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Guide til elevkunst

W. E. B. Du Bois

Navn Klasse Dato

Laura Wheeler Waring, W. E. B. Du Bois (1948). Offentlig ejendom.

Fakta om værket

Kunstner
Laura Wheeler Waring artsdot.com/da/artists/laura-wheeler-waring/
Kunstnerens levetid
1880 – 1948
Malet
1948
Oprindelig størrelse
82 x 64 cm
Bevægelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

I kontekst

W. E. B. Du Bois — Laura Wheeler Waring

Hvor stor er den?

Originalen måler 82 × 64 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Skyggelagt: Laura Wheeler Waring' livstid (1880–1948) ▲ dette værk, 1948

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/laura-wheeler-waring-w-e-b-du-bois-AQSS3T-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Quinacridone Magenta #80604c

    Gemt palet

    • #80604C
    • #5D4135
    • #DADBD5
    • #A88566
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Quinacridone Magenta
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    Laura Wheeler Waring

    Født i Hartford, United States of America

    Early Life and Education

    Born: May 16, 1887, Hartford, Connecticut

    Parents: Reverend Robert Foster Wheeler and Mary (née Freeman) Wheeler

    Family Background: Her mother was involved in anti-slavery activities.

    Education: Graduated from Hartford Public High School in 1906. Studied at the Pennsylvania Academy of the Fine Arts, graduating in 1914.

    Early Career: Began teaching part-time in Philadelphia while studying.

    Career and Artistic Development

    Teaching at Cheyney University: Taught art and music for over thirty years at Cheyney University, Pennsylvania, eventually becoming director of the art programs.

    European Travels (1914 & 1924): Received a scholarship to study in Paris (1914). A second trip to Europe in 1924 proved pivotal, leading to a shift in her artistic style towards more vibrant colors and realism.

    Artistic Style: Initially influenced by European masters like Monet, Manet, Corot, and Cézanne. Later developed a distinctive style characterized by realistic depictions with vivid color and atmosphere. Houses at Semur, France (1925) is considered a key work marking this stylistic shift.

    Harlem Renaissance Portraits: Commissioned by the Harmon Foundation to paint portraits of prominent African Americans during the Harlem Renaissance. These portraits are among her most celebrated works.

    Major Works and Subjects

    W. E. B. Du Bois (1948): A realistic oil painting capturing the wisdom and melancholy of the prominent intellectual.

    Little Brown Girl: A captivating portrait blending realism and impressionism, showcasing her skill with color and texture.

    Naomi Barnett Aden: A black and white portrait evoking dignity and contemplation through chiaroscuro.

    Portraits for the Harmon Foundation Exhibition (1928): Included portraits of significant African American figures like Mary White Ovington and James Weldon Johnson.

    Illustrations for The Crisis: Contributed illustrations to the NAACP’s magazine, celebrating the dignity of African American life.

    Legacy and Historical Significance

    Recognition: Exhibited her work in Paris and across America. Her portraits were displayed at institutions like the Corcoran Gallery, Brooklyn Museum, and Philadelphia Museum of Art.

    Influence on Black Artists: Waring's dedication to arts education and her portrayal of prominent African Americans helped inspire future generations of artists.

    Contribution to Civil Rights: Her portraits served as a powerful visual representation of African American achievement during the early civil rights movement.

    Connecticut Women’s Hall of Fame Induction (1997): Honored for her commitment to teaching and art, and her influence on African American artists and teachers.

    Death: Died February 3, 1948, in Philadelphia, Pennsylvania.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for W. E. B. Du Bois

    artsdot.com/da/art/download/laura-wheeler-waring-w-e-b-du-bois-AQSS3T-en/

    Kildehenvisning til dette kunstværk

    MLA
    Waring, Laura Wheeler. W. E. B. Du Bois. 1948, https://artsdot.com/da/art/laura-wheeler-waring-w-e-b-du-bois-AQSS3T-en/
    APA
    Waring, Laura Wheeler (1948). W. E. B. Du Bois [Painting]. https://artsdot.com/da/art/laura-wheeler-waring-w-e-b-du-bois-AQSS3T-en/
    Chicago
    Laura Wheeler Waring. W. E. B. Du Bois. 1948. https://artsdot.com/da/art/laura-wheeler-waring-w-e-b-du-bois-AQSS3T-en/
    Harvard
    Waring, Laura Wheeler (1948) W. E. B. Du Bois. Available at: https://artsdot.com/da/art/laura-wheeler-waring-w-e-b-du-bois-AQSS3T-en/

    Kig nærmere efter

    W. E. B. Du Bois — Laura Wheeler Waring

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Vores katalog klassificerer dette værk under: portraiture, african american, harlem renaissance. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på James Weldon Johnson (1943) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.