Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. John Neagle døde i 1865; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1935.
I kontekst
George Dodd — John Neagle
Originalen måler 87 × 75 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 69 ved død.
Malet da kunstneren var 56 år gammel. Kunstneren blev 69 år gammel. 10 af de 12 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: John Neagle' livstid (1796–1865) ▲ dette værk, 1852 hvert dateret maleri, årti for årti
Første værker: frem til 1829 Primære arbejdsår: 1829–1846 Senere værker: fra 1846
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: artsdot.com/da/art/similar/john-neagle-george-dodd-D38KJJ-en/
Målt ud fra billedet
Primær farve
Phthalo Green #1a1a1d
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 13 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i Boston, United States of America
In the vibrant landscape of nineteenth-century American art, few names resonated with as much fashionable prestige as John Neagle. A painter whose brush captured the very essence of a developing nation, Neagle emerged as a prominent figure in Philadelphia, a city that served as the beating heart of his creative life. His journey began in Boston, but it was through an early apprenticeship to Thomas Wilson—a skilled painter of signs and coaches—that his path toward fine art was paved. This formative period, though rooted in the practical craft of decorative painting, provided him with the technical foundation that would later allow him to master the complexities of light and human expression.
Neagle’s artistic evolution was deeply shaped by the masters who crossed his path. Through Wilson, he was introduced to Bass Otis and the celebrated Thomas Sully, the latter becoming a pivotal influence and even a future relative by marriage. Under their guidance, Neagle moved beyond the utilitarian world of coach painting to embrace the sophisticated realm of portraiture. His style, characterized by an incisive attention to psychology and a dazzling brushwork reminiscent of van Dyck and Sir Thomas Lawrence, allowed him to breathe life into his subjects, transforming mere likenesses into profound studies of character.
While Neagle’s career took him on brief sojourns to Lexington, Kentucky, and New Orleans, Louisiana, it was in Philadelphia where he truly established his dominion. By 1818, he had committed himself exclusively to the art of the portrait, setting up a studio that would attract the most notable figures of the era. His work was not merely about capturing a face; it was about documenting the soul of American society. His sitters ranged from the political elite and merchants to intellectuals and professionals, all rendered with a realism that balanced elegance with an unmistakable truth.
Among his most enduring contributions to the American canon is the strikingly unconventional Pat Lyon at the Forge. In this work, Neagle departed from the traditional, polished manner of portraiture to present a heroic, almost brutal depiction of a blacksmith. This masterpiece, which reached a wide audience through engraving, showcased his ability to blend the grand style with a raw, narrative power. His repertoire also included monumental works such as the Portrait of Henry Clay and portraits of figures like James Fenimore Cooper and the Marquis de Lafayette, cementing his status as a chronicler of American greatness.
Beyond the canvas, Neagle was a pillar of the artistic community. His commitment to the advancement of art in America was evidenced by his service as a Director of the Pennsylvania Academy of the Fine Arts and his role as a founder and president of the Artist's Fund Society of Philadelphia. These leadership roles reflected a man deeply invested in the institutional growth of his craft.
The significance of John Neagle lies in his ability to marry the grace of Romanticism with a rigorous, observant realism. His portraits remain vital windows into the nineteenth century, offering more than just historical documentation; they offer an emotional connection to the people who shaped the American identity. Through his masterful use of light and his profound understanding of human psychology, Neagle ensured that the faces of his era would endure long after the era itself had passed.
artsdot.com/da/art/download/john-neagle-george-dodd-D38KJJ-en/
Se nærmere efter
George Dodd — John Neagle
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"George Dodd" af John Neagle fremviser en Serene kontrast mellem sine lyse og mørke områder.
Siden Forhåndsvisning for "George Dodd" giver dig mulighed for at se en forhåndsvisning af kunstværket, før du bestiller.
Ophavsretsstatus for "George Dodd" af John Neagle: værket er i det offentlige domæne – ophavsretten er udløbet. Dette afgør, om der frit må foretages reproduktioner af billedet.