Papirformat

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Self Portrait

Navn Klasse Dato

robert jobling, Self Portrait (1913), Laing Art Gallery. Offentlig ejendom.

Fakta om værket

Kunstner
robert jobling artsdot.com/da/artists/robert-jobling/
Kunstnerens levetid
1841 – 1923
Malet
1913
Oprindelig størrelse
91 x 71 cm
Afholdt hos
Laing Art Gallery artsdot.com/da/museums/laing-art-gallery-newcastle-upon-tyne_da/

I kontekst

Self Portrait — robert jobling

Dimensioner

Originalen måler 91 × 71 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Skyggelagt: robert jobling' livstid (1841–1923) ▲ dette værk, 1913

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/robert-jobling-self-portrait-AQU8AJ-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Black #0d1108

    Gemt palet

    • #0D1108
    • #5B3115
    • #B08250
    • #1E1C0C
    Primær farve
    Black
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    robert jobling

    Robert Jobling: A Master of the North East Coast

    Robert Jobling (1841-1923) stands as a pivotal figure in British watercolor, particularly renowned for his evocative depictions of the rugged coastline and vibrant fishing communities of North East England. More than simply an observer, Jobling was a keen interpreter of light, atmosphere, and human experience, imbuing his canvases with a palpable sense of place and emotion. His work offers a unique window into a vanishing world – the traditional life of fishermen, shipbuilders, and coastal villages – capturing both its beauty and its inherent hardships.

    Born in Newcastle-upon-Tyne in 1841, Jobling’s early life was shaped by his father's profession as a glassmaker. This industrial background subtly informed his later artistic sensibilities, perhaps contributing to the meticulous detail he brought to portraying the textures of weathered stone and the intricacies of fishing boats. He initially worked as a foreman at a shipyard, gaining valuable insight into the rhythms of maritime life before dedicating himself fully to art. His formal training included studies at the Government School of Design in Newcastle, providing him with foundational skills alongside exposure to contemporary artistic trends.

    A Life Amongst Artists: The Cullercoats Colony

    Jobling’s artistic trajectory was inextricably linked to the burgeoning artist colonies that flourished along the North East coast during the late 19th and early 20th centuries. He became a prominent member of the Cullercoats group, alongside fellow artists like Henry Emmerson and Winslow Homer, sharing a common passion for capturing the region’s dramatic landscapes and working-class life. This association fostered a spirit of collaboration and mutual influence, contributing to the distinctive character of their collective style.

    The village of Staithes proved another crucial location for Jobling's artistic development. He spent considerable time there, documenting the lives of its inhabitants and the surrounding coastline with remarkable sensitivity. The Staithes group, known for their commitment to portraying authentic regional life, sought to move beyond idealized romanticism and offer a more nuanced representation of the North East’s social fabric. Jobling's paintings from this period are particularly notable for their intimate portrayal of fishermen at work, their faces etched with the stories of the sea.

    Technique and Style: Light, Texture, and Emotion

    Jobling’s watercolor technique is characterized by a masterful command of light and color. He employed loose, expressive brushstrokes to capture the shifting qualities of atmospheric conditions – the hazy mornings, the dramatic sunsets, and the swirling mists that frequently enveloped the coastline. His use of layered washes created a remarkable sense of depth and texture, particularly evident in his depictions of weathered buildings, fishing boats, and the rough surfaces of the sea.

    Beyond technical skill, Jobling’s paintings are imbued with a profound emotional resonance. He wasn't simply recording scenes; he was conveying a deep understanding of the human condition – the resilience of fishermen facing unpredictable seas, the quiet dignity of coastal communities, and the enduring connection between people and their environment. His compositions often feature figures rendered in muted tones, subtly suggesting both vulnerability and strength.

    Legacy and Recognition

    While Jobling’s work was consistently recognized within regional art circles, he achieved a level of national prominence through exhibitions at the Royal Academy and the Royal Society of British Artists. His paintings are now held in significant collections across the United Kingdom, including those at The Robert McLaughlin Gallery in Oshawa, Canada, and the Robert Hull Fleming Museum in Burlington, Vermont. His legacy as one of the most important watercolorists of his generation continues to grow, with scholars and collectors increasingly appreciating the depth and complexity of his artistic vision.

    Jobling’s contribution extends beyond individual artworks; he helped shape a distinct regional art identity, capturing the spirit and character of North East England in a way that remains powerfully evocative today. His paintings serve as enduring reminders of a bygone era – a time when life was inextricably linked to the rhythms of the sea and the traditions of coastal communities.

    Museum

    Laing Art Gallery

    Udstillet på Newcastle upon Tyne, Storbritannien

    Laing Art Gallery: Et fyrtårn for britisk kunstnerisk arv i Newcastle upon Tyne

    Gemt væk på New Bridge Street West i Newcastle upon Tyne står Laing Art Gallery som et vidnesbyrd om victoriansk filantropi og som et bemærkelsesværdigt depot for britisk kunst gennem århundreder. Galleriet blev grundlagt i 1904 af Alexander Laing—en lokal vinhandler, hvis generøsitet sikrede dets varige eftermæle—og byder besøgende velkommen uden entré (undtagen ved specialudstillinger), hvilket fremmer tilgængelighed og beriger Newcastles kulturelle landskab.

    Beliggenhed:

    Newcastle upon Tyne, Northumberland og West Lothian

    Adresse:

    Laing Art Gallery, New Bridge Street, Newcastle upon Tyne, NE1 8AG

    Hjemmeside:

    https://en.wikipedia.org/wiki/Laing_Art_Gallery

    Galleriets mission er at fremme britisk kunst fra det 18. og 19. århundrede, samtidig med at det udstiller samtidige værker og fejrer lokale kunstneriske talenter. Dets kuratorer sammensætter omhyggeligt udstillinger, der belyser mangfoldige kunstneriske bevægelser og perspektiver, og tilbyder de besøgende en stimulerende rejse gennem den visuelle kultur.

    En samling, der indfanger følelser og visioner

    Laings samling er forankret i mesterværker fra lysende skikkelser som J.M.W. Turner—hvis dramatiske landskaber formidler en sublim skønhed—Edward Burne-Jones—berømt for sine overdådige symbolistiske fantasier—og John Martin—en pioner inden for romantisk horror, hvis monumentale lærreder fremkalder dybe, instinktive følelligheder. Særligt Martins ”The Destruction of Sodom and Gomorrah” forbliver en hjemsøgende skildring af bibelsk katastrofe, mens Burne-Jones’ ”Laus Veneris” legemliggør æterisk ynde og mytologisk storhed.

    Som et supplement til malerierne findes udsøgte akvareller og tegninger af Turner og John Sell Cotman—kunstnere, der med stor dygtighed indfangede atmosfæriske forhold og gengav intrikate detaljer. Disse værker eksemplificerer de kunstneriske teknikker, der var fremherskende i deres tid, og afslører en dyb forståelse for lys og farve.

    Udover den visuelle kunst omfatter galleriets beholdning dekorative historiske genstande, der afspejler Newcastles rige håndværkstraditioner. Man kan beundre Newcastle-sølv—et symbol på borgerlig stolthed—de delikat emaljerede glas skabt af William Beilby—der demonstrerer victoriansk håndværksmæssig kunnen—og keramik produceret af Maling Pottery, som er berømt for sine levende glasurfarver og kunstneriske designs.

    Arkitektonisk elegance: Barokke rødder og Art Nouveau-flair

    Designet i barokstil med subtile Art Nouveau-indflydelser af arkitekterne Cackett & Burns Dick, er Laing Art Gallery en fredet bygning af kategori II—en håndgribelig påmindelse om Newcastles victorianske storhed. De svimlende lofter og de ornamenterede detaljer fremkalder den overdådige æstetik fra europæiske paladser, mens delikate blomstermotiver subtilt fletter sig sammen med klassiske proportioner.

    Mere end blot kunst: Engagement og inspiration

    Det, der adskiller Laing Art Gallery, er dets urokkelige engagement i at fremme kunstnerisk værdsættelse og lokalt engagement. Regelmæssigt skiftende udstillinger præsenterer banebrydende kunstværker side om side med etablerede klassikere—hvilket inspirerer til dialog og udvider perspektiverne. Desuden er galleriet vært for gratis arrangementer—herunder indsigtsfulde foredrag og engagerende familieaktiviteter—samt stimulerende, kunstnerledede workshops, der skaber et levende rum for læring og kreativitet.

    Udforsk videre

    Bemærkelsesværdige udstillinger:

    Nyere udstillinger har udforsket temaer som britisk identitet, kunstnerisk innovation og kunstens rolle i at forme kulturelle fortællinger.

    Lokale partnerskaber:

    Samarbejder med lokale skoler og organisationer beriger uddannelsesprogrammerne og fremmer den kunstneriske rækkevidde i Newcastle upon Tyne.

    Et besøg på Laing Art Gallery er en fordybende oplevelse—en chance for at forbinde sig med den britiske kunstneriske arv, opdage inspirerende kunstværker og fejre kreativitetens vedvarende kraft.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Self Portrait

    artsdot.com/da/art/download/robert-jobling-self-portrait-AQU8AJ-en/

    Kildehenvisning til dette kunstværk

    MLA
    jobling, robert. Self Portrait. 1913, Laing Art Gallery. https://artsdot.com/da/art/robert-jobling-self-portrait-AQU8AJ-en/
    APA
    jobling, robert (1913). Self Portrait [Painting]. Laing Art Gallery. https://artsdot.com/da/art/robert-jobling-self-portrait-AQU8AJ-en/
    Chicago
    robert jobling. Self Portrait. 1913. Laing Art Gallery. https://artsdot.com/da/art/robert-jobling-self-portrait-AQU8AJ-en/
    Harvard
    jobling, robert (1913) Self Portrait. Laing Art Gallery. Available at: https://artsdot.com/da/art/robert-jobling-self-portrait-AQU8AJ-en/

    Se nærmere efter

    Self Portrait — robert jobling

    Se nærmere efter

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    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Sketch for 'Thomas Thompson Gofton (1825–1911)' tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. robert jobling var omkring 72 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

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