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Close to Home 8

Navn Klasse Dato

keith wilson, Close to Home 8 (2004), Arts Council of Northern Ireland. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
keith wilson artsdot.com/da/artists/keith-wilson/
Malet
2004
Oprindelig størrelse
37 x 40 cm
Afholdt hos
Arts Council of Northern Ireland artsdot.com/da/museums/arts-council-of-northern-ireland-belfast/

I kontekst

Close to Home 8 — keith wilson

Hvor stor er den?

Originalen måler 37 × 40 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 2000

▲ dette værk, 2004

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/keith-wilson-close-to-home-8-AR2EES-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #b8a485

    Gemt palet

    • #B8A485
    • #3E3029
    • #7B634C
    • #AD9671
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    keith wilson

    Keith Wilson: A Landscape Painter Rooted in Observation and Texture

    Keith Wilson (born 1971) is an Irish landscape painter whose distinctive style blends meticulous observation with expressive textural techniques, establishing him as a significant figure within the Arts & Crafts movement and contemporary British art. His artistic journey began at Methodist College, Belfast and continued at the University of Ulster, culminating in Honours Degrees in Visual Illustration and Postgraduate Diplomas in Illustration. These formative experiences instilled a deep appreciation for detail and informed his approach to capturing the essence of natural environments.

    Wilson’s breakthrough came with an award-winning solo exhibition at Oliver Sears Gallery in 2012, marking the beginning of a celebrated career characterized by consistent artistic excellence and recognition within prestigious collections. He was elected Academician of the Royal Ulster Academy in 2010, cementing his position as a respected voice in Irish art history. Throughout his prolific output, Wilson consistently prioritizes capturing subtle nuances of light and atmosphere—a hallmark of Impressionism—while simultaneously incorporating elements reminiscent of Northern European landscape painting traditions.

    His artistic influences extend beyond Impressionism; Wilson draws inspiration from the pioneering works of artists like Albert Bierstadt and Frederic Church, whose monumental canvases aimed to convey grandeur and sublime beauty. These masters championed panoramic vistas and dramatic lighting effects, mirroring Wilson’s own ambition to elevate landscape paintings into immersive experiences for viewers. Furthermore, Wilson's dedication to craftmanship—particularly his masterful use of impasto—reflects the ethos of the Arts & Crafts movement, which championed handmade artistry and a return to traditional techniques. This commitment is evident in his textured surfaces, where pigment is applied thickly onto canvas, creating palpable depth and conveying an immediacy that distinguishes his work from more polished styles.

    Notable achievements include securing prestigious scholarships at the Royal Hibernian Academy (RHA), Dublin—the Hennessy Craig Scholarship award in 2006—and receiving acclaim for his contributions to diverse collections across Ireland, Britain, Europe, America and Australia. His paintings reside in institutions such as the Office of Public Works, AIB, Wexford County Council, The Arts Council Northern Ireland, ESB Collection Carlow Town Council, Royal Ulster Academy Diploma Collection, University of Wisconsin, EPA Collection, Ireland, Bank of Montreal and private collections worldwide.

    Wilson’s artistic legacy resides not only in his captivating landscapes but also in his unwavering dedication to preserving and reimagining traditional painting methods—a testament to the enduring power of observation and textural expression within contemporary art.

    Museum

    Arts Council of Northern Ireland

    Udstillet i Belfast, United Kingdom

    A Beacon of Creativity: Exploring the Arts Council of Northern Ireland

    Nestled in the heart of Belfast, the Arts Council of Northern Ireland stands as a vibrant testament to the region’s flourishing artistic spirit. More than just a funding body, it is a dynamic hub where creativity takes root, blossoms, and reaches outward, enriching both the local community and the broader cultural landscape. Established in 1964, evolving from the Committee for the Encouragement of Music and the Arts (CEMA), the Council has consistently championed artists and artistic endeavors throughout Northern Ireland’s complex history. Its very existence speaks to a commitment to fostering dialogue, understanding, and expression through the power of art.

    Contemporary Voices: A Collection Reflecting Identity

    The Arts Council's collection is a compelling narrative of contemporary Irish art, boasting over 700 works that capture the essence of Northern Ireland’s evolving identity. It isn’t a static display of historical masterpieces, but rather a living, breathing reflection of the present moment—a space where artists grapple with social, cultural, and political realities. Visitors will encounter powerful pieces by renowned figures like Dermot Seymour, whose evocative landscapes often hint at the region's troubled past, Kenny McKendry, known for his bold explorations of form and color, and David Crone, a master of capturing the nuances of everyday life. The collection isn’t limited to painting; sculpture, photography, and mixed media works all contribute to a diverse and thought-provoking experience.

    Architecture & Accessibility: A Space for Engagement

    The Arts Council’s headquarters, Linen Hill House in Lisburn, isn’t merely a functional building; it’s designed to be an immersive experience. The architecture complements the innovative spirit of the art it houses, creating spaces that encourage contemplation and engagement. Light floods into airy galleries, illuminating canvases and sculptures alike—a deliberate choice reflecting the Council's dedication to fostering artistic inspiration. Beyond its physical location, the Council actively breaks down barriers to access through initiatives like the Art Lending Scheme. This remarkable program allows schools and community organizations to borrow artworks, bringing the transformative power of art directly into classrooms and public spaces. It’s a testament to the belief that art shouldn’t be confined within museum walls but should be an integral part of everyday life.

    A Catalyst for Cultural Growth

    The Arts Council of Northern Ireland isn’t simply a preserver of art; it's an active catalyst for cultural growth. Through strategic funding and development programs, it empowers artists at all stages of their careers—from emerging talents to established masters. Its influence extends beyond Northern Ireland’s borders, fostering collaborations with organizations across the UK and Ireland. The Council actively supports major festivals like the Belfast International Arts Festival, Féile an Phobail, and the Cathedral Quarter Arts Festival, events that draw international attention and showcase the region's creative vibrancy. It also works closely with its counterpart in the Republic of Ireland, the Arts Council, strengthening artistic ties across the island.

    Unique Initiatives & Lasting Impact

    What truly distinguishes the Arts Council of Northern Ireland is its innovative approach to arts development. The Art Lending Scheme stands out as a particularly impactful initiative, democratizing access to art and fostering appreciation among younger generations. Furthermore, the Council’s commitment to supporting diverse artistic disciplines—from traditional music to cutting-edge digital media—ensures a vibrant and inclusive cultural ecosystem. Whether you are an avid collector seeking fresh perspectives, an interior designer searching for statement pieces that tell a story, or simply someone curious about the creative heartbeat of Belfast, the Arts Council of Northern Ireland offers a compelling journey into the heart of Irish contemporary art. It’s a place where artistic expression thrives, and where the power of creativity shapes a brighter future.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Close to Home 8

    artsdot.com/da/art/download/keith-wilson-close-to-home-8-AR2EES-en/

    Kildehenvisning til dette kunstværk

    MLA
    wilson, keith. Close to Home 8. 2004, Arts Council of Northern Ireland. https://artsdot.com/da/art/keith-wilson-close-to-home-8-AR2EES-en/
    APA
    wilson, keith (2004). Close to Home 8 [Painting]. Arts Council of Northern Ireland. https://artsdot.com/da/art/keith-wilson-close-to-home-8-AR2EES-en/
    Chicago
    keith wilson. Close to Home 8. 2004. Arts Council of Northern Ireland. https://artsdot.com/da/art/keith-wilson-close-to-home-8-AR2EES-en/
    Harvard
    wilson, keith (2004) Close to Home 8. Arts Council of Northern Ireland. Available at: https://artsdot.com/da/art/keith-wilson-close-to-home-8-AR2EES-en/

    Kig nærmere efter

    Close to Home 8 — keith wilson

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på A Space Between 4 (2004) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.