Papierformat

Leitfaden für studentische Kunstwerke

Creation

Name Klasse Datum

alice berger hammerschlag, Creation. Zur Referenz reproduziert; alle Rechte liegen beim Rechteinhaber.

Eckdaten

Künstler
alice berger hammerschlag artsdot.com/de/artists/alice-berger-hammerschlag/
Lebensdaten des Künstlers
1917 – 1969
Originalgröße
61 x 71 cm
Bewegung
Color Field Painting Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything.

Im Kontext

Creation — alice berger hammerschlag

Wie groß ist es?

Das Original hat die Maße 61 × 71 cm (Höhe × Breite), hier dargestellt neben einer erwachsenen Person von durchschnittlicher Größe.

Wann könnte dieses Werk entstanden sein?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960

Schattiert: das Lebenswerk von alice berger hammerschlag (1917–1969)

Für diese Aufnahme liegt kein genaues Jahr vor – wenn Sie die Lebensdaten des Künstlers und den Stil des Werkes berücksichtigen, auf welches Jahrzehnt würden Sie tippen?

Ähnliche Kunstwerke

  • Cut Glass Reflections artsdot.com/de/art/alice-berger-hammerschlag-cut-glass-reflections-AR2F8W-en/
  • Untitled artsdot.com/de/art/alice-berger-hammerschlag-untitled-AR2F92-en/
  • Summer Ripeness artsdot.com/de/art/alice-berger-hammerschlag-summer-ripeness-AR2F9C-en/

Wählen Sie eines der oben genannten Werke aus: Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und einen Unterschied.

Weitere Werke, die sich ideal als Ergänzung zu diesem Werk eignen: artsdot.com/de/art/similar/alice-berger-hammerschlag-creation-AR2F98-en/

Farbpalette

Anhand des Bildes gemessen

    Hauptfarbe

    Rosy Brown #9fa578

    Gespeicherte Palette

    • #9FA578
    • #D8D8D6
    • #4D6164
    • #C33C21
    Palette
    Neutrals Die dominierende Farbgruppe im Bild.
    Hauptfarbe
    Rosy Brown
    Intensität
    Balanced Wie gesättigt und vielfältig die Farben sind – von einem einzelnen, dezenten Farbton bis hin zu einer Vielzahl leuchtender Töne.
    Kontrast
    Bold Wie stark sich die Farben in Helligkeit und Sättigung über das Bild hinweg unterscheiden.
    Harmonie
    Discordant Palette Wie gut die Farben zusammenwirken, von kontrastreich bis hin zu vollkommen harmonisch.
    Helligkeit
    Brilliant Wie hell oder dunkel das Bild insgesamt wirkt, von tiefen Schatten bis hin zu strahlenden Glanzpunkten.
    Sättigung
    Subtle Color Wie rein und kräftig die Farben sind, von fast Grau bis hin zu voll lebendig.

    Künstler und Museen

    Künstler/in

    alice berger hammerschlag

    Alice Berger Hammerschlag: A Belfast Visionary

    Alice Berger Hammerschlag (1917-1969) remains a quietly significant figure in the artistic landscape of Northern Ireland, an artist whose impact extended far beyond her own compelling abstract paintings. Born in Vienna amidst the rising tide of political upheaval, her early life instilled a deep appreciation for art and a resilience that would prove crucial as she navigated the challenges of displacement and found a new home in Belfast during World War II. Her journey represents not just an artistic evolution but also a testament to adaptability and a commitment to fostering creativity within a region grappling with complex social divisions.

    Hammerschlag’s formal training began at the Vienna Academy of Arts, where she studied under Franz Cizek, a progressive educator who emphasized experimentation and individual expression. This early exposure to modern techniques laid the groundwork for her later development as an abstract painter. However, the political climate in Austria forced her family to seek refuge in Britain, ultimately settling in Belfast in 1938. It was here that she began to forge her unique artistic identity, influenced by both European avant-garde movements and the burgeoning regional art scene.

    A Painter of Rhythm and Emotion

    Hammerschlag’s work is characterized by a dynamic interplay of color, form, and rhythm. Initially exploring abstract expressionism, she gradually developed a distinctive style that incorporated elements of color field painting and gestural abstraction. Her canvases are often dominated by bold, saturated hues—blues, reds, yellows—arranged in layered compositions that evoke a sense of movement and energy. She wasn’t simply depicting subjects; instead, she aimed to capture the feeling of a scene or emotion through carefully considered color relationships and dynamic brushstrokes.

    Her paintings frequently featured circular forms, suggesting cycles and transformations – a recurring motif reflecting her personal experiences of displacement and renewal. Critics noted a particularly strong sense of rhythm in her work, achieved through the careful placement of shapes and colors that created visual harmonies and dissonances. This was further enhanced by her use of impasto techniques, building up layers of paint to create textured surfaces that invited tactile engagement.

    From Studio to Stage: A Multifaceted Career

    While Hammerschlag’s artistic output is undeniably significant, it's important to recognize the breadth of her professional life. Following her arrival in Belfast, she secured work as a graphic designer for various publishers, honing her skills in layout and illustration. This experience proved invaluable when she transitioned into stage design, contributing significantly to the visual identity of productions at the Lyric Theatre Belfast. Her set designs were particularly notable for their innovative use of color and texture, often complementing and enhancing the themes of the plays themselves.

    Her involvement with the New Gallery, a vital space for contemporary art in Belfast during the 1950s and 60s, further cemented her role as a champion of artistic innovation. She played an active part in organizing exhibitions, fostering connections between artists and audiences, and promoting a more open-minded approach to visual culture. This commitment extended beyond the gallery walls; she was also a member of the Women’s International Art Club and the Free Painters and Sculptors, actively participating in networks of artistic exchange.

    Legacy and Recognition

    Despite facing challenges as a female artist in a predominantly male-dominated field, Alice Berger Hammerschlag left an enduring legacy. Her paintings are now held in important collections across Ireland and beyond, including the Ulster Museum and Queen’s University Belfast. Her work continues to be exhibited and studied, offering insights into the evolving artistic landscape of Northern Ireland during a period of significant social and political change. The establishment of the Alice Berger Hammerschlag Award by her husband, Heinz Hammerschlag, stands as a lasting tribute to her dedication to nurturing emerging artists.

    More than just an artist, Alice Berger Hammerschlag was a cultural catalyst—a visionary who helped shape the artistic identity of Belfast and contributed significantly to the region’s vibrant creative community. Her paintings remain powerful expressions of emotion, rhythm, and resilience, inviting viewers to contemplate the complexities of human experience and the transformative power of art.

    Weitere Lesetipps

    Online verfügbar

    QR-Code mit Link zur Download-Seite für Creation

    artsdot.com/de/art/download/alice-berger-hammerschlag-creation-AR2F98-en/

    Zitierweise für dieses Kunstwerk

    MLA
    hammerschlag, alice berger. Creation. n.d., https://artsdot.com/de/art/alice-berger-hammerschlag-creation-AR2F98-en/
    APA
    hammerschlag, alice berger (n.d.). Creation [Painting]. https://artsdot.com/de/art/alice-berger-hammerschlag-creation-AR2F98-en/
    Chicago
    alice berger hammerschlag. Creation. n.d. https://artsdot.com/de/art/alice-berger-hammerschlag-creation-AR2F98-en/
    Harvard
    hammerschlag, alice berger (n.d.) Creation. Available at: https://artsdot.com/de/art/alice-berger-hammerschlag-creation-AR2F98-en/

    Genau hinsehen

    Creation — alice berger hammerschlag

    Genau hinsehen

    Antworten Sie in Ihren eigenen Worten. Es gibt hier keine falschen Antworten – nur Antworten, die Sie erklären können.

    1. Was fällt Ihnen als Erstes ins Auge und warum?
    2. Welche Farben oder Formen erzeugen die Stimmung – und wie sieht diese Stimmung aus?
    3. Unser Katalog ordnet dieses Werk unter folgenden Schlagworten ein: abstract art, circular design, color harmony. Stimmen Sie dem zu? Was würden Sie hinzufügen oder weglassen?
    4. Werfen Sie einen Blick zurück auf Cut Glass Reflections, weiter oben in diesem Leitfaden. Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und einen Unterschied.
    5. Color Field Painting: Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything. Wo lässt sich dies in diesem Werk erkennen?

    Ihre Antwort

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