Zeitraum

1. Coming Out of the Haze — Ronald Lockett, 1994
2. The Inferior Man That Proved Hitler Wrong — Ronald Lockett, 1995

Bewegung

1. Coat — María De Los Ángeles Guerrero González, 1997
2. Coming Out of the Haze — Ronald Lockett, 1994
3. The Inferior Man That Proved Hitler Wrong — Ronald Lockett, 1995

Stimmung

1. Untitled — Purvis Young, 1980

Themen

1. La casa viuda IV (Widowed House IV) — Doris Salcedo, 1994

Schlagworte

Tonwert

1. Coat — María De Los Ángeles Guerrero González, 1997
2. Sculpture — Magdalena Martí Coll, 1986
3. Zwei Teile Skulptur Nr. 7; Rohr — Henry Moore
4. Untitled — Purvis Young, 1980
5. Glas, Flasche und Pfeife (Violette de Parme) — Georges Braque, 1914
6. Oval Form (Trezion) — Barbara Hepworth, 1943

Hauptfarbe

1. Zwei Teile Skulptur Nr. 7; Rohr — Henry Moore
2. Konstruktion (Kreuzigung) — Barbara Hepworth, 1966
3. La casa viuda IV (Widowed House IV) — Doris Salcedo, 1994
4. Pedal accordion — piotr stamirowski, 1932
5. Sculpture — Magdalena Martí Coll, 1986
6. Glas, Flasche und Pfeife (Violette de Parme) — Georges Braque, 1914
7. The Touch\n\nReference Image — Iwona Langowska
8. Self-Portrait with Sliding Light — Christopher Wilmarth, 1987
9. Vorlage für Waterloo Brücke: Der Fluss — Barbara Hepworth, 1947
10. Sculpture with Colour (Deep Blue and Red) — Barbara Hepworth, 1940
11. Oval Form (Trezion) — Barbara Hepworth, 1943
12. The high carry — Frank Weston Benson
13. Skulptur-Motte — Marcel Duchamp
14. The Inferior Man That Proved Hitler Wrong — Ronald Lockett, 1995
15. Untitled — Purvis Young, 1980
16. Drum (Teponaztli) — Azteken

andere

1. Mother And Child 4 — Henry Moore
2. Curiosity — affortunato gori (gori)
3. Ugborogho — Bruce Onobrakpeya, 1978
4. After the Exhibition Closes — harvey duke, 1990
5. An aggregate 201103 — Bahk Seon-ghi, 2011
6. Untitled (107) — Aristide Maillol