Zeitraum

1. Nr. 5 Nr. 22 — Mark Rothko
2. Untitled (female nude standing by a fireplace) — Mark Rothko
3. Rot und Orange — Mark Rothko
4. Unbetitelt — Mark Rothko, 1942
5. Abstraktes Gemälde — Mark Rothko
6. Katzen New York — Mark Rothko
7. Grün und Weiß in Blau — Mark Rothko
8. Nr. 17 — Mark Rothko, 1958
9. Untitled — Mark Rothko, 1963

Bewegung

1. Unbetitelt — Mark Rothko, 1945
2. Nr. 5 Nr. 22 — Mark Rothko
3. Untitled (female nude standing by a fireplace) — Mark Rothko
4. Rot und Orange — Mark Rothko
5. Unbetitelt — Mark Rothko, 1942
6. Abstraktes Gemälde — Mark Rothko
7. Unbetitelt — Mark Rothko, 1942
8. Unbetitelte Leinwand — Mark Rothko, 1946
9. Katzen New York — Mark Rothko
10. The Limit — Arschile Gorky, 1947
11. Estuary — Graham Vivian Sutherland

Stimmung

1. Nr. 5 Nr. 22 — Mark Rothko
2. Unbenannt — Mark Rothko, 1942
3. Unbetitelt — Mark Rothko, 1942
4. Nr. 17 — Mark Rothko, 1958

Themen

1. Unbetitelt — Mark Rothko, 1945

Schlagworte

Tonwert

1. Rot und Orange — Mark Rothko
2. Abstraktes Gemälde — Mark Rothko
3. Nr. 17 — Mark Rothko, 1958

Hauptfarbe

1. Mecanismo Carcelario — Wladimir Rusakow
2. Nr. 17 — Mark Rothko, 1958
3. Untitled (female nude standing by a fireplace) — Mark Rothko
4. Unbetitelte Leinwand — Mark Rothko, 1946
5. Untitled (752) — ennio morlotti
6. Untitled — Mark Rothko, 1963
7. Journey into the you beaut country no. 1 — John Henry Olsen, 1961
8. Autumn — gene bernard davis, 1955
9. Cliffs at Fall — Elwyn Augustus Lynn, 1961
10. Estuary — Graham Vivian Sutherland
11. Katzen New York — Mark Rothko
12. Grün und Weiß in Blau — Mark Rothko
13. Unbetitelt — Mark Rothko, 1945
14. Abstraktes Gemälde — Mark Rothko
15. Unbenannt — Mark Rothko, 1942
16. Unbetitelt — Mark Rothko, 1942
17. Rot und Orange — Mark Rothko
18. Unbetitelt — Mark Rothko, 1942
19. The Limit — Arschile Gorky, 1947
20. Armchair — alecos kontopoulos, 1951
21. 'Generation' – First Group – Dark Landscape — Maurice Cockrill, 1993
22. Nr. 5 Nr. 22 — Mark Rothko

andere

1. Multiplication — Mario Sironi
2. Church, Denmark — William H. Johnson, 1935