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Christ Tempted by the Devil

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john ritto penniman, Christ Tempted by the Devil (1818). Offentlig ejendom.

Fakta om værket

Kunstner
john ritto penniman artsdot.com/da/artists/john-ritto-penniman/
Kunstnerens levetid
1782 – 1841
Malet
1818
Oprindelig størrelse
81 x 60 cm

I kontekst

Christ Tempted by the Devil — john ritto penniman

Dimensioner

Originalen måler 81 × 60 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840

Skyggelagt: john ritto penniman' livstid (1782–1841) ▲ dette værk, 1818

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/john-ritto-penniman-christ-tempted-by-the-devil-AQRUD9-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Black #151314

    Gemt palet

    • #151314
    • #6B5538
    • #383026
    • #B48F5C
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Black
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Christ Tempted by the Devil — john ritto penniman

    The painting Christ Tempted by the Devil by John Ritto Penniman is a remarkable work of art that showcases the artist's skill in capturing the intensity of a dramatic scene. Created in 1818, this oil on wood piece measures 81 x 60 cm and is currently housed at the Smithsonian American Art Museum.

    The Artist and His Work

    John Ritto Penniman was a painter in Boston, Massachusetts, United States. He created portraits, landscapes, and allegorical paintings, as well as designs for engravings. His work is characterized by its attention to detail and its ability to evoke emotions. The Christ Tempted by the Devil painting is a prime example of his skill in capturing the essence of a scene. The painting depicts Jesus being tempted by the devil, with two angels watching over him. The use of color and light creates a sense of drama and intensity, drawing the viewer into the scene. The Smithsonian American Art Museum is home to many other notable works, including pieces by Carl Newman and Duccio Di Buoninsegna.

    Similar Works

    Other notable paintings that explore similar themes include The Crucifixion by Carl Newman and MaestÓ (back, predella). The Temptation of Christ on the Mountain by Duccio Di Buoninsegna. These works can be found on https://AllPaintingsStore.com, which offers handmade oil painting reproductions of famous artworks.

    Christ in Glory by Limbourg Brothers is another example of a painting that explores religious themes.

    The Sint-Jacobskerk museum in Antwerp, Belgium, is also home to many notable works of art, including examples of Brabantine Gothic architecture.

    Handmade oil painting reproductions of these works can be found on /art/list/?Filter=AQRUD9-John-Ritto-Penniman-Christ-Tempted-by-the-Devil.

    For more information on John Ritto Penniman and his work, visit https://AllPaintingsStore.com/@/John-Ritto-Penniman or https://en.wikipedia.org/wiki/John_Ritto_Penniman.

    Kunstner og museum

    Kunstner

    john ritto penniman

    A Bostonian Ingenuity: The Life and Art of John Ritto Penniman

    John Ritto Penniman, a name perhaps less celebrated than his mentor Gilbert Stuart, nevertheless occupies a fascinating niche in the annals of early American art. Born around 1782 in Milford, Massachusetts, Penniman’s life unfolded against the backdrop of a burgeoning nation striving to define its own artistic identity. He wasn't merely a painter; he was an embodiment of the resourceful spirit of the Federal era—a decorative artist, portraitist, engraver, and even a designer of civic symbols. His career, though marked by periods of both success and personal turmoil, reveals a remarkable versatility and a keen eye for detail that distinguished him within the Boston art scene. Penniman’s early training began at the tender age of eleven as an ornamental painter in Roxbury, Massachusetts—a foundation that instilled in him a meticulous approach to craftsmanship and a love for embellishment. By his twenty-first year, he had established his own shop in Boston, quickly gaining recognition for his ability to transform everyday objects into works of art. He painted clock faces, signs, furniture, and other decorative elements, catering to the growing demand for refined aesthetics among the city’s burgeoning middle class.

    The Stuart Connection and Early Commissions

    Penniman's trajectory took a pivotal turn when he befriended Gilbert Stuart, the renowned portraitist who had recently arrived in Boston. He spent considerable time in Stuart’s studio, absorbing his techniques and benefiting from his guidance. This association proved invaluable, not only refining Penniman’s skills but also introducing him to a network of influential patrons. While working as an assistant to Stuart, he gained practical experience in portraiture, though his own style would ultimately diverge from the more formal grandeur favored by his mentor. The early years of Penniman's independent practice were characterized by a diverse range of commissions. He painted portraits that captured the likenesses of Boston’s prominent citizens, landscapes reflecting the natural beauty of New England, and allegorical paintings imbued with symbolic meaning. However, it was his designs for engravings—most notably the official seal of the City of Boston in 1822—that brought him widespread recognition. This iconic emblem, a testament to Penniman's artistic skill and civic pride, remains a lasting symbol of the city’s identity.

    A Versatile Talent: From Portraits to Allegories

    Penniman’s versatility was perhaps his most defining characteristic. He seamlessly transitioned between different genres, demonstrating an exceptional command of technique and composition in each. His portraits, while not as psychologically penetrating as those of Stuart, possessed a charming simplicity and a keen attention to detail. He captured the essence of his sitters with a delicate brushstroke and a subtle use of color. Landscapes were rendered with a romantic sensibility, evoking the tranquility and majesty of the New England countryside. But it was in his allegorical paintings that Penniman truly showcased his imaginative flair. These works, often commissioned for public buildings or private residences, were rich in symbolism and narrative detail, reflecting the prevailing intellectual currents of the era. He drew inspiration from classical mythology, literature, and history, creating visually compelling compositions that conveyed complex ideas and moral lessons.

    Challenges and Legacy

    Despite his artistic talent and growing reputation, Penniman’s life was not without its challenges. A penchant for indulgence—particularly in wine—led to financial difficulties and professional setbacks. In 1827, he was forced to sell all of his paintings to settle debts, a devastating blow that marked a turning point in his career. The remaining years were marred by legal troubles and personal hardship, culminating in his death in Baltimore in 1841. Despite these struggles, Penniman’s legacy endures through the surviving examples of his work. His paintings offer a glimpse into the lives and values of early America, while his designs for engravings continue to adorn public spaces and private collections. He represents a fascinating figure—a talented artist whose life was shaped by both creative brilliance and personal demons.

    Major Works: Official Seal of the City of Boston (1822), numerous portraits, landscapes, and allegorical paintings.

    Influences: Gilbert Stuart, Thomas Sheraton, classical mythology, and literature.

    Historical Significance: Penniman’s work reflects the artistic tastes and cultural values of early America. His designs for engravings—particularly the City of Boston seal—remain iconic symbols of civic identity.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Christ Tempted by the Devil

    artsdot.com/da/art/download/john-ritto-penniman-christ-tempted-by-the-devil-AQRUD9-en/

    Kildehenvisning til dette kunstværk

    MLA
    penniman, john ritto. Christ Tempted by the Devil. 1818, https://artsdot.com/da/art/john-ritto-penniman-christ-tempted-by-the-devil-AQRUD9-en/
    APA
    penniman, john ritto (1818). Christ Tempted by the Devil [Painting]. https://artsdot.com/da/art/john-ritto-penniman-christ-tempted-by-the-devil-AQRUD9-en/
    Chicago
    john ritto penniman. Christ Tempted by the Devil. 1818. https://artsdot.com/da/art/john-ritto-penniman-christ-tempted-by-the-devil-AQRUD9-en/
    Harvard
    penniman, john ritto (1818) Christ Tempted by the Devil. Available at: https://artsdot.com/da/art/john-ritto-penniman-christ-tempted-by-the-devil-AQRUD9-en/

    Se nærmere efter

    Christ Tempted by the Devil — john ritto penniman

    Se nærmere efter

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    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på (Scene from Don Quixote) (1816) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. john ritto penniman var omkring 36 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
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