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Excess -278

Navn Klasse Dato

Kaloust Guedel, Excess -278 (2015). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Kaloust Guedel artsdot.com/da/artists/kaloust-guedel/
Kunstnerens levetid
1956 – ?
Malet
2015
Oprindelig størrelse
239 x 76 cm
Bevægelse
Light And Space

I kontekst

Excess -278 — Kaloust Guedel

Hvor stor er den?

Originalen måler 239 × 76 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Skyggelagt: Kaloust Guedel' livstid (1956–?) ▲ dette værk, 2015

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/kaloust-guedel-excess-278-D2M5S5-en/

Farver

Målt ud fra billedet

    Hovedfarve

    White #f8f7f7

    Gemt palet

    • #F8F7F7
    • #3C3E45
    • #A5858D
    • #891B31
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    White
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    Kaloust Guedel

    Født i Nicosia, Cyprus

    A Life Forged in Cultural Crossroads

    Kaloust Guedel’s artistic journey is one deeply rooted in displacement and cultural synthesis, a narrative that began on the island of Cyprus in 1956. Born into an Armenian family, his early life was marked by a geographical and emotional shift when his family relocated to Armenia within the Soviet Union in 1962. This formative period instilled in him a profound awareness of identity, belonging, and the weight of history – themes that would become central to his artistic explorations. Further travels through neighboring republics and Lebanon before finally settling in Los Angeles in 1975 only deepened this sense of being an observer, a translator between worlds. Guedel’s self-directed education as an artist was not confined to formal institutions; rather, it blossomed from philosophical inquiry at the Philosophical Research Society in the early 1980s and a relentless engagement with the complexities of contemporary life. He didn't seek instruction so much as he sought understanding—understanding of the human condition, societal structures, and the power of visual language to dissect them.

    The Genesis of Excessivism: A Response to Consumption

    Guedel is perhaps best known as the founder of Excessivism, a movement born from a critical response to the perceived excesses of consumer culture and societal norms. Emerging in the 21st century, Excessivism isn’t merely an aesthetic style but a philosophical stance—a confrontation with the overwhelming abundance and often superficial values that characterize modern existence. Guedel's work consistently challenges viewers to confront uncomfortable truths about materialism, power dynamics, and the darker aspects of human experience. He doesn’t shy away from difficult subjects like genocide, war, and abuse, instead choosing to address them head-on with a minimalist aesthetic that amplifies their emotional impact. This deliberate restraint isn’t an avoidance of complexity but rather a strategic choice—a way to distill potent ideas into their purest form. His artistic path has been characterized by experimentation across painting, sculpture, and conceptual installations, always prioritizing the message over adherence to any single stylistic convention.

    Innovation in Materiality: Vinyl as Canvas

    Guedel’s commitment to pushing boundaries extends beyond thematic concerns into the realm of materials. He is recognized as a pioneer for his groundbreaking use of vinyl as a primary medium in painting, challenging traditional notions of what constitutes art and expanding the possibilities of artistic expression. This wasn't simply about adopting a new material; it was about questioning the very foundations of painting itself—its history, its conventions, and its limitations. The choice of vinyl, often associated with mass production and disposability, is inherently provocative, aligning perfectly with the critical ethos of Excessivism. Works like “Unauthorized Stage of Tension,” “Alternative Cloud,” “Black Magic Romance”, “Coronation Of Vagina” and “Red White Blue Etcetera” demonstrate his mastery of this unconventional medium, transforming it into a vehicle for profound conceptual exploration. He doesn’t merely paint on vinyl; he manipulates it, deconstructs it, and imbues it with new meaning.

    A Legacy of Provocation and Dialogue

    Kaloust Guedel's impact on the contemporary art landscape is undeniable. His work has garnered recognition in publications like Masters of Today, solidifying his position as a significant voice within the artistic community. More than just an artist, he’s a cultural commentator—a provocateur who dares to challenge conventional thinking and spark dialogue about pressing social and political issues. The founding of Excessivism provides a framework for understanding contemporary anxieties, offering a lens through which to examine the complexities of modern life. His innovative use of materials continues to inspire artists today, encouraging them to question established norms and explore new avenues of creative expression. Guedel’s legacy lies not only in his individual artworks but also in his unwavering commitment to intellectual rigor, emotional honesty, and the power of art to effect change. He represents a generation of artists unafraid to confront difficult truths and leave an indelible mark on the world through their vision.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Excess -278

    artsdot.com/da/art/download/kaloust-guedel-excess-278-D2M5S5-en/

    Kildehenvisning til dette kunstværk

    MLA
    Guedel, Kaloust. Excess -278. 2015, https://artsdot.com/da/art/kaloust-guedel-excess-278-D2M5S5-en/
    APA
    Guedel, Kaloust (2015). Excess -278 [Painting]. https://artsdot.com/da/art/kaloust-guedel-excess-278-D2M5S5-en/
    Chicago
    Kaloust Guedel. Excess -278. 2015. https://artsdot.com/da/art/kaloust-guedel-excess-278-D2M5S5-en/
    Harvard
    Guedel, Kaloust (2015) Excess -278. Available at: https://artsdot.com/da/art/kaloust-guedel-excess-278-D2M5S5-en/

    Kig nærmere efter

    Excess -278 — Kaloust Guedel

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Stage 3 (2012) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Kaloust Guedel var omkring 59 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.