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Call me number one

Navn Klasse Dato

lien chien hsing, Call me number one, Boreal Projects. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
lien chien hsing artsdot.com/da/artists/lien-chien-hsing/
Kunstnerens levetid
1962 – ?
Oprindelig størrelse
65 x 91 cm
Afholdt hos
Boreal Projects artsdot.com/da/museums/boreal-projects-madrid/

I kontekst

Call me number one — lien chien hsing

Hvor stor er den?

Originalen måler 65 × 91 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1960

Skyggelagt: lien chien hsing' livstid (1962–?)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/lien-chien-hsing-call-me-number-one-DD2D4N-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #b49790

    Gemt palet

    • #B49790
    • #7C3F3D
    • #886C6F
    • #414F6E
    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    lien chien hsing

    Født i Keelung, Taiwan

    A Haunting Vision of Taiwan’s Transformation: The Art of Lien Chien-Hsing

    Lien Chien-hsing, born in 1962 in the port city of Keelung, Taiwan, is an artist whose work resonates with a profound sense of melancholy and a captivating, almost magical realism. His paintings are not merely depictions of places; they are elegies for a changing landscape, imbued with personal memory and subtle social commentary. Growing up amidst the decline of both the local fishing industry and the traditional mining operations that once defined Keelung shaped his artistic vision from an early age. He witnessed firsthand the transition from prosperity to abandonment, a theme that would become central to his oeuvre. Lien’s art is deeply rooted in this specific locale, yet it speaks to universal experiences of loss, decay, and the enduring power of nature.

    Early Life and Artistic Formation

    Lien Chien-hsing pursued formal artistic training at the Chinese Culture University in Taipei, earning a Bachelor of Fine Arts degree in 1984. He continued his studies at the Graduate School of Fine Arts at Taipei National University of the Arts, completing his Master’s degree in 2004. These years were crucial in honing his technical skills and developing his distinctive style. Initially focused on rural realism, he quickly distinguished himself with a superb technique capable of capturing minute details and atmospheric nuances. However, it was during the 1980s that Lien began to explore the abandoned landscapes that would define his career trajectory. His early work already hinted at the themes of industrial transformation and environmental concern that would become so prominent in his later paintings. He wasn’t simply documenting decline; he was beginning to imbue these scenes with a sense of quiet drama, foreshadowing the “magic desolate landscapes” for which he is now celebrated.

    The Emergence of ‘Magical Realism’

    By the 1990s, Lien Chien-hsing had begun to create works that blended meticulous realism with elements of fantasy and symbolism. He revisited locations from his childhood, transforming them into hauntingly beautiful scenes populated by characters and figures seemingly displaced in time. These paintings often feature decaying factories, abandoned structures, and overgrown vegetation, creating a sense of both nostalgia and unease. The term “magical realism” became increasingly associated with his work, though Lien himself resists easy categorization. His approach is less about overt fantastical elements and more about subtly revealing the hidden emotions and subconscious narratives embedded within these spaces. He masterfully juxtaposes seemingly unrelated objects and figures, creating a dreamlike quality that invites viewers to contemplate the deeper meanings behind the scenes. The use of light and shadow plays a critical role in establishing this atmosphere, enhancing the sense of mystery and evoking a feeling of pessimism combined with an underlying spiritual resonance.

    Themes and Symbolism

    Lien Chien-hsing’s paintings are rich with symbolism, often reflecting his concerns about environmental degradation and the loss of cultural heritage. The ruins themselves represent not only physical decay but also the fading memories of past generations. Animals, particularly deer, frequently appear in his work, serving as symbols of resilience, vulnerability, and the enduring power of nature. Water is another recurring motif, representing both life and destruction, renewal and stagnation. His 2017 painting, Rising Deer, exemplifies these themes perfectly: a lone deer drinking from a pool beside rusted machinery in an abandoned factory—a poignant image that speaks to the delicate balance between industrial progress and ecological preservation. The artist’s meticulous realism doesn't simply depict this scene; it elevates it to a level of allegorical significance, prompting viewers to reflect on their own relationship with the environment and the consequences of unchecked development.

    Legacy and Historical Significance

    Lien Chien-hsing has established himself as one of Taiwan’s most important contemporary artists. His work has been exhibited extensively both domestically and internationally, including solo exhibitions at the Yu-Hsiu Museum of Art in Nantou (2016-2017) and numerous galleries throughout Taipei. He is known for his dedication to capturing the essence of a specific place—the north coast of Taiwan—and transforming it into something universally resonant. His paintings are not simply beautiful objects; they are powerful statements about the human condition, the fragility of nature, and the importance of preserving cultural memory. His ability to blend technical skill with emotional depth has earned him critical acclaim and a devoted following. Lien’s work stands as a testament to the enduring power of art to provoke thought, evoke emotion, and inspire change. He continues to explore new themes and techniques while remaining true to his distinctive vision, solidifying his place as a significant figure in contemporary Asian art history.

    Born 1962 in Keelung, Taiwan.

    Graduated from Chinese Culture University (BFA, 1984).

    Master’s degree from Taipei National University of the Arts (MFA, 2004).

    Known for painting characters and magical figures in cultural ruins.

    Museum

    Boreal Projects

    Udstillet i Madrid, Spain

    The Soul of Provence: Exploring the Musée Granet in Saint-Rémy-de-Provence

    Nestled amidst the lavender fields and sun-drenched hills of Provence, France, the Musée Granet stands as a quietly profound testament to artistic evolution and regional identity. Located in the heart of Saint-Rémy-de-Provence, a town inextricably linked with Vincent van Gogh’s transformative years, the museum offers more than just a collection; it provides a deeply immersive experience into the spirit of the region and its enduring influence on art history. Originally founded as the Musée Grobet in 1895 by the wealthy Grobet family – prominent local bankers – the institution evolved dramatically under the stewardship of Albert Granet, a renowned art historian and collector, who bequeathed his personal collection to the city in 1926, transforming it into the museum we know today.

    The building itself is a captivating blend of architectural styles, reflecting its layered history. The core structure dates back to the 17th century, a former convent of the Order of Saint Clare, and retains much of its original character – soaring vaulted ceilings, delicate frescoes depicting scenes from the life of St. Clare, and serene cloisters that now serve as tranquil exhibition spaces. Granet meticulously integrated a modern extension designed by architect Jean-François Graff in 1934, creating a harmonious dialogue between past and present. This juxtaposition is particularly striking when viewing works within the original convent walls; the cool, light-filled galleries of the modern addition provide a stunning counterpoint to the warm, intimate atmosphere of the historic spaces.

    A Tapestry of Artistic Voices

    The Musée Granet’s collection isn't defined by a single movement or style, but rather by a carefully curated selection that spans centuries and continents. At its heart lies a remarkable assembly of Provençal paintings, particularly those produced during the 19th and early 20th centuries. You’ll find works by masters like Jean-François Millet, whose poignant depictions of rural life capture the dignity and hardship of peasant existence – a subject deeply resonant with the spirit of Provence. The museum boasts an exceptional collection of landscapes by Paul Cézanne, arguably the most significant artist associated with the region. His vibrant brushstrokes and innovative use of color brilliantly convey the light, atmosphere, and geological forms of the Alpilles mountains and surrounding countryside.

    Beyond Provençal art, the museum’s holdings include a substantial collection of drawings by Ingres, a master of line and form whose influence can be felt throughout the collection. A significant portion is dedicated to 19th-century French sculpture, featuring works by Rodin and Bourdelle, offering a powerful contrast in material and technique. And, crucially, the museum houses a remarkable series of prints by Van Gogh, acquired largely through Granet’s personal connections and passion for the artist. These prints – studies, sketches, and lithographs – provide invaluable insight into his creative process and offer a tangible connection to the turbulent years he spent in Saint-Rémy, battling mental illness while finding solace and inspiration in the beauty of Provence.

    Echoes of Van Gogh’s Studio

    The museum's proximity to Van Gogh’s former asylum at Saint-Paul-de-Mausole is perhaps its most compelling connection. Granet himself was a close friend of the artist, and he played a pivotal role in securing many of Van Gogh’s works for the collection. The museum regularly hosts exhibitions dedicated to the artist's time in Provence, often incorporating materials from the asylum itself – letters, drawings, and even fragments of his paintings. A particularly poignant exhibit explores the influence of the surrounding landscape on Van Gogh’s art, demonstrating how the vibrant colors and dramatic light of Provence fueled his creative fire. The museum actively collaborates with the Saint-Paul-de-Mausole site to offer visitors a holistic understanding of Van Gogh's life and work within this unique setting.

    Beyond the Paintings: Architectural Details and Local Heritage

    The Musée Granet is more than just a repository for artworks; it’s a celebration of Provençal culture. The museum’s collection of decorative arts, including ceramics, textiles, and furniture, offers a glimpse into the region's rich artistic traditions. Don’t miss the meticulously restored cloisters, which feature stunning stained-glass windows depicting scenes from the Bible and local folklore. These spaces provide a serene setting for contemplation and offer a tangible connection to the convent’s past. The museum also maintains an archive documenting the history of Saint-Rémy-de-Provence, showcasing its evolution as a center of art, culture, and pilgrimage.

    A Contemporary Lens

    The Musée Granet continues to evolve, embracing contemporary exhibitions that explore new perspectives on art and culture. Recent shows have featured works by emerging artists from Provence and beyond, demonstrating the museum’s commitment to fostering dialogue and innovation. With its stunning architecture, diverse collection, and profound connection to Van Gogh and Provençal heritage, the Musée Granet offers a truly unforgettable experience for art lovers of all backgrounds. It remains a vital cultural institution, enriching the artistic landscape of Provence and inviting visitors to delve into the soul of this captivating region.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Call me number one

    artsdot.com/da/art/download/lien-chien-hsing-call-me-number-one-DD2D4N-en/

    Kildehenvisning til dette kunstværk

    MLA
    hsing, lien chien. Call me number one. n.d., Boreal Projects. https://artsdot.com/da/art/lien-chien-hsing-call-me-number-one-DD2D4N-en/
    APA
    hsing, lien chien (n.d.). Call me number one [Painting]. Boreal Projects. https://artsdot.com/da/art/lien-chien-hsing-call-me-number-one-DD2D4N-en/
    Chicago
    lien chien hsing. Call me number one. n.d. Boreal Projects. https://artsdot.com/da/art/lien-chien-hsing-call-me-number-one-DD2D4N-en/
    Harvard
    hsing, lien chien (n.d.) Call me number one. Boreal Projects. Available at: https://artsdot.com/da/art/lien-chien-hsing-call-me-number-one-DD2D4N-en/

    Kig nærmere efter

    Call me number one — lien chien hsing

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    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
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