disks (1582).
Μπορώ να αποκτήσω μια αναπαραγωγή ενός έργου του John Dee;Δείτε την απάντηση
Ναι. Κάθε έργο σε αυτήν τη σελίδα είναι διαθέσιμο ως χειροποίητη αναπαραγωγή σε λάδι ή ως εκτύπωση, στο μέγεθος που σας εξυπηρετεί. Απλώς επισκεφθείτε τη σελίδα του έργου για να πραγματοποιήσετε την παραγγελία σας.
Γνωρίζοντας τον/την John Dee
The Life and Family of John Dee
John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.
Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.
The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.
Travels and Connections in Europe
John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.
His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.
