Papir

Guide til elevkunst

Bite Fly

Navn Klasse Dato

Matilda Tumim, Bite Fly (2007), Papdale Primary School. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Matilda Tumim artsdot.com/da/artists/matilda-tumim/
Kunstnerens årstal
1963 –
Malet
2007
Oprindelig størrelse
70 x 250 cm
Afholdt hos
Papdale Primary School artsdot.com/da/museums/papdale-primary-school-kirkwall/

I kontekst

Bite Fly — Matilda Tumim

Hvor stor er den?

Originalen måler 70 × 250 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 44 år gammel. 9 af de 14 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 2007 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/matilda-tumim-bite-fly-AQUL22-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #c3cbc8

    Katalogiseret palet

    • #C3CBC8
    • #5F6761
    • #5FA7CD
    • #BAA445

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Matilda Tumim i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 87,5%
    2. 2 USA 12,5%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 8 mest viste værker af Matilda Tumim

    1. 1 Passiflora (triptych, right wing), 2001 12,5%
    2. 2 Passiflora (triptych, centre panel), 2001 12,5%
    3. 3 Bite Fly, 2007 dette maleri 12,5%
    4. 4 Ballad, 2001 12,5%
    5. 5 Passiflora (triptych, left wing), 2001 12,5%
    6. 6 Consequence Joke, 2006 12,5%
    7. 7 Hearts and Minds, 2001 12,5%
    8. 8 Consequence Circle Monster, 2007 12,5%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 14 værker af denne kunstner, hvoraf 8 er blevet set mindst én gang. Dette maleri rangerer som nummer 3 af dem med 12,5% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Matilda Tumim

    Matilda Tumim: Weaver of Memory and Dream

    Born in 1963, Matilda Tumim’s artistic journey is one deeply intertwined with the landscapes and communities of northern Scotland – Orkney, particularly – a region that profoundly shaped her vision and continues to resonate within her evocative paintings. Her work isn't merely representation; it’s an exploration of memory, identity, and the quiet power of human connection, rendered through a distinctive style characterized by dreamlike atmospheres, subtle color palettes, and a captivating blend of figurative and landscape elements. Tumim’s art invites viewers into intimate spaces, both internal and external, prompting reflection on the complexities of experience.

    Early influences were diverse, beginning with a Fine Art degree at Falmouth School of Art in 1985, followed by postgraduate studies at the Royal College of Art in London. This foundation provided her with technical skills alongside exposure to various artistic movements. However, it was her relocation to Orkney in the late 1980s that proved transformative. The stark beauty of the islands – their windswept coastlines, dramatic skies, and rich cultural heritage – became the bedrock of her creative practice. The isolation and unique character of Orkney fostered a contemplative approach to artmaking, encouraging introspection and a deep engagement with the natural world.

    A Palette of Memory: Style and Technique

    Tumim’s artistic style is immediately recognizable for its atmospheric quality and delicate execution. She frequently employs muted color palettes – often dominated by blues, greens, and greys – to create a sense of melancholy and introspection. Her brushwork is loose and expressive, layering colors and textures to build depth and suggest movement within the landscapes. Figures are typically rendered with a gentle softness, appearing almost as if emerging from the surrounding environment. This technique seamlessly blends the human form with the natural world, blurring the boundaries between interior and exterior space.

    A key element of her work is the incorporation of symbolic imagery – recurring motifs such as ‘consequence’ (as seen in “Consequence Monster Girls” and “Consequence Jellyfish”), often representing the weight of past experiences and their lingering effects. These symbols, combined with her masterful use of light and shadow, create a powerful sense of narrative within each painting. Her work is frequently described as surrealist, yet grounded in a deeply rooted realism, capturing not just what is but also what feels.

    Key Works and Recognition

    Throughout her career, Tumim has produced a significant body of work that has garnered critical acclaim and recognition. Notable pieces include “Consequence Monster Girls” (2007), a hauntingly beautiful depiction of fantastical creatures grappling with their own burdens; "Consequence Jellyfish" (2006), a collage evoking childhood memories and the fluidity of time; and “Small Volumes” (2011), an installation exploring themes of community and connection. Her work has been exhibited in numerous galleries across the UK, including The Loft Gallery, St. Margaret’s Hope, Orkney, and Piccadilly Gallery, London.

    Her commitment to public art is also noteworthy. She created a permanent installation at the Royal Aberdeen Children's Hospital (RACH) in 2008, reflecting her dedication to using art as a means of healing and connection. Furthermore, she was selected as a Public Partner for Healthcare Improvement Scotland from 2014 to present, demonstrating her ongoing engagement with social issues through artistic expression.

    Legacy and Continuing Influence

    Matilda Tumim’s work transcends simple categorization; it occupies a unique space within contemporary art. Her deeply personal connection to the landscapes of Orkney, combined with her distinctive visual language, has established her as a significant voice in British painting. She continues to create compelling works that explore universal themes of memory, identity, and the human condition, ensuring her legacy will endure for years to come. Her work is featured on Axisweb here, and can be found at WahooArt here.

    Her dedication to community engagement and her willingness to use art as a tool for social change further solidify her position as an artist deeply rooted in her surroundings and committed to making a positive impact on the world.

    Museum

    Papdale Primary School

    Udstillet i Kirkwall, United Kingdom

    A Sanctuary of Creativity Amidst the Orkney Winds

    Nestled within the windswept beauty of Kirkwall, where the rugged coastline of the Orkney Islands meets the enduring spirit of Scotland, lies a museum that defies traditional boundaries. The Papdale Primary School Museum is not merely a repository for artifacts but a living, breathing window into the region's artistic soul. Housed within a beautifully preserved exemplar of traditional Scottish school architecture, the museum offers a sanctuary of light and contemplation. Its spacious interiors, bathed in the soft, natural radiance characteristic of the northern Isles, invite visitors to wander through a space where history and contemporary vision coalesce seamlessly.

    A Tapestry of Local Vision and Artistic Mastery

    The collection within these walls is a remarkable assemblage that celebrates both the burgeoning talent of local students and the seasoned hands of accomplished regional artists. To walk through the galleries is to experience a profound dialogue between different stages of artistic development. One might find themselves captivated by delicate

    watercolor landscapes

    that mirror the dramatic, shifting moods of Orkney’s coastline, or perhaps drawn to the intricate pencil sketches where primary school pupils have meticulously documented the botanical wonders of their surroundings. This collection reaches beyond the youthful to include striking portraits, such as Stanley Cursiter’s evocative oil on canvas depicting John McEwen, the Rector of Kirkwall Grammar School. Through these diverse mediums—from the raw honesty of a child's sketch to the sophisticated realism of professional portraiture—the museum captures the very essence of the Orcadian character.

    Where Education Meets Cultural Preservation

    What truly distinguishes this institution is its profound fusion of educational mission and cultural stewardship. It serves as a vital bridge between generations, where recurring exhibitions delve into themes of rural life and the deep-seated artistic traditions of the North. The museum’s curators meticulously select works that resonate with themes of observation and imaginative interpretation, ensuring that every piece acts as a conduit for Orkney's heritage. Even through the lens of pioneering photography, such as Frances Benjamin Johnston’s documentation of young students studying plants, the museum highlights a continuous cycle of learning and creation. For the art lover or the designer seeking authentic regional inspiration, Papdale Primary School Museum offers an unparalleled glimpse into a landscape where

    art breathes life into the very process of learning

    , fostering an appreciation for the enduring values of the Kirkwall community.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Bite Fly

    artsdot.com/da/art/download/matilda-tumim-bite-fly-AQUL22-en/

    Kildehenvisning til dette kunstværk

    MLA
    Tumim, Matilda. Bite Fly. 2007, Papdale Primary School. https://artsdot.com/da/art/matilda-tumim-bite-fly-AQUL22-en/
    APA
    Tumim, Matilda (2007). Bite Fly [Painting]. Papdale Primary School. https://artsdot.com/da/art/matilda-tumim-bite-fly-AQUL22-en/
    Chicago
    Matilda Tumim. Bite Fly. 2007. Papdale Primary School. https://artsdot.com/da/art/matilda-tumim-bite-fly-AQUL22-en/
    Harvard
    Tumim, Matilda (2007) Bite Fly. Papdale Primary School. Available at: https://artsdot.com/da/art/matilda-tumim-bite-fly-AQUL22-en/

    Se nærmere efter

    Bite Fly — Matilda Tumim

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Passiflora (triptych, right wing) (2001) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Matilda Tumim var omkring 44 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er farverne i "Bite Fly" kraftige eller dæmpede?

    "Bite Fly" af Matilda Tumim er gengivet med en Balanced Soft mætning og en Vivid intensitet.

    Kan jeg undersøge "Bite Fly" mere detaljeret?

    Røntgenoptagelse-siden til "Bite Fly" af Matilda Tumim er en interaktiv viewer, der lader dig glide gennem elleve optiske lag af værkets billede, herunder en visning i røntgenstil.

    Kan jeg bestille en oliereproduktion af "Bite Fly"?

    Håndmalede kopier af "Bite Fly" af Matilda Tumim kan købes hos denne hjemmeside: en håndmalet oliereproduktion på lærred af hør, via deres Håndmalet reproduktion-side.