Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Kenyon Cox døde i 1919; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1989.
I kontekst
Lengthening Shadows — Kenyon Cox
Originalen måler 39 × 77 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 63 ved død.
Malet da kunstneren var 32 år gammel. Kunstneren blev 63 år gammel. 14 af de 66 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Kenyon Cox' livstid (1856–1919) ▲ dette værk, 1888 hvert dateret maleri, årti for årti
Første værker: frem til 1888 Primære arbejdsår: 1888–1910 Senere værker: fra 1910
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/kenyon-cox-lengthening-shadows-AS7RMP-en/
Målt ud fra billedet
Hovedfarve
Driftwood #ac9c31
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 72,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 67 værker af denne kunstner, hvoraf 30 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Om dette kunstværk
Lengthening Shadows — Kenyon Cox
The Lengthening Shadows painting, created by Kenyon Cox in 1888, is a stunning example of American art from the late 19th century. This beautiful oil on canvas piece measures 39 x 77 cm and is currently housed at the Smithsonian American Art Museum in the United States.
Kenyon Cox was an American artist, born in 1856, known for his contributions to the American art scene. His work often featured landscapes and portraits, showcasing his skill with oil on canvas. Lengthening Shadows is one of his notable works, demonstrating his ability to capture the essence of a peaceful countryside scene. Key Features of the painting include its use of soft, golden tones to convey a sense of serenity and the gentle slopes of Ohio's rolling hills. The artist's positioning of the viewer at the highest point in the scene emphasizes the depth and perspective within the painting. The Smithsonian American Art Museum describes the piece as a "gentle, grassy slopes of Ohio's rolling hills" which is a perfect example of American landscape art.
For those interested in owning a reproduction of Lengthening Shadows, AllPaintingsStore.com offers hand-made oil painting reproductions. These high-quality reproductions are created by talented artists, ensuring that every detail of the original piece is captured.
Visit AllPaintingsStore.com to explore more about Kenyon Cox and his works.
Learn more about the Smithsonian American Art Museum and its collection on Wikipedia.
The Lengthening Shadows painting is a beautiful representation of American art, showcasing the skill and talent of Kenyon Cox. With its peaceful countryside scene and stunning use of color, it is a piece that continues to captivate audiences today. Whether you are an art enthusiast or simply appreciate the beauty of oil on canvas, Lengthening Shadows is definitely worth exploring further.
Kunstner og museum
Born: October 27, 1856, in Warren, Ohio.
Parents: Jacob Dolson Cox and Helen Finney Cox.
Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.
Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.
In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.
Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.
He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.
Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.
In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.
Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.
Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.
His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.
Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).
Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.
Founding Member: He was one of the founders and secretary of the National Free Arts League.
Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.
Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.
His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.
Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.
Death: March 17, 1919.
artsdot.com/da/art/download/kenyon-cox-lengthening-shadows-AS7RMP-en/
Se nærmere efter
Lengthening Shadows — Kenyon Cox
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En forhåndsvisning af "Lengthening Shadows" af Kenyon Cox er tilgængelig på værkets Forhåndsvisning-side.
Farverne i "Lengthening Shadows" af Kenyon Cox udviser en Unified Palette harmoni. Harmoni beskriver, hvordan farverne relaterer sig til hinanden.
"Lengthening Shadows" af Kenyon Cox er en Panoramic komposition med de originale mål på 39 x 77 cm.