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Neptune

Navn Klasse Dato

pietro bracci, Neptune, Piazza di Trevi. Offentlig ejendom.

Fakta om værket

Kunstner
pietro bracci artsdot.com/da/artists/pietro-bracci/
Kunstnerens levetid
1700 – 1773
Medie
Marble Carved by removing stone and never adding any, so a single mistake cannot be undone.
Bevægelse
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Periode
Early Modern
Afholdt hos
Piazza di Trevi artsdot.com/da/museums/piazza-di-trevi-rom_da/
Artistic style
Classical
Influences
Giovanni Battista Maini
Notable elements or techniques
Chariot sculpture
Subject or theme
Mythology

I kontekst

Neptune — pietro bracci

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760
  8. 1770

Skyggelagt: pietro bracci' livstid (1700–1773)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/pietro-bracci-neptune-8Y344P-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #9e9288

    Gemt palet

    • #9E9288
    • #DDD6CC
    • #30251F
    • #66584F
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Rosy Brown
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Neptune — pietro bracci

    Introduction

    Pietro Bracci was an Italian sculptor working in the Late Baroque manner. He is best known for carving the marble sculpture of Oceanus at the center of Rome's Trevi Fountain, based on a plaster modello by Giovanni Battista Maini. In this article, we will explore the artist, the title of the work, the medium used, and its location.

    Artist: Pietro Bracci

    Pietro Bracci was born in Rome and became a student of Giuseppe Bartolomeo Chiari and Camillo Rusconi. His most familiar works are the colossal Oceanus or Neptune of the Trevi Fountain, Rome, after a modello by Giovanni Battista Maini, and four prominent tomb monuments in Rome. He sculpted the figures for the tomb of Benedict XIII (1734) in Santa Maria sopra Minerva, Rome, which was designed by the architect Carlo Marchionni, and for the tomb of Benedict XIV (1763–1770) in the Basilica of Saint Peter, completed with the help of his pupil Gaspare Sibilia.

    Title of the Work: Oceanus or Neptune

    The title of the work is Oceanus or Neptune, which is located at the center of Rome's Trevi Fountain. The sculpture was created after a plaster modello by Giovanni Battista Maini, who died before he could execute the marble. Bracci executed the Oceanus and the tritons when he took over work on the fountain.

    Medium Used: Marble

    The medium used for this masterpiece is marble, which was a popular choice for sculptors during the Baroque period due to its durability and ability to capture fine details. The use of marble in this work highlights Bracci's exceptional skills as a sculptor.

    Location: Trevi Fountain, Rome

    The location of this magnificent sculpture is at the center of Rome's Trevi Fountain, which is one of the most famous fountains in the world. The fountain was built in front of Luigi Vanvitelli’s Palazzo Poli and attracts millions of visitors each year.

    Conclusion

    Pietro Bracci's Oceanus or Neptune is a masterpiece that showcases the artist's exceptional skills as a sculptor. The use of marble, the medium used, adds to the beauty and durability of this work. Visitors to Rome can admire this magnificent sculpture at the Trevi Fountain, which is one of the city's most famous landmarks.

    Related Links

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fountain of Trevi (detail)

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi (detail)

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fountain of Trevi (detail)

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi (detail)

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fountain of Trevi (detail)

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi (detail)

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fountain of Trevi (detail)

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi (detail)

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Kunstner og museum

    Kunstner

    pietro bracci

    Født i Rome, Italy

    The Shadow of Europe: Theodore de Bry and the Genesis of American Art

    Theodore de Bry’s name might not immediately conjure images of a revolutionary artistic movement, yet his contribution to the nascent visual culture of Colonial America was profoundly significant. Born in 1642 in Schaffhausen, Switzerland, de Bry wasn't an artist in the traditional sense – he was a prolific engraver and publisher, a master of disseminating knowledge through meticulously crafted prints. His work, particularly his series of engravings depicting the Americas based on accounts from early explorers and colonists, acted as a crucial bridge between Europe and its newly claimed territories, shaping perceptions and establishing a visual narrative that often reinforced European dominance. De Bry’s influence extends far beyond simple documentation; he essentially invented “America” for a European audience, crafting an idealized and often biased representation of the continent's landscapes, peoples, and customs.

    Early Life and Rise to Prominence

    De Bry’s career began in Basel, Switzerland, where he apprenticed under the renowned printmaker Hans Rottenhammer. This early training instilled in him a deep understanding of engraving techniques and a commitment to accuracy – qualities that would later define his work on the Americas. He quickly gained recognition for his detailed depictions of historical events, portraits, and allegorical scenes. However, it was his commission by Jean de la Fontaine, Governor-General of New France (Canada), in 1678 to produce a series of engravings documenting the French expedition led by Samuel de Champlain that catapulted him to international fame. This monumental project, Les voyages de Champlain, became the cornerstone of his American output and established his reputation as the foremost visual chronicler of colonial exploration.

    The Champlain Series: A Window into Colonial America

    De Bry’s Voyages de Champlain wasn't merely a record of events; it was a carefully constructed narrative designed to legitimize French claims to North America. The engravings, executed with remarkable precision and attention to detail, presented a sanitized version of colonial life, often omitting the brutal realities of conflict with Indigenous populations and the devastating impact of European diseases. The depictions of Native Americans were particularly noteworthy – frequently portraying them as passive observers or even caricatures, reinforcing the European perception of their inferiority. Landscapes were rendered in a manner that emphasized the vastness and wilderness of the continent, subtly suggesting its potential for settlement and resource extraction. The series also included detailed illustrations of flora and fauna, showcasing the natural wealth of the Americas – resources eagerly sought by European colonists. Crucially, de Bry’s engravings served as a powerful tool for propaganda, shaping public opinion in Europe and justifying colonial expansion.

    Influences and Artistic Style

    De Bry's style was deeply rooted in the traditions of Northern Mannerism, characterized by its emphasis on detail, clarity, and a somewhat stylized approach to representation. He drew heavily upon classical motifs and Renaissance artistic conventions, adapting them to depict scenes from colonial America. His engravings were not simply copies of earlier works; he synthesized various influences – including his training under Rottenhammer, contemporary Dutch prints, and the accounts he received from Champlain’s expedition – to create a distinctive visual language. The use of cross-hatching and shading created a sense of depth and realism, while carefully rendered costumes and accessories provided valuable insights into colonial life. Furthermore, de Bry's work demonstrates an early engagement with perspective, though it wasn't always perfectly executed, reflecting the challenges of translating three-dimensional scenes onto a two-dimensional surface.

    Legacy and Historical Significance

    Theodore de Bry’s engravings played a pivotal role in shaping the visual representation of America during its formative years. While undeniably biased and often romanticized, they provided Europeans with their first sustained and detailed images of the continent – images that profoundly influenced perceptions and fueled colonial ambitions. His work stands as a testament to the power of printmaking to shape historical narratives and solidify cultural identities. Today, de Bry’s engravings are studied not only for their artistic merit but also for their historical significance, offering valuable insights into the complex dynamics between Europe and its American colonies. They serve as a crucial reminder that visual representations are rarely objective; they are always shaped by the perspectives and agendas of those who create them. The legacy of de Bry’s work continues to resonate today, prompting us to critically examine how images have been used to construct and perpetuate historical narratives.

    Museum

    Piazza di Trevi

    Udstillet i Rom, Italien

    A Symphony of Stone and Water: Exploring Piazza di Trevi

    Piazza di Trevi, Rome’s beating heart, is far more than just a grand square—it's an immersive experience, a living testament to centuries of Roman history, artistic ambition, and the enduring allure of water. Stepping into this Baroque masterpiece feels like entering a vibrant painting, a swirling blend of classical grandeur, theatrical drama, and the joyful energy of its countless visitors. Originally conceived as the terminus of the Aqua Virgo aqueduct, supplying Rome’s ancient baths, the piazza has evolved organically over time, reflecting the city's triumphs, transformations, and enduring spirit. Today, it pulsates with life—a place where the echoes of legions mingle seamlessly with the laughter of tourists, all drawn to the mesmerizing spectacle at its center: the Trevi Fountain.

    Ancient Roots:

    The piazza’s origins are deeply intertwined with Rome's ancient past. Initially envisioned as the final point for the Aqua Virgo, a vital aqueduct that served the city’s baths for centuries, it gradually blossomed into the dynamic public space we see today. This remarkable feat of Roman engineering—dating back to 19 BC—was not merely functional; it was a symbol of Rome's power and ingenuity. The Aqua Virgo’s continuous use throughout the Middle Ages, with numerous restorations, speaks volumes about its strategic importance and the city’s commitment to preserving this vital resource.

    Salvi’s Vision:

    At the heart of Piazza di Trevi lies the magnificent Trevi Fountain, a breathtaking example of Baroque artistry. Designed by the brilliant Nicola Salvi and completed in 1762, it represents a dramatic departure from the restrained elegance of classical sculpture. The fountain itself is a marvel of engineering and artistic skill—a testament to human creativity and technical prowess. At its core stands Oceanus, god of the sea, powerfully depicted as he drives his chariot across the water, pulled by two magnificent tritons and seahorses – each sculpted with astonishing realism and detail. Surrounding him are allegorical figures symbolizing Abundance and Healthiness, subtly reinforcing the fountain’s symbolic significance as a conduit for life-giving water.

    The Palazzo Poli and Piazza's Architectural Harmony

    Piazza di Trevi isn’t simply defined by its iconic fountain; it’s a harmonious blend of classical and Baroque elements. The elegant facades that flank the square provide a stunning backdrop to the fountain’s drama, creating a captivating visual dialogue between past and present. Dominating one side is the Palazzo Poli, a magnificent example of 17th-century Roman architecture—a grand palazzo boasting an imposing portico and intricate detailing. This palazzo, once home to the influential Poli family, adds layers of historical context to the piazza’s narrative, reflecting Rome's aristocratic heritage and its rich social tapestry.

    A Cultural Hub Through Time

    Piazza di Trevi has evolved far beyond its initial function as a water source. Throughout history, it served as a vibrant gathering place for Romans of all social classes—a site for commerce, political rallies, and public celebrations. The presence of the Palazzo Poli on one side of the square adds to its grandeur, while the surrounding shops and cafes create a lively atmosphere that continues to draw visitors from across the globe. Crucially, the piazza’s transformation into a dynamic cultural space is largely thanks to the Fondazione Sorgente Group, which has curated rotating exhibitions featuring contemporary artists—ensuring that the fountain remains relevant, engaging, and a source of inspiration for new generations.

    Notable Exhibitions & Events:

    Throughout the year, Piazza di Trevi hosts a variety of events and exhibitions that celebrate both Roman heritage and contemporary art. Keep an eye out for temporary installations by renowned sculptors and multimedia artists—often exploring themes related to water, mythology, and the city’s rich history. The Fondazione Sorgente Group regularly organizes workshops and guided tours, offering visitors a deeper understanding of the fountain's design, symbolism, and cultural significance.

    A Legacy Etched in Stone

    The Trevi Fountain isn’t merely a decorative feature; it’s a powerful symbol of Rome—a place where history, art, and tradition converge in a breathtaking spectacle that continues to captivate visitors from around the world. The meticulous detail in the sculptures – from the muscular physique of Oceanus to the delicate fins of the tritons – reflects the Baroque era's fascination with realism and dramatic storytelling. The travertine stone itself, sourced from nearby Tivoli, contributes significantly to the fountain’s luminous quality, enhancing its visual impact under both sunlight and moonlight. And, of course, there’s the enduring legend—the tradition of tossing a coin over one’s left shoulder, ensuring a return trip to Rome – a testament to the fountain's timeless appeal.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Neptune

    artsdot.com/da/art/download/pietro-bracci-neptune-8Y344P-en/

    Kildehenvisning til dette kunstværk

    MLA
    bracci, pietro. Neptune. n.d., Piazza di Trevi. https://artsdot.com/da/art/pietro-bracci-neptune-8Y344P-en/
    APA
    bracci, pietro (n.d.). Neptune [Painting]. Piazza di Trevi. https://artsdot.com/da/art/pietro-bracci-neptune-8Y344P-en/
    Chicago
    pietro bracci. Neptune. n.d. Piazza di Trevi. https://artsdot.com/da/art/pietro-bracci-neptune-8Y344P-en/
    Harvard
    bracci, pietro (n.d.) Neptune. Piazza di Trevi. Available at: https://artsdot.com/da/art/pietro-bracci-neptune-8Y344P-en/

    Kig nærmere efter

    Neptune — pietro bracci

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: roman mythology, sculpture, neptune. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Tomb of Benedict XIV (1763) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    Neptune — pietro bracci

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What is the title of the artwork depicted?

      • A Oceanus
      • B Neptune
      • C Both Oceanus and Neptune
    2. 2. Which Italian artist is credited with sculpting this masterpiece?

      • A Giuseppe Bartolomeo Chiari
      • B Giovanni Battista Maini
      • C Pietro Bracci
    3. 3. What primary medium was used for the sculpture?

      • A Bronze
      • B Marble
      • C Limestone
    4. 4. In what famous Roman location is this sculpture situated?

      • A The Pantheon
      • B The Colosseum
      • C Trevi Fountain
    5. 5. What mythological figure does the statue represent?

      • A Poseidon
      • B Neptune
      • C Oceanus

    Min score: ____ ud af 5

    Svarside — til læreren

    Dette starter en ny trykt side, så den kan blot udelades fra kopierne.

    1B · 2B · 3A · 4B · 5A