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Robert Polack, Robert Polack for Batschari Cigarettes (1925), The Fan Museum. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Robert Polack artsdot.com/da/artists/robert-polack/
Kunstnerens årstal
1880 – 1958
Malet
1925
Afholdt hos
The Fan Museum artsdot.com/da/museums/the-fan-museum-greenwich/

I kontekst

Robert Polack for Batschari Cigarettes — Robert Polack

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 78 ved død.

Malet da kunstneren var 45 år gammel. Kunstneren blev 78 år gammel. 0 af de 1 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Robert Polack' livstid (1880–1958) ▲ dette værk, 1925 hvert dateret maleri, årti for årti

Farver

Målt ud fra billedet

    Primær farve

    Khaki #ddca8d

    Katalogiseret palet

    • #DDCA8D
    • #9C694D
    • #393636
    • #BBA075

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Khaki
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    De 1 mest viste værker af Robert Polack

    1. 1 Robert Polack for Batschari Cigarettes, 1925 dette maleri 100,0%100 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 1 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri rangerer som nummer 1, med 100,0% af den opmærksomhed (100 besøg). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Robert Polack for Batschari Cigarettes — Robert Polack

    Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises upwards to form the words ‘Cigarettes Batschari’.Signed Robert Polack.The verso is stamped in monochrome with illustrations of cigarettes and promotional inscriptions.

    Kunstner og museum

    Kunstner

    Robert Polack

    Født i Paris, France

    The lines of Paris

    Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.

    In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.

    Ink and stencil

    Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.

    Some of his known works include:

    Handcolored illustrations on tissue for a 1928 edition of Voltaire's Candide.

    Pochoir prints for Batschari Cigarettes, featuring figures in gentle embraces.

    Watercolor works that utilized the layering of color to create depth on paper.

    A quiet presence in print

    The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.

    Museum

    The Fan Museum

    Udstillet i Greenwich, United Kingdom

    A Glimpse into a Forgotten Art Form

    Nestled within the historic Georgian townhouses of Greenwich, a world away from the bustling streets of London, lies The Fan Museum – an unexpectedly captivating institution dedicated to the exquisite art and surprising history of hand fans. More than just cooling devices, these delicate objects have served as symbols of status, tools for communication, and miniature works of art across cultures and centuries. Founded in 1991 by a passionate collector, this unique museum offers visitors an intimate journey through the evolution of the fan, revealing its multifaceted role in society and showcasing the remarkable craftsmanship involved in its creation.

    The Museum’s story is intrinsically linked to Greenwich itself. Situated within two Grade II* listed buildings constructed in 1721, the setting immediately evokes a sense of timeless elegance and historical significance. These buildings, originally designed for naval officers, have been lovingly preserved, creating a serene and atmospheric space that perfectly complements the delicate beauty of the collection. Adding to this charm is an orangery adorned with intricate murals depicting scenes from fan history – a testament to the museum’s dedication to both preservation and artistic presentation. Beyond the main buildings, a Japanese-style garden provides a tranquil escape, featuring a meticulously crafted fan-shaped parterre, a soothing pond, and a gentle stream—a deliberate nod to the cultural roots of this fascinating art form.

    A Collection Spanning Millennia

    The Fan Museum’s collection is truly extraordinary, boasting over 6,000 fans and related materials – a testament to its founder's dedication and the enduring appeal of these objects. Spanning an impressive timeline from the 11th century to the present day, visitors can trace the evolution of fan design, construction techniques, and social significance. While the museum’s core strength lies in European fans, particularly those from the 18th and 19th centuries, the collection extends far beyond, encompassing examples from Asia, Africa, and Europe. The sheer variety is breathtaking – from simple, utilitarian folding fans to elaborately decorated brise-fans (open fans) adorned with precious metals, jewels, and intricate paintings.

    Notable highlights include a remarkably preserved 18th-century French fan featuring a miniature portrait of Marie Antoinette, a testament to the royal patronage that fueled much of the art’s development; an exceptionally rare brise-fan from the early 19th century incorporating a built-in ear trumpet – a clever and innovative adaptation reflecting the era's technological advancements; and a fascinating collection of repair kits, demonstrating the meticulous care taken in maintaining these delicate objects. The museum also houses a comprehensive reference library, providing researchers and enthusiasts with invaluable resources for further exploration.

    Beyond the Display: Hands-on Engagement

    The Fan Museum isn’t simply a repository of historical artifacts; it's an active center for learning and appreciation. The museum actively promotes engagement through a variety of programs, including regular fan-making classes where visitors can learn the fundamental techniques of crafting these beautiful objects firsthand. These workshops offer a tangible connection to the past, allowing participants to experience the skill and artistry involved in creating a fan from start to finish. Furthermore, the museum hosts lectures, demonstrations, and exhibitions that delve deeper into the history, symbolism, and cultural significance of fans.

    A Unique Legacy: The World’s First Dedicated Museum

    What truly sets The Fan Museum apart is its unique status as the world's first museum dedicated solely to hand fans. Established without public funding, relying instead on the generosity of visitors and private donations, it stands as a remarkable example of passion-driven preservation. This independent institution continues to champion the art of the fan, ensuring that this often overlooked form of artistry is celebrated and understood for generations to come. A visit to The Fan Museum is not just a museum experience; it’s an immersion into a hidden world of craftsmanship, history, and cultural significance – a truly unforgettable journey.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Robert Polack for Batschari Cigarettes

    artsdot.com/da/art/download/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/

    Kildehenvisning til dette kunstværk

    MLA
    Polack, Robert. Robert Polack for Batschari Cigarettes. 1925, The Fan Museum. https://artsdot.com/da/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    APA
    Polack, Robert (1925). Robert Polack for Batschari Cigarettes [Painting]. The Fan Museum. https://artsdot.com/da/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    Chicago
    Robert Polack. Robert Polack for Batschari Cigarettes. 1925. The Fan Museum. https://artsdot.com/da/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    Harvard
    Polack, Robert (1925) Robert Polack for Batschari Cigarettes. The Fan Museum. Available at: https://artsdot.com/da/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/

    Se nærmere efter

    Robert Polack for Batschari Cigarettes — Robert Polack

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Robert Polack var omkring 45 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er farverne i "Robert Polack for Batschari Cigarettes" af Robert Polack mættede eller dæmpede?

    Farverne i "Robert Polack for Batschari Cigarettes" af Robert Polack har en Balanced Soft mætning. Mætning beskriver, hvor livlige eller dæmpede farverne er.

    Hvad er den dominerende farve i "Robert Polack for Batschari Cigarettes" af Robert Polack?

    Den farve, der træder tydeligst frem i "Robert Polack for Batschari Cigarettes", er Khaki (#ddca8d). Den dominerende farve er nyttig, når man skal matche et kunstværk med en indretning.

    Hvor kan jeg finde kunstværker, der ligner "Robert Polack for Batschari Cigarettes" af Robert Polack?

    Se lignende værker til "Robert Polack for Batschari Cigarettes" på siden Lignende værker.