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#2 Mask

Navn Klasse Dato

sargent claude johnson, #2 Mask (1941), SCAD Museum of Art. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
sargent claude johnson artsdot.com/da/artists/sargent-claude-johnson/
Kunstnerens levetid
1888 – 1967
Malet
1941
Medie
Copper
Bevægelse
California Modernism
Periode
Modern
Afholdt hos
SCAD Museum of Art artsdot.com/da/museums/scad-museum-of-art-savannah_da/
Artistic style
Highly abstracted, stylized
Influences
African art, Alain Locke's concept
Notable elements or techniques
Vertical linear striations, punctured eyes
Subject or theme
African art-inspired mask

I kontekst

#2 Mask — sargent claude johnson

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Skyggelagt: sargent claude johnson' livstid (1888–1967) ▲ dette værk, 1941

Sammenlignelige værker

  • Mask, 1935 artsdot.com/da/art/sargent-claude-johnson-mask-D3ZF7S-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/sargent-claude-johnson-2-mask-D4DBV4-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #a28c7c

    Gemt palet

    • #A28C7C
    • #F1E2C8
    • #412D1E
    • #775B47
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    #2 Mask — sargent claude johnson

    The Soul in the Metal: A Modernist Vision

    In the quiet resonance of Sargent Claude Johnson’s #2 Mask, one finds a profound dialogue between ancient heritage and the cutting edge of American Modernism. Created in 1941, this hammered copper masterpiece serves as more than just a sculptural object; it is a rhythmic intersection of history and abstraction. As a pioneer of California Modernism, Johnson possessed a rare ability to distill complex cultural narratives into streamlined, elegant forms. In this particular work, the artist moves away from strict realism toward a highly stylized interpretation, inviting the viewer to look past the surface and into the very essence of the human spirit as filtered through an African aesthetic lens.

    The piece is characterized by its striking, flattened frontal plane, which maintains a soft, almond-shaped silhouette reminiscent of a classical face. The texture of the copper is not merely a medium but a storyteller; vertical linear striations are pressed into the metal, creating a sense of movement that draws the eye downward, much like rain or the grain of ancient wood. These tactile details, combined with the strategic punctures where eyes would reside, create a hauntingly beautiful interplay of light and shadow. The mouth, subtly upturned on one side, breaks the symmetry of the piece, injecting a sudden, dynamic expression of life—a fleeting smile caught in the permanence of metal.

    A Legacy of Identity and Craft

    To understand the depth of #2 Mask, one must consider the intellectual landscape of the early 20th century. Johnson’s work was deeply influenced by the philosophy of Alain Locke, who championed the use of indigenous African art as a foundational aesthetic model for Black artists. This mask is a masterful execution of that mandate. By utilizing hammered copper, Johnson honors the traditional metalworking techniques found in many African cultures while simultaneously embracing the minimalist, geometric language of the Modernist movement. The beautiful golden-brown patina that coats the surface lends the work an antique dignity, making it feel as though it has emerged from a long-forgotten ritual to grace a contemporary gallery.

    For the discerning collector or interior designer, this artwork offers a sophisticated focal point that transcends mere decoration. Its warm, metallic tones and organic shape provide a grounding element in modern architectural spaces, offering a sense of historical weight and cultural richness. Whether placed in a sunlit study or a minimalist salon, #2 Mask commands attention through its subtle complexity. It is an evocative piece that promises to spark conversation, serving as a timeless reminder of the power of abstraction to convey the most profound human emotions.

    Kunstner og museum

    Kunstner

    sargent claude johnson

    Født i Cincinnati, United States of America

    A Visionary of Form: The Life and Legacy of Sargent Claude Johnson

    In the vibrant tapestry of American art history, few threads are as resilient or as luminous as those woven by Sargent Claude Johnson. Born in Cincinnati in 1888, Johnson emerged as a pioneering figure of California Modernism, carving out a space for himself during an era defined by profound social upheaval and artistic transition. As one of the first African American artists to achieve a truly national reputation, his journey was not merely one of aesthetic exploration, but a courageous navigation through the complexities of identity and race in early twentieth-century America. His life was a testament to the power of versatility, as he moved seamlessly between the tactile intimacy of ceramics and clay and the expansive, rhythmic energy of oil painting and wood sculpture.

    The foundations of Johnson’s creative spirit were laid in a childhood marked by both cultural richness and significant hardship. Raised by his mother, Eliza, a Black woman of immense strength, and his father, Anderson, a Swedish American, Johnson grew up in a household that valued the pursuit of excellence despite the looming shadows of Jim Crow laws. Following the untimely loss of his father, the resilience of his mother ensured that Johnson received a rigorous education, including time spent at the Holy Family Institute in Massachusetts. It was here that he first engaged with the lyrical beauty of music theory and song—a discipline that would later manifest in the rhythmic, melodic flow of his visual compositions.

    The Alchemy of Color and Shape

    As Johnson migrated toward the golden landscapes of California, his artistic language began to coalesce into something truly singular. He did not merely observe the world; he reimagined it through a lens of Abstract Expressionism and early Modernism. His work is celebrated for its masterful command of bold, saturated color palettes and the use of abstract geometric forms that breathe life into figurative subjects. There is a rhythmic pulse in his compositions, an echo of his musical training, where lines and shapes dance across the canvas or emerge from the carved wood with a sense of choreographed movement.

    His influences were as diverse as his mediums. He found profound inspiration in the Impressionist mastery of Claude Monet, particularly in how Monet captured the ephemeral qualities of light and atmosphere. Yet, Johnson pushed beyond mere imitation, integrating these lessons into a more structured, modern framework. His ability to manipulate various materials—ranging from the delicate precision of terra-cotta printing to the heavy, grounded presence of stone carving—allowed him to explore the relationship between weight, texture, and space in ways few of his contemporaries could match.

    A Lasting Impression on American Modernism

    The historical significance of Sargent Claude Johnson lies in his ability to transcend the boundaries imposed upon him by his era. He was a bridge-builder, connecting the classical traditions of form and figure with the burgeoning avant-garde movements of the twentieth century. His achievements were not limited to the gallery walls; his work in ceramics and printmaking brought modernism into more tactile, accessible dimensions, influencing the broader trajectory of California art.

    To look upon a work by Johnson is to witness a dialogue between tradition and innovation. His legacy remains etched in the annals of American art through several key contributions:

    Pioneering Representation: Breaking racial barriers to establish a prominent voice within the national American art scene.

    Multidisciplinary Mastery: Demonstrating an unparalleled ability to command diverse media, including oil, watercolor, clay, and wood.

    Modernist Synthesis: Blending the light-centric philosophies of Impressionism with the structural boldness of early Abstract Expressionism.

    Cultural Resilience: Creating a body of work that reflects both the beauty of the natural world and the complex social realities of his time.

    Today, the works of Sargent Claude Johnson serve as vital touchstones for understanding the evolution of American Modernism. He remains an icon of creative perseverance, reminding us that art is not just a reflection of what we see, but a profound reimagining of what is possible.

    Museum

    SCAD Museum of Art

    Udstillet på Savannah, USA

    Et fristed for samtidige visioner: SCAD Museum of Art i Savannah

    Gemt inde i den historiske Gray Building – et vidnesbyrd om Savannahs lagdelte fortid som et livligt jernbaneknudepunkt og en fængslende arkitektonisk relikvie – ligger SCAD Museum of Art, et levende fyrtårn, der oplyser landskabet for samtidskunst og design. Mere end blot et depot for mesterværker er dette museum et dynamisk læringsmilltjø, uadskilleligt forbundet med det berømte Savannah College of Art and Design (SCAD), som fremmer kreativitet og sprænger grænserne for kunstnerisk udtryk. Grundlagt i 2002 som Earle W. Newton Center for British American Studies, markerede transformationen til SCAD Museum of Art i 2006 et afgørende øjeblik, der signalerede en forpligtelse til ikke blot at fremvise etablerede kunstnere, men også at pleje den næste generation af kreative talenter.

    Museets samling er en bemærkelsesværdig mangfoldig gobelin vævet af tråde fra mode, fotografi, skulptur og, mest bemærkelsesværdigt, afroamerikansk kunst. Walter O. Evans-samlingen står som en monumental bedrift – en af de største samlinger af sin art i USA, der praler med værker af lysende skikkelser som Edward Mitchell Bannister, Romare Bearden, Elizabeth Catlett og Robert S. Duncanson. Denne samling er ikke blot en fremvisning af malerier; det er en dybdegående udforskning af identitet, kultur og den afroamerikanske oplevelse, der tilbyder beskueren et intimt indblik i en rig og ofte overset kunstnerisk arv. Udover denne grundsten huser museet en betagende samling af haute couture fra ikoniske designere – Yves Saint Laurent, Chanel, Oscar de la Renta og Givenchy – hvor hvert eneste stykke tøj er en omhyggeligt udformet fortælling om stil og social kommentar. Earle W. Newton Centers samling af britisk og amerikansk kunst tilføjer endnu et lag af historisk dybde med sjældne bøger, antikke kort og malerier af mestre som William Hogarth, Sir Anthony van Dykel og Thomas Gainsborough, hvilket skaber en fascinerende dialog mellem kunstneriske traditioner.

    En bygning gennemsyret af historie og innovation

    Gray Building er i sig selv en integreret del af museets fortælling. Oprindeligt opført i 1856 som hovedkvarter for Central of Georgia Railway, legemliggør det Savannahs industrielle fortid. Den omhyggelige restaurering var ikke blot et spørgsmål om at bevare mursten og tømmer; det handlede om at ære bygningens arv, mens man omfavnede moderne sanselighed. Genbrugte mursten og originale kernefyr-bjælker er omhyggeligt integreret i hele gallerierne, hvilket skaber en mærkbar forbindelse til stedets historie. Museets arkitektur er en slående blanding af victoriansk storhed og nutidigt design. Dominerende over Savannahs skyline ses en 26 meter høj lanterne af stål og glas – et dristigt statement, der på én gang fejrer byens kulturarv og skuer mod fremtiden. Indarbejdelsen af bæredygtige funktioner, herunder energivenlig belysning, zoneopdelt klimakontrol og vandbesparende foranstaltninger, demonstrerer en dedikation til miljømæssigt ansvar.

    Et knudepunkt for læring og engagement

    Det, der virkelig adskiller SCAD Museum of Art, er dets rolle som et undervisningsmuseum. Det er ikke blot et sted at betragte kunst; det er et rum, hvor studerende aktivt deltager i den kuratoriske proces og opnår uvurderlig praktisk erfaring. Teatret med 250 siddepladser fungerer som ramme om forelæsrende, forestillinger og filmvisninger, hvilket yderligere beriger det uddannelsesmæssige udbud. André Leon Talley Gallery, opkaldt efter den berømte bidragsyder til Vogue og medlem af SCADs bestyrelse, er dedikeret til at fremvise modehistorie og design, hvilket giver en unik platform for udforskningen af krydsfeltet mellem kunst og stil. Museets engagement strækker sig ud over dets mure og tilbyder et mangfoldigt udvalg af udstillinger, begivenheder og uddannelsesprogrammer året rundt, hvilket gør det til en vital kulturel ressource for både studerende og det bredere samfund.

    Samtidige stemmer og en vedvarende arv

    SCAD Museum of Arts permanente samling er et vidnesbyrd om samtidskunstens dynamik. Den fremviser stolt værker af kunstnere, der har formet vores visuelle landskab – Salvador Dalí, Nicholas Hlobo, Willem de Kooning, Annie Leibovitz, Robert Mapplethorpe, Wangechi Mutu, Pablo Picasso, Robert Rauschenberg, Andy Warhol og Carrie Mae Weems – kunstnere, hvis innovative tilgange fortsat udfordrer konventioner og inspirerer til dialog. Museets vedvarende engagement i at fremvise spirende talenter sikrer, at det forbliver i frontlinjen for kunstnerisk innovation. Som en vital del af SCADs mission er SCAD Museum of Art ikke blot i gang med at bevare kunst; det kultiverer kreativitet og former fremtidens design.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for #2 Mask

    artsdot.com/da/art/download/sargent-claude-johnson-2-mask-D4DBV4-en/

    Kildehenvisning til dette kunstværk

    MLA
    johnson, sargent claude. #2 Mask. 1941, SCAD Museum of Art. https://artsdot.com/da/art/sargent-claude-johnson-2-mask-D4DBV4-en/
    APA
    johnson, sargent claude (1941). #2 Mask [Painting]. SCAD Museum of Art. https://artsdot.com/da/art/sargent-claude-johnson-2-mask-D4DBV4-en/
    Chicago
    sargent claude johnson. #2 Mask. 1941. SCAD Museum of Art. https://artsdot.com/da/art/sargent-claude-johnson-2-mask-D4DBV4-en/
    Harvard
    johnson, sargent claude (1941) #2 Mask. SCAD Museum of Art. Available at: https://artsdot.com/da/art/sargent-claude-johnson-2-mask-D4DBV4-en/

    Se nærmere efter

    #2 Mask — sargent claude johnson

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: abstract mask, hammered copper, african influence. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Mask (1935) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. sargent claude johnson var omkring 53 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.