Papierformat

Leitfaden für studentische Kunstwerke

The Gloaming I

Name Klasse Datum

june redfern, The Gloaming I (1999). Zur Referenz reproduziert; alle Rechte liegen beim Rechteinhaber.

Eckdaten

Künstler
june redfern artsdot.com/de/artists/june-redfern/
Lebensdaten des Künstlers
1951 – ?
Gemalt
1999
Originalgröße
61 x 69 cm

Im Kontext

The Gloaming I — june redfern

Wie groß ist es?

Das Original hat die Maße 61 × 69 cm (Höhe × Breite), hier dargestellt neben einer erwachsenen Person von durchschnittlicher Größe.

Entstehungsjahr

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Schattiert: das Lebenswerk von june redfern (1951–?) ▲ dieses Werk, 1999

Ähnliche Kunstwerke

Wählen Sie eines der oben genannten Werke aus: Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und einen Unterschied.

Weitere Werke, die sich ideal als Ergänzung zu diesem Werk eignen: artsdot.com/de/art/similar/june-redfern-the-gloaming-i-AR2CYE-en/

Farbpalette

Anhand des Bildes gemessen

    Hauptfarbe

    Khaki #d7c391

    Gespeicherte Palette

    • #D7C391
    • #31271F
    • #B58B48
    • #6E5032
    Palette
    Earthy Die dominierende Farbgruppe im Bild.
    Hauptfarbe
    Khaki
    Intensität
    Balanced Wie gesättigt und vielfältig die Farben sind – von einem einzelnen, dezenten Farbton bis hin zu einer Vielzahl leuchtender Töne.
    Kontrast
    Statement Wie stark sich die Farben in Helligkeit und Sättigung über das Bild hinweg unterscheiden.
    Harmonie
    Strong Color Unity Wie gut die Farben zusammenwirken, von kontrastreich bis hin zu vollkommen harmonisch.
    Helligkeit
    Shadow Wie hell oder dunkel das Bild insgesamt wirkt, von tiefen Schatten bis hin zu strahlenden Glanzpunkten.
    Sättigung
    Balanced Soft Wie rein und kräftig die Farben sind, von fast Grau bis hin zu voll lebendig.

    Künstler und Museen

    Künstler/in

    june redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Weitere Lesetipps

    Online verfügbar

    QR-Code mit Link zur Download-Seite für The Gloaming I

    artsdot.com/de/art/download/june-redfern-the-gloaming-i-AR2CYE-en/

    Zitierweise für dieses Kunstwerk

    MLA
    redfern, june. The Gloaming I. 1999, https://artsdot.com/de/art/june-redfern-the-gloaming-i-AR2CYE-en/
    APA
    redfern, june (1999). The Gloaming I [Painting]. https://artsdot.com/de/art/june-redfern-the-gloaming-i-AR2CYE-en/
    Chicago
    june redfern. The Gloaming I. 1999. https://artsdot.com/de/art/june-redfern-the-gloaming-i-AR2CYE-en/
    Harvard
    redfern, june (1999) The Gloaming I. Available at: https://artsdot.com/de/art/june-redfern-the-gloaming-i-AR2CYE-en/

    Genau hinsehen

    The Gloaming I — june redfern

    Genau hinsehen

    Antworten Sie in Ihren eigenen Worten. Es gibt hier keine falschen Antworten – nur Antworten, die Sie erklären können.

    1. Was fällt Ihnen als Erstes ins Auge und warum?
    2. Welche Farben oder Formen erzeugen die Stimmung – und wie sieht diese Stimmung aus?
    3. Werfen Sie einen Blick zurück auf Composition of People, weiter oben in diesem Leitfaden. Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und einen Unterschied.
    4. june redfern war etwa 48 Jahre alt, als dieses Werk entstand. Welche Details lassen auf die Handschrift eines Künstlers in dieser Lebensphase schließen?
    5. Was wollte der Künstler wohl, dass Sie fühlen?

    Ihre Antwort

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