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Untitled

Navn Klasse Dato

Per Kirkeby, Untitled (1982). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Per Kirkeby artsdot.com/da/artists/per-kirkeby/
Kunstnerens levetid
1938 – ?
Malet
1982
Oprindelig størrelse
42 x 57 cm

I kontekst

Untitled — Per Kirkeby

Hvor stor er den?

Originalen måler 42 × 57 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980

Skyggelagt: Per Kirkeby' livstid (1938–?) ▲ dette værk, 1982

Sammenlignelige værker

  • Missing the World artsdot.com/da/art/per-kirkeby-missing-the-world-D3YFYU-en/
  • No title artsdot.com/da/art/per-kirkeby-no-title-D7FA9E-en/
  • Lav Mane, 1989 artsdot.com/da/art/per-kirkeby-lav-mane-D67HSB-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/per-kirkeby-untitled-AQZBZJ-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #e0e0e0

    Gemt palet

    • #E0E0E0
    • #1E1E1E
    • #8B8B8B
    • #505050
    Primær farve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    Per Kirkeby

    Per Kirkeby: A Geologist’s Palette – Shaping Landscapes of the Mind

    Born in Copenhagen, Denmark, on September 1st, 1938, Per Kirkeby emerged from a world steeped in both scientific rigor and artistic yearning. His early life, marked by his father's engineering career and his mother’s background in education, provided a foundation for an intellectual curiosity that would profoundly shape his multifaceted artistic practice. Initially pursuing studies in natural history at the University of Copenhagen, Kirkeby’s fascination with geology quickly became central to his identity as both a scientist and an artist. This intersection – the meticulous observation of geological processes and the expressive rendering of those observations – is arguably the defining characteristic of his unique oeuvre.

    Kirkeby's artistic journey began in 1962, joining the influential “eks-skolen” (Experimental Art School) in Copenhagen. This environment, characterized by a spirit of experimentation and a rejection of traditional art conventions, proved to be fertile ground for his development. He quickly embraced diverse mediums – painting, graphic arts, film, performance pieces – demonstrating an early willingness to push boundaries and explore unconventional approaches. The Fluxus movement’s emphasis on conceptualism and its blurring of the lines between art and life resonated deeply with Kirkeby's own desire to integrate observation and experience into his work.

    The Geology Within: Influences and Early Works

    Kirkeby’s artistic vision was fundamentally rooted in his deep engagement with geology, particularly the landscapes of Greenland. His expeditions to Peary Island during the late 1950s provided a transformative experience, imbuing him with a profound appreciation for the immense timescales involved in geological processes – the slow, relentless forces that shape our planet’s surface. This awareness translated into his art through layered compositions and evocative imagery, reflecting the sedimentation of time and the interplay of erosion and formation.

    His early paintings, produced during the 1960s, are often characterized by a vibrant, almost Pop Art-influenced aesthetic. Utilizing techniques like oil paint layering and cut-outs, he created dynamic compositions that drew inspiration from comic books and other popular visual forms. However, beneath this surface vibrancy lay a deeper engagement with geological principles – a desire to capture the essence of natural structures and processes. The influence of artists such as Piet Mondrian and Mark Rothko can be seen in his early work, but Kirkeby quickly developed a distinct style that combined abstraction with a tangible connection to the natural world.

    Expanding Horizons: Sculpture, Film, and Conceptual Exploration

    As Kirkeby’s artistic practice evolved, he expanded beyond painting into sculpture, film, poetry, and writing. His sculptural work, particularly his brick structures inspired by Mayan architecture and traditional Danish housing, demonstrated a fascination with form, structure, and the relationship between human creation and natural processes. The house-like forms on Læsø Island, for example, served as both a meditation on shelter and a commentary on the enduring presence of geological forces.

    Kirkeby’s foray into film further solidified his commitment to interdisciplinary exploration. He collaborated with filmmaker Lars von Trier on several projects, contributing visual elements that underscored the thematic concerns of the films. His poetry and essays explored themes of landscape, time, and human experience, offering a more intimate perspective on his artistic vision.

    Recognition and Legacy

    Per Kirkeby’s work gained international recognition throughout his career, with exhibitions held at prestigious institutions such as the Tate in London, the Metropolitan Museum of Art and MoMA in New York, and the Centre Pompidou in Paris. He was awarded numerous accolades, including the Art Prize of NORD/LB in 1990 and the Coutts Contemporary Art Foundation Award in 1996. In 1982 he became a member of the Danish Academy.

    Despite a serious brain injury sustained in 2013 that ultimately led to his decision to cease painting, Per Kirkeby’s legacy endures. His work continues to be exhibited and studied worldwide, celebrated for its unique synthesis of geological observation, artistic expression, and conceptual exploration. He remains a pivotal figure in contemporary art, demonstrating the power of art to engage with fundamental questions about our place within the natural world. He died on May 9th, 2018, leaving behind a body of work that continues to inspire awe and contemplation.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Untitled

    artsdot.com/da/art/download/per-kirkeby-untitled-AQZBZJ-en/

    Kildehenvisning til dette kunstværk

    MLA
    Kirkeby, Per. Untitled. 1982, https://artsdot.com/da/art/per-kirkeby-untitled-AQZBZJ-en/
    APA
    Kirkeby, Per (1982). Untitled [Painting]. https://artsdot.com/da/art/per-kirkeby-untitled-AQZBZJ-en/
    Chicago
    Per Kirkeby. Untitled. 1982. https://artsdot.com/da/art/per-kirkeby-untitled-AQZBZJ-en/
    Harvard
    Kirkeby, Per (1982) Untitled. Available at: https://artsdot.com/da/art/per-kirkeby-untitled-AQZBZJ-en/

    Kig nærmere efter

    Untitled — Per Kirkeby

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Missing the World tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Per Kirkeby var omkring 44 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.