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Going West

Navn Klasse Dato

Jackson Pollock, Going West (1935). Offentlig ejendom.

Fakta om værket

Kunstner
Jackson Pollock artsdot.com/da/artists/jackson-pollock_da/
Kunstnerens levetid
1912 – 1956
Malet
1935
Medie
Oil On Canvas
Oprindelig størrelse
38 x 52 cm
Bevægelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Artistic style
Regionalist, Early Abstract
Influences
Thomas Benton
Notable elements
Drip technique, family journey
Subject or theme
American West, Pioneer life

I kontekst

Going West — Jackson Pollock

Hvor stor er den?

Originalen måler 38 × 52 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Skyggelagt: Jackson Pollock' livstid (1912–1956) ▲ dette værk, 1935

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/paul-jackson-pollock-going-west-7YKFZF-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Black #0a090b

    Gemt palet

    • #0A090B
    • #2F2923
    • #9E8551
    • #5F4B27
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Black
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Going West — Jackson Pollock

    Jackson Pollock’s “Going West”: A Journey of Family and Form

    Jackson Pollock's "Going West," painted in 1935, isn’t merely a depiction of a winter landscape; it’s a deeply personal narrative woven into the fabric of American pioneering spirit. Born Paul Jackson Pollock in Cody, Wyoming – a town intimately linked to westward expansion – the painting resonates with a profound sense of familial history and the yearning for a new horizon. The scene unfolds at night, dominated by a snow-dusted mountain range, a backdrop that immediately evokes the vastness and rugged beauty of the American West. A small group of figures stands before this imposing vista, their forms rendered in a style that’s both recognizable and subtly abstracted – a characteristic born from Pollock's early experimentation with various artistic influences.

    The painting’s genesis is believed to be rooted in a family photograph of a bridge in Cody, Wyoming. This seemingly simple starting point becomes the foundation for a richer exploration of themes: the journey westward undertaken by Pollock’s own family during his childhood from Arizona to California. This personal connection imbues the artwork with an emotional weight, transforming it into more than just a landscape; it's a visual embodiment of displacement, aspiration, and the enduring pull of home. The inclusion of a dog amongst the figures adds another layer of intimacy, suggesting companionship and shared experience on this arduous journey.

    Echoes of Benton: Regionalism and Early Influence

    To fully appreciate “Going West,” it’s crucial to recognize the significant influence of Thomas Hart Benton, Pollock's mentor. Benton, a prominent American Regionalist painter, championed a style characterized by realistic depictions of everyday life, particularly focusing on rural America and its history. Pollock, in his early career, was deeply drawn to Benton’s approach – evident in the careful rendering of the figures and the detailed depiction of the landscape. However, Pollock quickly moved beyond mere imitation, incorporating elements of Surrealism and drawing inspiration from Native American art, ultimately forging his own distinctive style.

    Notice how Benton's use of bold lines and a somewhat flattened perspective is echoed in Pollock’s composition, though subtly transformed. The figures aren’t sharply defined; they possess an almost dreamlike quality, contributing to the painting’s overall atmosphere of mystery and introspection. This early experimentation with different styles demonstrates Pollock’s artistic restlessness and his willingness to absorb influences before ultimately establishing his revolutionary drip technique.

    The Language of Paint: Technique and Atmosphere

    Going West” is a masterclass in the expressive potential of oil paint. Pollock employs a layered, almost chaotic application, building up texture and depth through multiple layers of color. The dark blues and blacks of the night sky contrast dramatically with the warm hues of the mountains and the figures’ clothing, creating a powerful sense of drama and visual tension. The technique is not about precise representation; it's about conveying feeling – the coldness of the winter air, the vastness of the landscape, and the quiet contemplation of the group before them.

    The use of impasto—thickly applied paint—adds a tactile quality to the canvas, inviting viewers to reach out and touch the surface. This physicality is particularly striking in the depiction of the mountains, where the paint seems to ripple and flow like water. The overall effect is one of movement and energy, despite the static pose of the figures. It’s important to note that this technique was still developing as Pollock moved toward his signature drip painting style, making “Going West” a crucial stepping stone in his artistic evolution.

    A Testament to American Identity

    Going West” transcends its immediate subject matter to become a potent symbol of the American experience. It speaks to the pioneering spirit, the challenges and rewards of westward expansion, and the enduring connection between family and place. Pollock’s ability to blend personal history with broader themes of American life is what makes this painting so compelling – it's not just a landscape; it’s a meditation on identity, journey, and the search for belonging. The painting serves as an important piece in understanding Pollock's early artistic development, setting the stage for his later abstract expressionist works.

    For those seeking to own a piece of this remarkable artwork, AllPaintingsStore offers meticulously crafted hand-painted reproductions of “Going West.” These faithful recreations capture the painting’s rich textures, dramatic lighting, and emotional depth, allowing you to bring this iconic image into your home or office. Explore our reproduction options today!

    Kunstner og museum

    Kunstner

    Jackson Pollock

    Født i Cody, USA

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, født den 28. januar 1912 i Cody, Wyoming, var fra barnsben en rastløs sjæl. Hans tidlige liv var præget af hyppige flytninger, da hans far jagte arbejde som landmåler på de store amerikanske vidder. Denne vandrende eksistens indgydte hos den unge Pollock en dyb forbindelse til naturen og en eksponering for forskellige kulturer, især gennem møder med indianerkunst under disse målingsrejser – indtryk der subtilt ville gennemsyde hans kunstneriske vision senere i livet. Selvom han aldrig direkte efterlignede indigene stilarter, var den rå energi og det åndelige resonans af disse tidlige oplevelser utvivlsomt mærkbare i hans arbejde.

    Pollocks formelle kunstuddannelse begyndte på Manual Arts High School i Los Angeles, efterfulgt af studier på Art Students League of New York under ledelse af Thomas Hart Benton. Benton, en fremtrædende figur i Regionalistbevægelsen, lagde vægt på rytmisk komposition og narrativt temaer rodfæstet i amerikansk liv. Selvom Pollock oprindeligt absorberede disse lektioner, lå hans iboende tilbøjelighed mere mod abstrakte udforskninger. Han blev også dybt berørt af mexicanske muralister som José Clemente Orozco, hvis kraftfulde fremstillinger af social kamp resonerede dybt med ham. Disse tidlige indflydelser lagde et fundament, men det var Surrealismens blomstrende verden, der virkelig låste Pollocks kunstneriske potentiale op.

    The Birth of Action Painting and a Revolutionary Technique

    1930’erne så Pollock eksperimentere med forskellige teknikker, søgende efter alternativer til traditionel pensling. Han begyndte at hælde maling, udforske dens flydende og upredicible natur. Men omkring 1947 gennemgik hans kunstneriske bane en radikal transformation. Afstillede han alt forhåndskonstrueret, lagde Pollock lærreder direkte på gulvet, hvilket initierede hvad der ville blive kendt som hans “drip-teknik”. Han hældte derefter, sprøjtede og kastede maling på lærredet fra oven, orkestrerende en dynamisk dans mellem kunstneren, mediet og overfladen.

    Dette var ikke blot om at påføre maling; det handlede om at indgyde selve skabelsen. Pollocks lærred blev arenaer for fysisk udtryk, der fangede øjeblikket af hans bevægelser og følelser. De resulterende malerier er karakteriseret ved deres “all-over” komposition – en mangel på central fokus, der inviterer betragteren til at udforske hele overfladen som et forenet energifelt. Intrikate netværk af linjer og farver indvikles med hinanden, hvilket skaber en visuel kompleksitet, der er både fængslende og udfordrende. Han brugte ukonventionelle værktøjer – stænger, knive, endda sprøjter – til at manipulere malingen på upredicible måder, hvilket yderligere fremhævede skabelsens spontanitet.

    Denne innovative tilgang placerede Pollock som en central figur i det spirende Abstract Expressionist-bevægelse, der opstod i post-krigstidens New York City. Abstract Expressionism prioriterede spontan gestus, stor skala og repræsentationsløs billedkunst, afspejlede en bredere kulturel skift væk fra traditionelle kunstneriske konventioner. Hans ægteskab med kunstneren Lee Krasner var også afgørende; hun ydede urokkelig følelsesmæssig støtte og opfordrede aktivt til hans kunstneriske udvikling, anerkendte den banebrydende karakter af hans arbejde.

    Iconic Works and Lasting Legacy

    Pollocks mest berømte værker – såsom Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952 og Convergence – er vidnesbyrd om hans revolutionerende teknik. Disse malerier er ikke blot billeder; de er optagelser af en præstation, indgydede med kunstnerens fysiske tilstedeværelse og følelsesmæssige intensitet. Den dynamiske energi, der udgår fra disse lærred, er mærkbar, inviterer betragteren til at fordybe sig i en verden af ren abstraktion.

    Hans stil transcenderer blot æstetik; det er en udforskning af processen over produktet. Pollock søgte at fange øjeblikket af sine handlinger og følelser på et lærred, afvisende traditionelle begreber om komposition og repræsentation. Han dykkede ned i Jungiansk psykologi, udforskede arketyper og det underbevidste i sin kunst, søgende efter at udnytte universelle symboler og primitive energier.

    Pollock’s indflydelse på kunsthistorien er uovertruffen. Han ændrede fundamentalt måden kunstnere tilgangede sig maleri på, brød fri fra easel-baserede metoder og omfavnede en mere performativ tilgang. Hans arbejde sikrede New York City's position som et globalt centrum for moderne kunst, skiftede fokus væk fra europæisk dominans. Hans indflydelse kan ses i arbejdet hos utallige kunstnere, der fulgte ham, herunder dem associeret med Color Field painting og senere former for abstrakt ekspressionisme.

    Influences and Artistic Context

    Pollock’s work was deeply influenced by a confluence of artistic movements and ideas. He drew inspiration from the dynamic energy of Mexican muralism, particularly the works of José Clemente Orozco, whose paintings explored themes of social struggle and political upheaval. The Surrealist movement, with its emphasis on the subconscious and dreamlike imagery, also played a significant role in shaping his aesthetic vision. Furthermore, Pollock’s exposure to the work of Thomas Hart Benton, a leading figure in the Regionalist movement, instilled in him an appreciation for narrative storytelling and the depiction of American landscapes.

    Beyond these specific influences, Pollock's artistic development was shaped by broader cultural shifts occurring in post-war America. The rise of Abstract Expressionism reflected a desire to break free from traditional artistic conventions and embrace new forms of self-expression. Pollock’s willingness to challenge established norms and experiment with unconventional techniques made him a pivotal figure in this movement, paving the way for future generations of artists.

    Conclusion

    Jackson Pollock's legacy extends far beyond his individual paintings. He remains an icon of 20th-century art, a visionary who redefined the possibilities of painting and inspired countless artists to push the boundaries of creative expression. His work continues to resonate with audiences today, reminding us of the power of art to evoke emotion, challenge perceptions, and capture the essence of human experience.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Going West

    artsdot.com/da/art/download/paul-jackson-pollock-going-west-7YKFZF-en/

    Kildehenvisning til dette kunstværk

    MLA
    Pollock, Jackson. Going West. 1935, https://artsdot.com/da/art/paul-jackson-pollock-going-west-7YKFZF-en/
    APA
    Pollock, Jackson (1935). Going West [Painting]. https://artsdot.com/da/art/paul-jackson-pollock-going-west-7YKFZF-en/
    Chicago
    Jackson Pollock. Going West. 1935. https://artsdot.com/da/art/paul-jackson-pollock-going-west-7YKFZF-en/
    Harvard
    Pollock, Jackson (1935) Going West. Available at: https://artsdot.com/da/art/paul-jackson-pollock-going-west-7YKFZF-en/

    Kig nærmere efter

    Going West — Jackson Pollock

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: american west, family journey, landscape. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Nummer 1, 1949 (1950) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    Going West — Jackson Pollock

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What is the primary subject depicted in Jackson Pollock’s ‘Going West’?

      • A A portrait of a prominent American politician.
      • B A landscape featuring a mountain range and a group of people.
      • C An abstract representation of human emotions.
    2. 2. The painting ‘Going West’ is believed to be inspired by which personal experience for Jackson Pollock?

      • A His travels through Europe.
      • B A family photo of a bridge in Cody, Wyoming.
      • C His studies at the Art Students League.
    3. 3. Which American Regionalist painter significantly influenced Jackson Pollock’s style as seen in ‘Going West’?

      • A Edward Hopper
      • B Thomas Hart Benton
      • C Andrew Wyeth
    4. 4. What technique is most prominently displayed in ‘Going West’, a key element of Jackson Pollock’s artistic development?

      • A Precise, detailed rendering of figures and objects.
      • B Drip painting
      • C or “all-over painting”, “Pointillism” using small dots of color.
    5. 5. The setting of ‘Going West’ evokes a sense of what historical period and theme?

      • A Ancient Rome during the Roman Empire.
      • B The American West and pioneering life
      • C Victorian England during the Industrial Revolution.

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