Papirformat

Guide til elevkunst

Abenugongo

Navn Klasse Dato

yusuf adebayo cameron grillo, Abenugongo (1994), Yemisi Shyllon Museum of Art. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
yusuf adebayo cameron grillo artsdot.com/da/artists/yusuf-adebayo-cameron-grillo/
Kunstnerens levetid
1934 – 2021
Malet
1994
Medie
Oil On Board
Oprindelig størrelse
122 x 64 cm
Bevægelse
Stylized Naturalism
Periode
Contemporary
Afholdt hos
Yemisi Shyllon Museum of Art artsdot.com/da/museums/yemisi-shyllon-museum-of-art-lagos_da/

I kontekst

Abenugongo — yusuf adebayo cameron grillo

Hvor stor er den?

Originalen måler 122 × 64 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010
  10. 2020

Skyggelagt: yusuf adebayo cameron grillo' livstid (1934–2021) ▲ dette værk, 1994

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #101227

    Gemt palet

    • #101227
    • #252F54
    • #7D513C
    • #1E88B5
    Primær farve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Abenugongo — yusuf adebayo cameron grillo

    Born at the Brazilian Quarters of Lagos in 1934, Adebayo Yusuf Cameron Grillo was one of Nigeria’s most celebrated, educated and exposed contemporary artists. His lineage is traced to Nigerian-Brazilian grandparents who repatriated to their homeland after the abolition of the slave trade in the 20th century. He was sent to school early on and benefitted from the tutelage and artistic practices of the early modern art pioneers and masters like Aina Onabolu, Akinola Lasekan among others who were the first certified, British trained art educators in Nigeria. He would go on, in the 1950’s, to continue his art education at the Nigerian College of Art, Science and Technology (NCAST) where he obtained a Diploma in Fine Arts and a post-graduate Diploma in Art Education. He is a member of the famous Zaria Art Society (aka the Zaria Rebels) which led the path for a modern artistic definition for Nigerian art through the philosophy of “Natural Synthesis”. Grillo gained international recognition and acclaim while exhibiting a large collection of his early works in the 1960’s and 1970’s. His artistic style, classified as Stylized Naturalism, was very unique for its elongated figures and images rendered in elegant poses. His favorite rendition colours are blue, purple and green derived from the Yoruba chromatic tradition, he also mixes other colours on the wheel on different areas of his forms for enhanced aesthetic effects. Grillo’s works probed the traditional style of wood carving of the Yoruba people and interpreted the forms into 2-dimensional paintings with different thematic appeals. His forms were characterized by their Yoruba dresses; presence of cultural relicts such as traditional drums, ritual staffs and accessories; and motifs of royal and economic statue which were all symbolic in identifying with the “Natural Synthesis” ideology of the Zaria Art Society. Abenugongo is a portrait of a mythical bald-headed Yoruba man dressed in Agbada, wearing a ritual necklace like a typical Babalawo, a native doctor. As common in Grillo’s images, the man’s body looks stretched with his face and neck longer than normal for a human being. He also lavishes different shades of purple and blue (2 of his favorite colours) on his body while he mixes brown and black for proper aesthetic effects on his neck and head regions.

    Kunstner og museum

    Kunstner

    yusuf adebayo cameron grillo

    Født i Lagos Island, Nigeria

    Yusuf Adebayo Cameron Grillo: A Pioneer of Modern Nigerian Art

    Early Life and Education

    Yusuf Adebayo Cameron Grillo was born in 1934 in the Brazilian quarters of Lagos Island, Nigeria. He is considered one of Nigeria’s most important contemporary artists. His early life was steeped in the vibrant cultural environment of Lagos, which would later profoundly influence his artistic vision. Grillo received his formal art training at the Nigerian College of Arts, Science and Technology in Zaria, where he earned a diploma in Fine Arts and a postgraduate diploma in Education in 1961.

    Artistic Development and Style

    Grillo’s artistic journey began in the 1960s, gaining international recognition throughout the 1970s. His style is characterized by a unique synthesis of Western art techniques and traditional Yoruba aesthetics. He frequently worked with oil on board, creating richly textured and deeply layered compositions. A defining feature of his work is his distinctive use of the color blue, often employed to evoke natural settings and spiritual atmospheres. This preference is sometimes linked to the adire or resist-dye textiles prevalent in Nigerian culture.

    Influences and Themes

    Grillo’s artistic influences were diverse. He skillfully integrated elements of Western modernism with the sculptural traditions of the Yoruba people, resulting in a style that was both innovative and deeply rooted in his cultural heritage. His work often explores themes of Nigerian identity, culture, and spirituality. He frequently depicted scenes of everyday life, portraits, and landscapes, imbuing them with symbolic meaning.

    Major Achievements and Leadership

    Grillo was a pivotal figure in the development of modern Nigerian art. He served as the founding president of the Society of Nigerian Artists, playing a crucial role in fostering a vibrant artistic community. In 1977, he chaired the Visual Arts Committee for the Festival of Black Arts and Culture (Festac), a landmark event that celebrated African arts and culture on a global stage. From the 1970s until 1985, he was also the Director of the Yaba College of Technology School of Art, nurturing generations of Nigerian artists. He further served as Vice President of the International Association of Art.

    Historical Significance and Legacy

    Yusuf Grillo’s contributions to the art world have been widely recognized through numerous awards and honors. His work is featured in prominent museums and private collections worldwide, solidifying his position as a leading figure in African modernism. He is considered one of Nigeria's outstanding academically trained painters. His legacy continues to inspire new generations of artists, and his paintings – particularly those utilizing oil on board – remain highly sought after.

    Later Life and Death

    Grillo passed away on August 23, 2021, due to complications from Covid-19. His death marked a significant loss for the Nigerian art community and beyond. However, his artistic vision and contributions will continue to resonate for years to come.

    Key Highlights

    Born: 1934, Lagos Island, Nigeria

    Died: August 23, 2021

    Known For: Blue hues, Yoruba-Western art fusion

    Founding President: Society of Nigerian Artists

    Chairman: Festac '77 Visual Arts Committee

    Museum

    Yemisi Shyllon Museum of Art

    Udstillet i Lagos, Nigeria

    Et fyrtårn for nigeriansk kunstnerisk arv: Yemisi Shyllon Museum of Art

    Midt på campus ved Pan-Atlantic University i Lekki, Lagos, i Nigeria, finder man en helt unik institution – Yemisi Shyllode Museum of Art. Det er langt mere end blot et udstillingsrum; det er et vidnesbyrd om visionær filantropi og en hyldest til Nigerias levende kunstneriske arv, som desuden markerer landets allerførste universitetsmuseum for kunst.

    Museet blev grundlagt i oktober 2019 takket være den generøse donation fra Prins Yemisi Shyllon – en af Afrikas mest fremtrædende kunstsamlere – og legemliggør en bemærkelsesværdig forening af videnskabelig stringens og æstetisk skønhed. Skabelsen af museet udsprang af et ønske om at fremme kunstnerisk forståelse i universitetsmiljøet og om at beskytte Nigerias kulturelle skatte for kommende generationer.

    En arv bygget på passion:

    YSMA's oprindelse kan spores tilbage til april 2011 med lanceringen af det virtuelle museum for moderne og samtidskunst i Nigeria, hvilket viste Shyllons dedikation til at formidle kunstnerisk viden. Efterfølgende forslag fra andre samlere cementerede visionen om et fysisk museum ved Pan-Atlantic University.

    Arkitektonisk harmoni:

    Museets bygning, tegnet af Jess Castellote, prioriterer naturligt lys og åbne rum, hvilket skaber et indbydende miljø, der komplementerer de kunstneriske samlinger.

    En fejring af Nigerias kunstneriske sjæl

    Museets kerne styrke ligger i dets imponerende samling på over 1000 kunstværker, der spænder fra den prækoloniale tid til i dag. Disse værker udgør et omfattende panorama over nigeriansk kunsthistorie og afspejler mangfoldige kulturelle traditioner og kunstneriske stilarter.

    Skulpturel diversitet:

    Fra de indviklede Yoruba-træskulpturer af Lamidi Olonade Fakeye til monumentale replikaer af Ife-hoveder – symboler på Nigerias antikke civilisationer – fremviser skulptursamlingen et enestående håndværk og en stilistisk udvikling.

    Maleriets mestre:

    Bemærkelsesværdige kunstnere som Ben Enwonwu, El Anatsui, Bruce Onobrakpeya og Aina Onabolu bidrager til museets maleriske repertoire. Deres lærreder indfanger afgørende øjeblikke i Nigerias historie og kunstneriske udtryk.

    Historisk betydning og kulturel indvirkning

    Udover sin æstetiske appel spiller YSMA en afgørende rolle i at uddanne studerende og forskere om Nigerias kunstneriske arv. Udstillinger om Ife-kunst og Benin-kunst – med ikoniske bronzeskulpturer som Ife-hovedet – giver uvurderlig indsigt i regionens rige kulturelle fortid.

    Fotografiske fortællinger:

    Museets fotografiske arkiv dokumenterer betydningsfulde nigerianske kulturfestivaler og indfanger dynamikken i traditioner og kunstneriske optrædener. Ariyo Oguntimehins fotografier er særligt bemærkelsesværdige.

    Et unikt bidrag til kunstuddannelse

    Yemisi Shyllon Museum of Art skiller sig ud som Nigerias første universitetsmuseum for kunst – et pionerarbejde, der understreger vigtigheden af at fremme kreativitet og kulturel forståelse. Dets mission rækker langt ud over blot fremvisning; det stræber efter at inspirere til dialog, fremme kunstnerisk værdsættelse og bidrage til den intellektuelle berigelse af sine besøgende.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Abenugongo

    artsdot.com/da/art/download/yusuf-adebayo-cameron-grillo-abenugongo-D763US-en/

    Kildehenvisning til dette kunstværk

    MLA
    grillo, yusuf adebayo cameron. Abenugongo. 1994, Yemisi Shyllon Museum of Art. https://artsdot.com/da/art/yusuf-adebayo-cameron-grillo-abenugongo-D763US-en/
    APA
    grillo, yusuf adebayo cameron (1994). Abenugongo [Painting]. Yemisi Shyllon Museum of Art. https://artsdot.com/da/art/yusuf-adebayo-cameron-grillo-abenugongo-D763US-en/
    Chicago
    yusuf adebayo cameron grillo. Abenugongo. 1994. Yemisi Shyllon Museum of Art. https://artsdot.com/da/art/yusuf-adebayo-cameron-grillo-abenugongo-D763US-en/
    Harvard
    grillo, yusuf adebayo cameron (1994) Abenugongo. Yemisi Shyllon Museum of Art. Available at: https://artsdot.com/da/art/yusuf-adebayo-cameron-grillo-abenugongo-D763US-en/

    Kig nærmere efter

    Abenugongo — yusuf adebayo cameron grillo

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: portrait, yoruba culture, agbada. Er du enig? Hvad ville du tilføje eller fjerne?
    4. yusuf adebayo cameron grillo var omkring 60 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Temaer, der går igen i yusuf adebayo cameron grillo' værker: natural synthesis philosophy, yoruba chromatic tradition, western and yoruba synthesis. Hvilke af dem ser du her?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.