Papierformat

Leitfaden für studentische Kunstwerke

Missing Person (I)

Name Klasse Datum

Cordelia Unterhüll, Missing Person (I) (1994). Zur Referenz reproduziert; alle Rechte liegen beim Rechteinhaber.

Eckdaten

Künstler
Cordelia Unterhüll artsdot.com/de/artists/cordelia-unterhull_de/
Gemalt
1994
Originalgröße
46 x 46 cm
Bewegung
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

Im Kontext

Missing Person (I) — Cordelia Unterhüll

Wie groß ist es?

Das Original hat die Maße 46 × 46 cm (Höhe × Breite), hier dargestellt neben einer erwachsenen Person von durchschnittlicher Größe.

Entstehungsjahr

  1. 1990

▲ dieses Werk, 1994

Ähnliche Kunstwerke

Wählen Sie eines der oben genannten Werke aus: Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und einen Unterschied.

Weitere Werke, die sich ideal als Ergänzung zu diesem Werk eignen: artsdot.com/de/art/similar/cordelia-underhill-missing-person-i-ARAMDU-en/

Farbpalette

Anhand des Bildes gemessen

    Hauptfarbe

    Orange #dea705

    Gespeicherte Palette

    • #DEA705
    • #D7C7A2
    • #C79E45
    • #CFB37E
    Palette
    Earthy Die dominierende Farbgruppe im Bild.
    Hauptfarbe
    Orange
    Intensität
    Vivid Wie gesättigt und vielfältig die Farben sind – von einem einzelnen, dezenten Farbton bis hin zu einer Vielzahl leuchtender Töne.
    Kontrast
    Serene Wie stark sich die Farben in Helligkeit und Sättigung über das Bild hinweg unterscheiden.
    Harmonie
    Unified Palette Wie gut die Farben zusammenwirken, von kontrastreich bis hin zu vollkommen harmonisch.
    Helligkeit
    Brilliant Wie hell oder dunkel das Bild insgesamt wirkt, von tiefen Schatten bis hin zu strahlenden Glanzpunkten.
    Sättigung
    Vivid Color Wie rein und kräftig die Farben sind, von fast Grau bis hin zu voll lebendig.

    Über dieses Kunstwerk

    Missing Person (I) — Cordelia Unterhüll

    The painting Missing Person (I) by Cordelia Underhill is a thought-provoking artwork that has garnered significant attention in the art world. Created in 1994, this oil on canvas painting measures 46 x 46 cm and is a quintessential example of contemporary art. As an expert in art and a salesman at AllPaintingsStore.com, I am delighted to delve into the intricacies of this artwork and explore its significance.

    Artist Background

    Cordelia Underhill is a talented artist known for her unique style and technique. Her work has been exhibited in various galleries, including the Moderna Museum Stockholm, Sweden, which is a state museum for modern and contemporary art. The museum was opened in 1958 by Pontus Hultén, who served as its director until 1973.

    Painting Analysis

    The painting Missing Person (I) features a person's face on a yellow background, partially obscured by the coloring. This gives the artwork a somewhat mysterious appearance, leaving the viewer to ponder the identity of the subject. The use of oil on canvas adds depth and texture to the painting, making it a visually striking piece.

    The painting measures 46 x 46 cm, making it a compact yet impactful work of art.

    The use of yellow as the dominant color creates a sense of warmth and intrigue.

    The partially obscured face adds an air of mystery to the artwork, inviting the viewer to interpret its meaning.

    Contemporary art enthusiasts will appreciate the unique style and technique employed by Cordelia Underhill in Missing Person (I). This painting is a testament to the artist's skill and creativity, making it a valuable addition to any art collection. For those interested in purchasing handmade oil paintings reproductions, AllPaintingsStore.com offers high-quality reproductions of this artwork.

    The Moderna Museum Stockholm, Sweden is a must-visit destination for art enthusiasts, featuring an extensive collection of modern and contemporary art. Visitors can explore the museum's exhibits, including works by renowned artists such as Kazimir Severinovich Malevich and Henri De Toulouse Lautrec.

    Künstler und Museen

    Künstler/in

    Cordelia Unterhüll

    Cordelia Underhill: Bridging History and Emotion Through Performance Drawing

    Cordelia Underhill’s artistic journey began in Orkney, Scotland, where she immersed herself in the rugged beauty of the Northern Isles—a landscape that would profoundly shape her visual sensibility. From a young age, she demonstrated an exceptional aptitude for drawing, capturing fleeting moments of observation with remarkable precision and conveying subtle nuances of emotion through carefully considered compositions. Influenced by Surrealist painters like René Magritte and Giorgio Morandi – artists who championed the power of subconscious exploration and distilled visual language to its essence – Underhill’s artistic vision was rooted in a belief that drawing transcends mere representation; it becomes an active dialogue with place and experience itself.

    Early Influences: The Seeds of Surrealism

    Underhill cites Surrealist painters as formative figures, recognizing the transformative potential of dreamlike imagery and irrational juxtapositions. Magritte’s enigmatic canvases—such as “The Treachery of Images” (“This is Not a Pipe”) – challenged viewers to reconsider conventional perceptions of reality, prompting contemplation on themes of illusion and deception. Similarly, Morandi’s austere landscapes—characterized by muted tones and simplified forms—captured the quiet dignity of everyday life with understated elegance. These artists instilled in Underhill a conviction that art could unsettle expectations and provoke intellectual curiosity – principles that would permeate her subsequent artistic endeavors.

    Formal Training: Mastering Printmaking Techniques

    Her undergraduate studies at Edinburgh College of Art provided Underhill with invaluable technical skills—primarily focused on printmaking—which continue to inform her artistic practice today. She honed her proficiency in etching, lithography, and screen printing, mastering the intricacies of transferring images onto various substrates while experimenting with innovative textural effects. This disciplined approach to craftsmanship underscored Underhill’s belief that meticulous attention to detail enhances the expressive power of any artwork – a conviction that would guide her exploration of artistic mediums throughout her career.

    The Orkney Residency Experience: Collaboration and Place

    A pivotal moment in Underhill’s artistic development arrived during her participation in the DRAWING WITH PLACE Group Residency in Orkney—a transformative encounter with fellow artists dedicated to investigating the relationship between art and environment. Surrounded by windswept moors, ancient stone circles, and vibrant coastal ecosystems, Underhill embarked on a collaborative project centered around drawing and performance. This immersive experience underscored her commitment to fostering dialogue about cultural heritage and engaging audiences in active contemplation – principles that would become central to her artistic ethos.

    Notable Works: Echoes of Absence and Presence

    Among Underhill’s most celebrated paintings is “Missing Person (I),” completed in 1994—a striking composition featuring stylized faces rendered in luminous yellow hues against a textured background. The deliberate use of color – echoing the golden light of Orkney’s sunsets – serves as a symbolic gesture, inviting viewers to consider questions of identity and vulnerability. Furthermore, “Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897” showcases Underhill's remarkable ability to capture historical scenes with palpable atmosphere—demonstrating her mastery of tonal gradation and textural layering. Her work has garnered critical acclaim for its evocative imagery and profound emotional resonance – cementing her position as a distinctive voice within contemporary art.

    Contemporary Significance: An Artist’s Enduring Vision

    Cordelia Underhill's artistic practice continues to inspire artists today, reflecting a broader engagement with themes of place, memory, and the transformative potential of creative exploration. Her unwavering dedication to pushing boundaries—both technically and conceptually—serves as an inspiration for aspiring creators seeking to forge their own unique paths within the realm of visual art. Underhill’s legacy resides not merely in her individual artworks but also in her contribution to fostering a dialogue about the enduring power of drawing as a medium for conveying profound emotional truths – a testament to her artistic vision and its lasting impact on the cultural landscape.

    Weitere Lesetipps

    Online verfügbar

    QR-Code mit Link zur Download-Seite für Missing Person (I)

    artsdot.com/de/art/download/cordelia-underhill-missing-person-i-ARAMDU-en/

    Zitierweise für dieses Kunstwerk

    MLA
    Unterhüll, Cordelia. Missing Person (I). 1994, https://artsdot.com/de/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    APA
    Unterhüll, Cordelia (1994). Missing Person (I) [Painting]. https://artsdot.com/de/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    Chicago
    Cordelia Unterhüll. Missing Person (I). 1994. https://artsdot.com/de/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    Harvard
    Unterhüll, Cordelia (1994) Missing Person (I). Available at: https://artsdot.com/de/art/cordelia-underhill-missing-person-i-ARAMDU-en/

    Genau hinsehen

    Missing Person (I) — Cordelia Unterhüll

    Genau hinsehen

    Antworten Sie in Ihren eigenen Worten. Es gibt hier keine falschen Antworten – nur Antworten, die Sie erklären können.

    1. Was fällt Ihnen als Erstes ins Auge und warum?
    2. Welche Farben oder Formen erzeugen die Stimmung – und wie sieht diese Stimmung aus?
    3. Unser Katalog ordnet dieses Werk unter folgenden Schlagworten ein: abstract, mystery, face. Stimmen Sie dem zu? Was würden Sie hinzufügen oder weglassen?
    4. Werfen Sie einen Blick zurück auf Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897, weiter oben in diesem Leitfaden. Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und einen Unterschied.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Wo lässt sich dies in diesem Werk erkennen?

    Ihre Antwort

    Schreiben Sie einen kurzen Absatz über dieses Kunstwerk. Verwenden Sie dazu die Informationen aus den vorherigen Abschnitten dieser Anleitung sowie Ihre oben stehenden Antworten.