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For the State Security

Navn Klasse Dato

Vasan Sitthiket, For the State Security (1996), ILHAM Gallery. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Vasan Sitthiket artsdot.com/da/artists/vasan-sitthiket/
Kunstnerens levetid
1957 –
Malet
1996
Medie
Painting
Oprindelig størrelse
150 x 150 cm
Bevægelse
Contemporary Art
Periode
Contemporary
Afholdt hos
ILHAM Gallery artsdot.com/da/museums/ilham-gallery-kuala-lumpur/
Notable elements
Yellow tags on individuals, blue background
Subject or theme
Political commentary, Blue October series

I kontekst

For the State Security — Vasan Sitthiket

Dimensioner

Originalen måler 150 × 150 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 39 år gammel. 0 af de 4 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1996 hvert dateret maleri, årti for årti

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/vasan-sitthiket-for-the-state-security-DD2FSV-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #d4d3de

    Gemt palet

    • #D4D3DE
    • #343442
    • #322D89
    • #818191

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Vasan Sitthiket i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 50,0%
    2. 2 Frankrig 50,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 2 mest viste værker af Vasan Sitthiket

    1. 1 For the Nation, 1996 50,0%
    2. 2 For the State Security, 1996 dette maleri 50,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 4 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri rangerer som nummer 2 af dem, med 50,0% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    For the State Security — Vasan Sitthiket

    b. 1957, Thailand; based in BangkokFrom the series Blue October.

    Kunstner og museum

    Kunstner

    Vasan Sitthiket

    Født i Nakhon Sawan, Thailand

    The Provocative Vision of Vasan Sitthiket

    In the vibrant and often turbulent landscape of contemporary Southeast Asian art, few voices resonate with as much raw intensity and uncompromising courage as Vasan Sitthiket. Born in 1957 in Nakhon Sawan, Thailand, Sitthiket emerged from the prestigious College of Fine Arts in Bangkok not merely as a painter, but as a multidisciplinary force of nature. His artistic journey, which began in the 1970s, is inextricably linked to the socio-political pulse of his homeland. To encounter a Sitthiket piece is to enter a space of profound confrontation, where the boundaries between aesthetic beauty and political activism dissolve into a singular, visceral experience.

    Sitthert's creative identity is defined by its refusal to be confined to a single medium. While he is widely celebrated for his powerful paintings, his artistry breathes through poetry, performance, and even theater. He has authored more than ten books, ranging from delicate children's stories to biting political treatises, demonstrating a literary depth that informs the symbolic weight of his visual works. This multidisciplinary approach allows him to weave a complex narrative tapestry, where every brushstroke serves as an extension of his poetic voice, and every performance acts as a living manifesto against injustice.

    Themes of Resistance and Social Consciousness

    The heart of Sitthiket’s oeuvre lies in its unflinching exploration of the human condition under the weight of systemic corruption and social inequality. His work serves as a mirror to the struggles of the Thai people, reflecting themes of environmental degradation, political upheaval, and the erosion of justice. He does not shy away from the grotesque or the uncomfortable; instead, he utilizes provocative imagery to strip away the veneer of societal politeness, forcing the viewer to confront the harsh realities of power dynamics and class struggle.

    Through his canvases, Sitthiket explores several recurring motifs:

    Political Critique: A relentless examination of authority, corruption, and the impact of governance on the marginalized.

    Social Justice: The depiction of the struggles faced by the impoverished and the disenfranchised within Thai society.

    Environmental Awareness: An urgent call to recognize the ecological consequences of rapid industrialization and greed.

    Humanity and Identity: A deep, often raw exploration of the individual's place within a shifting political landscape.

    Legacy and Artistic Significance

    The historical significance of Vasan Sitthiket lies in his role as an artist-activist who transformed the canvas into a site of resistance. His ability to marry high art with grassroots activism has earned him profound respect within the international art community. A landmark moment in his career came in 2007, when he was honored with the prestigious Silpathorn Award in visual arts, a testament to his enduring contribution to Thailand's cultural heritage and his status as a master of contemporary expression.

    Even as the world changes, Sitthiket’s work remains strikingly relevant. His legacy is not found merely in museums or galleries, but in the ongoing dialogue he has ignited regarding the responsibilities of the artist in times of crisis. He remains a vital, living presence in the art world, continuing to challenge perceptions and inspire subsequent generations of artists to use their creativity as a tool for profound social change.

    Museum

    ILHAM Gallery

    Udstillet på Kuala Lumpur, Malaysia

    A Sanctuary of Contemporary Vision

    In the beating heart of Kuala Lumpur, where the urban pulse of Malaysia meets a profound stillness of creative thought, stands the

    ILHAM Gallery

    . It is not merely a repository for art, but a luminous sanctuary designed to provoke dialogue and ignite the imagination. As one approaches this architectural jewel, the transition from the bustling streets of the city to the refined elegance of the gallery space feels like stepping into a curated dream. The gallery serves as a vital cultural beacon, offering a sophisticated stage where contemporary narratives are woven through light,

    shadow

    , and texture, making it an essential destination for the discerning collector and the wandering aesthete alike.

    The architecture of the ILHAM Gallery is a masterclass in modern minimalism, acting as a silent protagonist in the exhibition experience. The structure itself embodies a seamless marriage of form and function, characterized by clean lines and expansive, light-filled volumes that allow the artwork to breathe. For interior designers and lovers of spatial harmony, the gallery provides a profound lesson in how environment influences perception. The deliberate use of open spaces and thoughtful circulation ensures that each exhibition feels like an intimate encounter, while the grand scale of the atrium offers moments of breathtaking awe. It is a space where the boundary between the built environment and artistic expression becomes beautifully blurred.

    A Vanguard of Malaysian and Global Narratives

    At its core, the ILHAM Gallery is committed to supporting the development, understanding, and enjoyment of Malaysian modern and contemporary art within both a regional and global context. The curation strategy ensures that the gallery remains at the forefront of international dialogue, offering a rotating tapestry of visual experiences that are as intellectually stimulating as they are aesthetically pleasing. The collection highlights are characterized by their immense diversity, ranging from large-scale installations that command the room to delicate, evocative works on paper that demand a quiet, focused gaze.

    The gallery frequently hosts notable exhibitions that challenge conventional boundaries, bringing together multidisciplinary artists who explore themes of identity, ecology, and the human condition. Recent and upcoming highlights include:

    Robert Rauschenberg and Asia:

    A landmark exhibition organized in collaboration with M+, exploring the experimental practice of one of the twentieth century's most influential figures, whose work redefined the art object by blurring the lines between painting and sculpture.

    The Bouquet and the Wreath (Rebirth):

    A significant solo exhibition by the internationally acclaimed senior Thai artist, Araya Rasdjarmrearnsook, featuring a survey of her 45-year international practice through video artworks and sculptural installations.

    The Plantation Plot:

    A powerful and eye-opening exhibition that has captivated visitors with its thought-provoking themes.

    A Living Ecosystem for Creativity

    What truly distinguishes ILHAM Gallery is its role as a living, breathing ecosystem for creativity. It transcends the traditional model by fostering a sense of community through curated programs, talks, and workshops that invite the public to engage deeply with the works on display. For those seeking inspiration for high-end residential or commercial interiors, the gallery serves as a premier source of contemporary trends and aesthetic movements.

    Beyond the exhibition halls, the experience is enriched by thoughtful amenities that cater to the modern visitor. The

    ILHAM Gift Shop

    offers a carefully curated selection of locally made products, while the on-site

    Café

    provides a space for reflection. It is a place where history is not just remembered but actively being written through the lens of modern mastery, making every visit an opportunity to witness the evolution of our shared visual language.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for For the State Security

    artsdot.com/da/art/download/vasan-sitthiket-for-the-state-security-DD2FSV-en/

    Kildehenvisning til dette kunstværk

    MLA
    Sitthiket, Vasan. For the State Security. 1996, ILHAM Gallery. https://artsdot.com/da/art/vasan-sitthiket-for-the-state-security-DD2FSV-en/
    APA
    Sitthiket, Vasan (1996). For the State Security [Painting]. ILHAM Gallery. https://artsdot.com/da/art/vasan-sitthiket-for-the-state-security-DD2FSV-en/
    Chicago
    Vasan Sitthiket. For the State Security. 1996. ILHAM Gallery. https://artsdot.com/da/art/vasan-sitthiket-for-the-state-security-DD2FSV-en/
    Harvard
    Sitthiket, Vasan (1996) For the State Security. ILHAM Gallery. Available at: https://artsdot.com/da/art/vasan-sitthiket-for-the-state-security-DD2FSV-en/

    Se nærmere efter

    For the State Security — Vasan Sitthiket

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: people, figures, yellow tags. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på For the Nation (1996) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Vasan Sitthiket var omkring 39 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Blev "For the State Security" i kunstnerens hjemland?

    Nej – kunstværket opbevares i udlandet. Vasan Sitthiket er født i Thailand, mens museet, der opbevarer originalen af "For the State Security", ligger i Malaysia.

    Hvad er "For the State Security" lavet af, og i hvilken stil?

    "For the State Security" af Vasan Sitthiket kombinerer Painting-teknikken med Contemporary Art-stilen. Teknik og stilart beskriver værkets fremstilling og æstetiske udtryk.

    Hvilket kontrastniveau udviser "For the State Security" af Vasan Sitthiket?

    Lys-mørke-kontrasten i "For the State Security" er registreret som Statement. Kontrast beskriver, hvor kraftigt lyse og mørke områder adskiller sig fra hinanden.