Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Kerr Eby døde i 1946; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 2016.
I kontekst
A Summer Day — Kerr Eby
Originalen måler 14 × 24 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 57 ved død.
Malet da kunstneren var 51 år gammel. Kunstneren blev 57 år gammel. 101 af de 116 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Kerr Eby' livstid (1889–1946) ▲ dette værk, 1940 hvert dateret maleri, årti for årti
Første værker: frem til 1922 Primære arbejdsår: 1922–1932 Senere værker: fra 1932
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/kerr-eby-a-summer-day-AQTFVF-en/
Målt ud fra billedet
Hovedfarve
Rosy Brown #b9a78b
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 44,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 117 værker af denne kunstner, hvoraf 65 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Om dette kunstværk
A Summer Day — Kerr Eby
Kerr Eby was a Canadian illustrator and artist, best known for his works depicting soldiers in combat during World War I and II. One of his notable pieces is A Summer Day, a black and white artwork created in 1940. This painting is part of the collection at the Smithsonian American Art Museum in the United States.
The painting features a man sitting under a tree next to a body of water, with two birds in the scene. A boat is visible in the middle of the image, adding to the serene atmosphere of the piece. The overall mood of A Summer Day is one of peace and tranquility, a stark contrast to the war-themed works that Kerr Eby was known for.
Kerr Eby was born in Tokyo, Japan in 1889 to Canadian Methodist missionary parents. He received formal art training at Pratt Institute and the Art Students League of New York. During World War I, Eby served in an ambulance crew and later as a camoufleur, creating many memorable images of soldiers in combat.
Some of Kerr Eby's other notable works include Clam Digger's Return, Evening, and Driftway, Evening. These pieces showcase his skill in capturing the human experience during times of war and peace. You can find more information about these paintings on AllPaintingsStore.com and learn about the artist's life and work on Wikipedia.
Medium: Paper
Size: 14 x 24 cm
Date: 1940
Museum: Smithsonian American Art Museum
AllPaintingsStore.com offers handmade oil painting reproductions of Kerr Eby's works, including A Summer Day. These reproductions are created by skilled artists and are available for purchase on the website.
For art enthusiasts and collectors, A Summer Day is a must-see piece that showcases Kerr Eby's skill in capturing the human experience during times of peace.
Kunstner og museum
Born in the bustling metropolis of Tokyo in 1889, Kerr Eby’s artistic journey began far from the familiar landscapes of his Canadian heritage. His parents, devout Methodist missionaries, instilled within him a deep appreciation for observation and a keen eye for detail – qualities that would prove instrumental in shaping his distinctive style. Early life in Canada provided a grounding in traditional art training, but it was his relocation to New York City in 1907 that truly ignited his artistic ambitions. He enrolled at Pratt Institute and later honed his skills at the prestigious Art Students League, immersing himself in the vibrant artistic community of the city.
Eby’s formative years were marked by a fascination with printmaking, an art form he mastered through apprenticeships and hands-on experience. He secured a position at the American Lithographic Company, gaining invaluable insight into the technical intricacies of etching and lithography – skills that would later become central to his artistic practice. Crucially, he benefited from the influence of his uncle, Frederick Keppel Sr., a prominent art dealer who championed the recognition of prints as a legitimate form of fine art within America. This support, combined with his own dedication, allowed Eby to develop a remarkable technical proficiency and a unique visual language.
World War I marked a pivotal moment in Kerr Eby’s career, transforming him from a promising artist into a chronicler of war. Enlisting in the U.S. Army in 1917, he initially served as an ambulance driver and later as a camoufleur – a vital role that demanded both artistic skill and an intimate understanding of military strategy. It was during this period that Eby began to document the realities of combat through sketches and drawings, capturing not just the grand sweep of battles but also the quiet moments of human experience amidst the chaos. Unlike many official war artists who focused on heroic depictions, Eby sought to portray the war with unflinching honesty, revealing both its brutality and its profound impact on the lives of ordinary soldiers.
His early sketches, initially intended for personal records, were eventually compiled into a powerful collection titled War, published in 1936. This book, a testament to Eby’s artistic vision and his commitment to bearing witness, became an immediate sensation, capturing the attention of critics and collectors alike. It established him as one of the foremost illustrators of the war, alongside figures like Harvey Dunn, and cemented his reputation for portraying the horrors and humanity of conflict with remarkable sensitivity.
Following the First World War, Eby experienced a period of reflection and artistic evolution. While he continued to occasionally revisit themes related to war, he increasingly turned his attention to landscapes and equestrian portraits – subjects that offered a respite from the grim realities of combat. His landscape paintings, characterized by their luminous quality and evocative atmosphere, drew inspiration from the Luminist movement, emphasizing light, color, and the beauty of nature. Simultaneously, he returned to his earlier passion for portraiture, producing stunning depictions of horses and riders – works that showcased his exceptional technical skill and his ability to capture the essence of his subjects.
This shift in focus did not diminish Eby’s artistic integrity; rather, it allowed him to explore new avenues of expression while retaining the core values that had defined his work throughout his career. His equestrian portraits, for example, often carried a subtle undercurrent of melancholy, reflecting his experiences during the war and his deep understanding of human suffering.
Kerr Eby’s life was tragically cut short in 1946, succumbing to complications from a tropical disease contracted while documenting the fighting in Bougainville. Despite his untimely death, his artistic legacy endures as a powerful testament to the role of art in bearing witness to historical events. His illustrations from World War I and II remain invaluable documents, offering a rare glimpse into the experiences of soldiers on the front lines. His work is held in numerous museums across America, including the Smithsonian American Art Museum, a testament to its enduring artistic merit and historical significance.
Eby’s ability to capture both the physical realities of war and the emotional toll it exacted on individuals has cemented his place as one of the most important illustrators of the 20th century. His art serves not only as a record of history but also as a poignant reminder of the human cost of conflict – a message that remains profoundly relevant today.
artsdot.com/da/art/download/kerr-eby-a-summer-day-AQTFVF-en/
Se nærmere efter
A Summer Day — Kerr Eby
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"A Summer Day" er tilgængelig som et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir. Bestilling sker på dens Fine art-print-side i den størrelse, du ønsker.
"A Summer Day" er tilgængelig som et højtopløseligt digitalt billeddownload, som kan købes direkte på dens Digitalt billede-side.
Da "A Summer Day" blev skabt i 1940, var Kerr Eby – født i 1889 – 51 år gammel.