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Daffodils

Navn Klasse Dato

michele elizabeth field, Daffodils (2006). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
michele elizabeth field artsdot.com/da/artists/michele-elizabeth-field/
Kunstnerens levetid
1953 – 2014
Malet
2006
Oprindelig størrelse
31 x 101 cm
Bevægelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

I kontekst

Daffodils — michele elizabeth field

Hvor stor er den?

Originalen måler 31 × 101 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Skyggelagt: michele elizabeth field' livstid (1953–2014) ▲ dette værk, 2006

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/michele-elizabeth-field-daffodils-AQUPXT-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Black #131315

    Gemt palet

    • #131315
    • #E0C74F
    • #D3B62A
    • #3F4C33
    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Black
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    michele elizabeth field

    A Life Painted in Light and Water

    Michele Elizabeth Field, born Michele Wright, was an artist whose soul seemed inextricably linked to the tranquil rhythms of the English landscape. Born on June 10, 1953, in Solihull, West Midlands, her early years were shaped by a profound fascination with the natural world. This innate curiosity found its most potent expression through the serene waterways and rolling vistas of Oxford—a region that would become the heartbeat of her creative vision. Her palette was often a direct reflection of this environment, mirroring the soft, luminous hues of the Thames and the verdant, undulating textures of the Chiltern Hills. Through her work, one does not merely see a landscape; one feels the atmospheric weight of a misty morning or the warmth of sunlight filtering through a summer canopy.

    Her formal journey into the mastery of medium began at the Plymouth College of Art, where she meticulously honed her skills in both watercolor and oil painting. While her technical foundation was rigorous, it was her relocation to Oxford in 1980 that truly catalyzed her artistic evolution. Immersed in the city’s rich artistic heritage, Field established herself as a freelance artist with an unwavering commitment to emotional resonance. She possessed a rare ability to capture the essence of a scene, moving beyond mere representation to achieve a sense of profound stillness and accuracy that captivated both casual observers and seasoned collectors alike.

    The Language of Flowers and Form

    As her career progressed into the early 2000s, Field’s expressive range underwent a beautiful transformation. While she remained a master of the delicate, translucent washes characteristic of watercolor, she began to embrace the bold, tactile possibilities of acrylics and oils. This experimentation allowed her to explore deeper textures and more vibrant, saturated colors, adding a new dimension of physical presence to her canvases. Her botanical works, in particular, emerged as some of her most celebrated achievements. In paintings such as White Lilies and Yellow Lilies, she rendered floral subjects with a precision that bordered on the meditative.

    Her floral compositions—frequently featuring anemones, poppies, and daisies—were far more than simple botanical studies. They served as poignant meditations on the ephemeral nature of beauty and the cyclical rhythms of life. In works like Daisies and Orange Flowers, she utilized a stylized, almost folk-art charm to evoke joy and rustic serenity, whereas her more abstract endeavors, such as Purple and Gold Abstract, showcased her ability to manipulate impasto textures and swirling forms to convey pure emotion. This versatility ensured that her work could speak to the viewer through both the literal beauty of nature and the abstract language of color.

    Legacy of Empathy and Observation

    Beyond the landscapes and botanicals, Field’s artistry was defined by a deep-seated empathy, a quality most evident in her highly sought-after pet portraits. Tasked with capturing the likenesses of beloved dogs, she approached each commission with an exceptional level of observation, seeking to translate the unique character and spirit of each animal onto the canvas. This ability to capture the "essence" of a subject became a hallmark of her professional reputation, making her work deeply personal to those who owned it.

    A dedicated member of the Guild of Waterway Artists, Field was not only a creator but also a vital part of the artistic community. She was known for her professionalism and her skill as a promoter, often organizing exhibitions at venues such as the John Radcliffe Hospital and participating in major events like the Braunston Boat Show. Her presence was so impactful that her paintings were frequently featured on official Christmas cards, weaving her vision into the seasonal traditions of the region. Though her life was tragically cut short in 2014, her legacy endures through a body of work that remains vibrantly alive—a testament to a life lived with an open heart and an eye for the extraordinary beauty found in the everyday.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Daffodils

    artsdot.com/da/art/download/michele-elizabeth-field-daffodils-AQUPXT-en/

    Kildehenvisning til dette kunstværk

    MLA
    field, michele elizabeth. Daffodils. 2006, https://artsdot.com/da/art/michele-elizabeth-field-daffodils-AQUPXT-en/
    APA
    field, michele elizabeth (2006). Daffodils [Painting]. https://artsdot.com/da/art/michele-elizabeth-field-daffodils-AQUPXT-en/
    Chicago
    michele elizabeth field. Daffodils. 2006. https://artsdot.com/da/art/michele-elizabeth-field-daffodils-AQUPXT-en/
    Harvard
    field, michele elizabeth (2006) Daffodils. Available at: https://artsdot.com/da/art/michele-elizabeth-field-daffodils-AQUPXT-en/

    Kig nærmere efter

    Daffodils — michele elizabeth field

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: floral art, daffodils, yellow blooms. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Poppies, Buttercups and Daisies (2007) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.