Papirformat

Guide til elevkunst

Church

Navn Klasse Dato

Simon Mcwilliams, Church (1999). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Simon Mcwilliams artsdot.com/da/artists/simon-mcwilliams/
Kunstnerens levetid
1970 –
Malet
1999
Oprindelig størrelse
176 x 186 cm

I kontekst

Church — Simon Mcwilliams

Dimensioner

Originalen måler 176 × 186 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1970
  2. 1980
  3. 1990
  4. 2000

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 29 år gammel. 0 af de 2 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1999 hvert dateret maleri, årti for årti

Sammenlignelige værker

  • Red Cow artsdot.com/da/art/simon-mcwilliams-red-cow-AR2CZS-en/
  • Donegall Street artsdot.com/da/art/simon-mcwilliams-donegall-street-AR2CZU-en/
  • No.25 artsdot.com/da/art/simon-mcwilliams-no-25-AR2CZW-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/simon-mcwilliams-church-AR2CZG-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Gray #8eb078

    Gemt palet

    • #8EB078
    • #243255
    • #BCD789
    • #5B7276

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Nature Den dominerende farvefamilie i billedet.
    Primær farve
    Gray
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Simon Mcwilliams i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 66,7%
    2. 2 Storbritannien 33,3%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af Simon Mcwilliams

    1. 1 Palm House, Raining 50,0%
    2. 2 Donegall Street 25,0%
    3. 3 No.25 25,0%
    4. — Church, 1999 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 8 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Simon Mcwilliams

    Simon McWilliams: Architect of Urban Dreams

    Born in Belfast, Ireland, in 1970, Simon McWilliams’ artistic journey is one of constant exploration – a restless investigation into the intersection of urban landscapes and the human spirit. His work isn't merely representation; it’s an attempt to capture the feeling of a place, layering observation with imagination, reality with abstraction. Early training at the University of Ulster and subsequently at the prestigious Royal Academy Schools in London provided him with a rigorous foundation in technique, but McWilliams quickly forged his own distinctive voice, one characterized by vibrant color palettes, dynamic brushwork, and an undeniable sense of atmosphere.

    McWilliams’ artistic roots are deeply intertwined with Belfast itself. Growing up amidst the city's complex history – its industrial past, its political tensions, and its evolving present – profoundly shaped his perspective. He frequently depicts familiar urban scenes – construction sites, palm house conservatories, and sprawling streetscapes – but transforms them into something more than just photographic records. His paintings are imbued with a dreamlike quality, as if glimpsing a parallel reality overlaid upon the everyday.

    A Painter’s Palette: Technique and Style

    McWilliams' technique is immediately recognizable. He employs thick impasto in some areas, building up layers of paint to create tactile surfaces that seem almost sculptural. In others, he utilizes delicate washes and scumbles, allowing the canvas to breathe and revealing the underlying structure. His use of color is particularly striking – bold, saturated hues are often juxtaposed with muted tones, creating a dynamic tension within each composition. He frequently incorporates elements of abstraction, blurring the lines between representation and pure form.

    Influences on McWilliams’ work are diverse. The legacy of Irish landscape painting, particularly the Romantic tradition, is evident in his atmospheric renderings of natural settings. However, he also draws inspiration from a wide range of sources – including architecture, photography, and even science fiction. His paintings often evoke a sense of both familiarity and strangeness, inviting viewers to contemplate the relationship between the real and the imagined.

    The Belfast Landscape: Themes and Symbolism

    Central to McWilliams’ oeuvre is his exploration of the urban landscape of Belfast. He frequently depicts iconic structures – palm house conservatories, construction sites, and towering office buildings – but imbues them with a sense of mystery and intrigue. These aren't simply depictions of physical spaces; they are symbolic representations of the city’s identity, its history, and its future. The recurring motif of the “palm house” is particularly significant, acting as a visual metaphor for both protection and vulnerability.

    McWilliams’ paintings often capture moments of transition – the construction of new buildings, the decay of old ones, the movement of people through urban spaces. He seems to be documenting a city in constant flux, reflecting on its past while simultaneously anticipating its future. His work is not simply about depicting Belfast; it's about capturing the spirit of the place.

    Recognition and Legacy

    Throughout his career, Simon McWilliams has garnered numerous awards and accolades, recognizing his exceptional talent and distinctive artistic vision. These include the Guinness Award at the Royal Academy Summer Exhibition, a prestigious honor bestowed upon emerging artists, as well as Gold and Silver Medals from the Royal Ulster Academy. His work is held in collections within The Ulster Museum, Bank of Ireland, and Queen’s University Belfast, solidifying his place as one of Northern Ireland's most important contemporary painters.

    McWilliams’ paintings have been exhibited extensively throughout Ireland, the United Kingdom, and the United States, reaching a wide audience. His work continues to evolve, reflecting his ongoing engagement with the complexities of the modern world. Simon McWilliams is not just a painter; he's an architect of urban dreams – capturing the essence of place through color, texture, and imagination.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Church

    artsdot.com/da/art/download/simon-mcwilliams-church-AR2CZG-en/

    Kildehenvisning til dette kunstværk

    MLA
    Mcwilliams, Simon. Church. 1999, https://artsdot.com/da/art/simon-mcwilliams-church-AR2CZG-en/
    APA
    Mcwilliams, Simon (1999). Church [Painting]. https://artsdot.com/da/art/simon-mcwilliams-church-AR2CZG-en/
    Chicago
    Simon Mcwilliams. Church. 1999. https://artsdot.com/da/art/simon-mcwilliams-church-AR2CZG-en/
    Harvard
    Mcwilliams, Simon (1999) Church. Available at: https://artsdot.com/da/art/simon-mcwilliams-church-AR2CZG-en/

    Se nærmere efter

    Church — Simon Mcwilliams

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Red Cow tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Simon Mcwilliams var omkring 29 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvilke proportioner har "Church" af Simon Mcwilliams, og hvor stor er den?

    Formatet på "Church" er Square, og originalen måler 176 x 186 cm. Begge dele er nyttige, når man planlægger en reproduktion.

    Er "Church" af Simon Mcwilliams et lyst eller et mørkt kunstværk?

    "Church" har en overordnet lysstyrke på brilliant, og dens luminans er Bright Balance.

    Hvad er den farvemæssige identitet i "Church" af Simon Mcwilliams?

    Farveidentiteten i "Church" af Simon Mcwilliams: en Nature palet, domineret af Gray (#8eb078).