Aktualisiert im November 2026 · sortiert nach unserem Popularitätsindex (Suchanfragen, Aufrufe und Bestellungen für jedes Werk) · 21 Werke von Halfdan Strøm in unserem Katalog
Kurz gesagt
Das bekannteste Werk von Halfdan Strøm ist Portrait of Mathea Strøm, the Artist's Mother (1885). Sie finden es im National Museum of Art, Architecture and Design in Oslo. Als Nächstes auf der Liste folgen Dolce far niente. Interior with the Artist's Parents (1883) und Girl Friends (1888). Wir haben 21 Werke von Halfdan Strøm in unserem Katalog; dieser Leitfaden präsentiert die 21 bekanntesten, einschließlich des Jahres, des Museums und der Geschichte jedes einzelnen Stücks.
Picnic in the Forest1908 · National Museum of Art, Architecture and Design
Sichern Sie es sich ab $300 →
Portrait of Karen Hannover1907 · National Museum of Art, Architecture and Design
Dieses Werk bestellen ab $175 →
The Artist's Daughter Mox at fourteen1913 · National Museum of Art, Architecture and Design
Handgemalt erhalten ab $175 →
Portrait of Mox, the Artist's Daughter1918 · National Museum of Art, Architecture and Design
Dieses Werk bestellen ab $175 →
Die 2 Museen, in denen sich die meisten der auf dieser Seite aufgeführten Gemälde befinden.
| Museum | Stadt | Werke von Halfdan Strøm | Gemälde aus dieser Liste |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 16 | Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends |
 Oslo Museum |
Oslo | 5 | Portrait, Portrait, Self-portrait |
Wählen Sie ein Jahrzehnt aus, um das herausragende Werk zu sehen.
An der Spitze der Liste steht Portrait of Mathea Strøm, the Artist's Mother (1885), National Museum of Art, Architecture and Design, Oslo. Direkt darauf folgen: Dolce far niente. Interior with the Artist's Parents (1883) und Girl Friends (1888).
22 Jahre alt. Halfdan Strøm wurde in 1863 geboren, und Portrait of Mathea Strøm, the Artist's Mother stammt aus dem Jahr 1885.
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends, From the Restaurant in the Labour Society in Torvgaten, The Violin Player, Farm Interior, Portrait of a Woman, Portrait of Emilie Gulowsen, b. Gabrielsen, Portrait of Museum Director Emil Hannover und Scene from the Vegetable Market. Das jeweilige Jahr und das Museum finden Sie in der obigen Liste.
Wir haben 21 Werke von Halfdan Strøm in unserem Katalog, datiert von 1883 bis 1920.
Die meisten davon finden Sie in National Museum of Art, Architecture and Design (Oslo) und Oslo Museum (Oslo). Die obige Museumsliste enthält die vollständige Aufschlüsselung.
In 1880s, mehr als zu jeder anderen Zeit: 6 der 21 auf dieser Seite aufgeführten Werke stammen aus dieser Ära, darunter Portrait of Mathea Strøm, the Artist's Mother.
Das früheste Werk hier ist Dolce far niente. Interior with the Artist's Parents (1883); das jüngste ist Self-portrait (1920).
Sie können 16 der Werke auf dieser Seite im National Museum of Art, Architecture and Design, Oslo sehen, darunter Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents und Girl Friends.
Ja. Jedes Gemälde auf dieser Seite ist als handgemalte Ölreproduktion oder als Druck in der für Sie passenden Größe erhältlich. Öffnen Sie einfach die Seite des Gemäldes, um zu bestellen.
Norway, 1883. The Industrial and Art Exhibition at Tullinløkka provides the stage for a debut. Halfdan Strøm, fresh from his studies at the Royal Drawing School in Kristiania, presents his vision to an audience in Oslo. He moves quickly from the local scene toward the broader European landscape. Munich becomes his classroom during 1883 and 1884, a period of intense technical absorption. The light changes as he joins Frits Thaulow in the outdoor academy at Modum. Here, the focus shifts to the immediate, tangible world.
The year 1889 marks a significant shift in international recognition. In Paris, at the World Exhibition, his work Skomakerverksted earns an honorable mention. This moment anchors his place within the early movement of realism in Norwegian painting. He does not merely observe; he captures the weight of everyday life through oil on canvas and board.
The trajectory moves from student to leader. Strøm occupies a central position in the Norwegian art establishment, serving as a professor at the Norwegian National Academy of Fine Arts from 1909 until 1935. By 1924, he assumes the role of Director at the same institution. His influence is codified through honors: Knight, First Class of the Royal Norwegian Order of St. Olav in 1910 and Commander of the Danish Order of the Dannebrog.
Gold medals follow his travels across the globe. The halls of the World Exhibition in Paris in 1900, the galleries of Munich in 1901, and the exhibition in San Francisco in 1915 all witness his technical precision. His work remains grounded in a specific reality, often utilizing an interplay of light and shadow to define form.
His oeuvre contains a deep connection to personal and social subjects. Some works focus on the intimate, such as the 1885 Portrait of Mathea Strøm, the Artist's Mother, while others capture the pulse of public life. The following pieces represent his varied gaze:
His legacy is held within the permanent collections of the National Gallery of Norway and the National Museum of Art, Architecture and Design. Through these works, the realism he helped establish remains visible in the textures of Norwegian life.
