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Οδηγός Έργων Φοιτητών

Monkeys

Όνομα Τάξη Ημερομηνία

hashimoto kansetsu, Monkeys (1933). Δημόσιο περιουσιακό δικαίωμα.

Στοιχεία αναφοράς

Καλλιτέχνης
hashimoto kansetsu artsdot.com/el/artists/hashimoto-kansetsu/
Χρονολογία καλλιτέχνη
1883 – 1945
Μαλοχρωματισμένο
1933
Αρχική διάσταση
139 x 158 cm

Στο πλαίσιο

Monkeys — hashimoto kansetsu

Ποιο είναι το μέγεθός του;

Οι πρωτότυπες διαστάσεις είναι 139 × 158 εκ. (ύψος × πλάτος), σχεδιασμένες εδώ δίπλα σε έναν ενήλικα μέσου ύψους.

Πότε έγινε η ζωγράφιση;

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Σκιασμένο: η ζωή του hashimoto kansetsu (1883–1945) ▲ αυτό το έργο, 1933

Παρόμοια έργα

Επιλέξτε ένα από τα παραπάνω έργα: αναφέρετε δύο κοινά στοιχεία που έχει με αυτό και ένα στοιχείο που το διαφοροποιεί.

Περισσότερα έργα που μπορούν να συνδυαστούν με αυτό: artsdot.com/el/art/similar/hashimoto-kansetsu-monkeys-D78U84-en/

Χρωματική παλέτα

Μετρημένο από την εικόνα

    Κυρίαρχο χρώμα

    Rosy Brown #bab193

    Καταχωρημένη παλέτα

    • #BAB193
    • #7A7666
    • #A19A81
    • #D0C4A2
    Παλέτα
    Monochrome Η κυρίαρχη οικογένεια χρωμάτων στην εικόνα.
    Κυρίαρχο χρώμα
    Rosy Brown
    Ένταση
    Balanced Πόσο κορεσμένες και ποικίλες είναι οι αποχρώσεις, από έναν μόνο ήπιο τόνο έως πολλούς φωτεινούς.
    Αντίθεση
    Serene Το πόσο διαφέρουν τα χρώματα σε φωτεινότητα και κορεσμό σε όλο το έργο.
    Αρμονία
    Unified Palette Ο βαθμός της αρμονίας μεταξύ των χρωμάτων, από την έντονη αντίθεση έως την πλήρη ενότητα.
    Φωτεινότητα
    Brilliant Το πόσο ανοιχτό ή σκούρο φαίνεται το έργο συνολικά, από τις βαθιές σκιές έως τα φωτεινά σημεία.
    Κορεσμός
    Subtle Color Πόσο καθαρά και έντονα είναι τα χρώματα, από το σχεδόν γκρίζο έως το απόλυτα ζωντανό.

    Σχετικά με το έργο αυτό

    Monkeys — hashimoto kansetsu

    Two black monkeys, depicted in a realistic style, sit in a tree painted in light colors. The composition is a simple one, and the poses of the monkeys and the twisting branches of the tree generate a sense of space. The theme of monkeys in trees, as in this painting of two black monkeys, has a tradition that can be traced back to Chinese painting. Hashimoto Kansetsu was well versed in both classical Chinese literature and Asian painting, for he had been taught the Chinese classics by his father, a Confucian scholar of the Akashi fief, from his childhood and had studied painting under Takeuchi Seiho in Kyoto. He particularly excelled in painting animals, establishing a unique style by depicting Southern themes based on the Shijo school’s manner of sketching from life. Monkeys is a late masterpiece, which shows well the artist’s individuality. The face of the monkey in the foreground is positioned at the center of the picture, and the line from its left foot to its right hand forms a diagonal. The tree, meanwhile, is confined almost entirely to the bottom right of the picture. The monkey’s hand reaches into the air toward the upper left, as if trying to grasp something, and we realize how Hashimoto needed the full size of this picture to give meaning to this space. Through his skillful handling of a composition defined only by monkeys and tree, Hashimoto Kansetsu has achieved a spatial expression of great spiritual depth, which differs in dimension from that achieved by the Western system of perspective that was strongly influencing Japanese style painting at the time. (Writer : Masato Satsuma Source : Selected Masterpieces from The University Art Museum, Tokyo National University of Fine Arts and Music: Grand Opening Exhibition, The University Art Museum, Tokyo National University of Fine Arts and Music, 1999)

    Καλλιτέχνης και μουσείο

    Καλλιτέχνης

    hashimoto kansetsu

    Γεννημένος στις Kobe, Japan

    Hashimoto Kansetsu: A Life Dedicated to Nihonga

    Born: November 10, 1883, Kobe, Japan

    Died: February 26, 1945

    Nationality: Japanese

    Artistic Movement: Nihonga

    Early Life and Training

    Hashimoto Kansetsu was born into a family of artists; his father, Hashimoto Kaikan, was also a painter. This upbringing instilled in him a deep appreciation for art and Chinese culture.

    He initially studied at Chikujokai, a private school founded by the renowned nihonga painter Takeuchi Seihō. However, he left due to differing artistic viewpoints.

    His early training focused on mastering traditional Japanese painting techniques and absorbing influences from both Japanese and Chinese art traditions.

    Artistic Style and Influences

    Nihonga Specialization: Kansetsu dedicated his career to Nihonga, a style of Japanese painting that emerged during the Meiji period, emphasizing traditional Japanese aesthetics and techniques while incorporating elements of Western art.

    Chinese Inspiration: A significant influence on Kansetsu's work was Chinese scenery and classical literature. He frequently visited China, drawing inspiration from its landscapes and literary heritage.

    Themes & Subjects: His paintings often depicted scenes inspired by Chinese poetry and historical narratives, showcasing his erudition and artistic skill. Common subjects included figures, animals (particularly monkeys and dogs), and landscapes imbued with a sense of tranquility and elegance.

    Style Characteristics: Kansetsu's style is characterized by meticulous detail, refined brushwork, and a harmonious use of color. He skillfully blended traditional Japanese techniques with subtle Western influences, creating a unique and recognizable aesthetic.

    Major Works and Recognition

    Notable Paintings: Some of his most celebrated works include "Tang Dogs" (唐犬), depictions of monkeys, and paintings inspired by historical figures like Emperor Godaigo.

    Museum Collections: His artworks are featured in prominent museums such as the Osaka City Museum of Fine Arts and the Honolulu Museum of Art.

    Awards & Honors: Kansetsu received numerous awards throughout his career, including first prize at the Bunten exhibitions in 1916 and 1917. He was also appointed an Imperial Household Artist, a prestigious honor recognizing his contributions to Japanese art.

    Legacy and Historical Significance

    Contribution to Nihonga: Hashimoto Kansetsu played a crucial role in the development and popularization of Nihonga painting. His work helped define the style's aesthetic principles and established him as one of its leading figures.

    Hakusasonso Museum: His former residence, now known as the Hakusasonso (Hashimoto Kansetsu Memorial House), serves as a museum showcasing his extensive body of work and preserving his artistic legacy.

    Influence on Subsequent Artists: Kansetsu's influence can be seen in the works of later Japanese artists who continued to explore the possibilities of Nihonga, solidifying his place as an important figure in modern Japanese art history.

    Περισσότερες πληροφορίες

    Διαθέσιμο online

    Κωδικός QR που συνδέεται με τη σελίδα λήψης για το Monkeys

    artsdot.com/el/art/download/hashimoto-kansetsu-monkeys-D78U84-en/

    Παρθέμειο αναφορά για το έργο

    MLA
    kansetsu, hashimoto. Monkeys. 1933, https://artsdot.com/el/art/hashimoto-kansetsu-monkeys-D78U84-en/
    APA
    kansetsu, hashimoto (1933). Monkeys [Painting]. https://artsdot.com/el/art/hashimoto-kansetsu-monkeys-D78U84-en/
    Chicago
    hashimoto kansetsu. Monkeys. 1933. https://artsdot.com/el/art/hashimoto-kansetsu-monkeys-D78U84-en/
    Harvard
    kansetsu, hashimoto (1933) Monkeys. Available at: https://artsdot.com/el/art/hashimoto-kansetsu-monkeys-D78U84-en/

    Κοιτάξτε προσεκτικά

    Monkeys — hashimoto kansetsu

    Κοιτάξτε πιο προσεκτικά

    Απαντήστε με δικά σας λόγια. Εδώ δεν υπάρχουν λάθος απαντήσεις — μόνο απαντήσεις που μπορείτε να εξηγήσετε.

    1. Τι σας τραβά την προσοχή πρώτα και γιατί;
    2. Ποια χρώματα ή σχήματα δημιουργούν τη διάθεση — και ποια είναι αυτή η διάθεση;
    3. Ανατρέξτε στο Title(Japanese): 唐犬 (1936), που παρουσιάστηκε νωρίτερα σε αυτόν τον οδηγό. Αναφέρετε δύο στοιχεία που μοιράζεται με αυτό το έργο και ένα που διαφέρει.
    4. hashimoto kansetsu ήταν περίπου 50 ετών όταν δημιουργήθηκε αυτό το έργο. Τι στο έργο θυμίζει τη δημιουργία ενός καλλιτέχνη σε αυτή την ηλικία;
    5. Τι θα ήθελε ο καλλιτέχνης να νιώσετε;

    Η απάντησή σας

    Γράψτε μια σύντομη παράγραφο για αυτό το έργο τέχνης, χρησιμοποιώντας τα στοιχεία από τα προηγούμενα μέρη αυτού του οδηγού και τις απαντήσεις σας παραπάνω.