Papirformat

Guide til elevkunst

David Lloyd George

Navn Klasse Dato

john christen johansen, David Lloyd George (1919). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
john christen johansen artsdot.com/da/artists/john-christen-johansen/
Kunstnerens levetid
1876 – 1964
Malet
1919
Oprindelig størrelse
77 x 76 cm
Bevægelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

I kontekst

David Lloyd George — john christen johansen

Hvor stor er den?

Originalen måler 77 × 76 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Skyggelagt: john christen johansen' livstid (1876–1964) ▲ dette værk, 1919

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/john-christen-johansen-david-lloyd-george-ARC95D-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #231917

    Gemt palet

    • #231917
    • #836C5C
    • #6B5243
    • #4A3327
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    john christen johansen

    A Legacy in Likeness: The Life and Art of John Christen Johansen

    John Christen Johansen, born in 1876 and passing away in 1964, occupies a significant yet often understated position within the pantheon of Norwegian portraiture. He wasn’t a revolutionary iconoclast shattering artistic conventions; rather, he was a master craftsman who dedicated his life to capturing the essence of Norway's elite – its statesmen, financiers, and nobility – with an unwavering commitment to dignity and realism. His paintings are not merely representations of faces but windows into a specific era, reflecting the social values and aspirations of turn-of-the-century Norway and beyond. While biographical details remain somewhat sparse, the sheer volume and quality of his work speak volumes about his dedication and skill. He trained at the Royal Drawing School in Christiania (Oslo) and later under renowned portraitists in Europe, absorbing techniques that would define his signature style.

    The Rise of a Portraitist: Technique and Early Influences

    Johansen’s artistic development was deeply rooted in the academic tradition. He excelled in capturing anatomical accuracy and rendering textures with meticulous detail – qualities highly valued in portraiture during his time. His early works demonstrate a clear influence from 19th-century Realism, particularly evident in his careful observation of light and shadow to create depth and volume. However, he wasn’t simply a mimic; Johansen possessed an innate ability to imbue his subjects with personality. He moved beyond mere physical likeness, striving to reveal something of their character through subtle nuances in expression and posture. His palette was typically restrained, favoring earth tones and muted colors that lent gravitas to his compositions. This wasn’t a flamboyant style; it was one built on quiet confidence and technical precision. He studied the Old Masters, absorbing lessons from Rembrandt and Velázquez regarding composition and psychological insight. The influence of these giants is visible in his masterful handling of light and shadow, creating dramatic effects that draw the viewer's eye to the subject’s face.

    Portraying a Nation: Subjects and Style

    The core of Johansen’s oeuvre lies in his portraits of Norway’s leading figures. He became the portraitist for the nation’s power brokers, capturing their likenesses at a time of significant social and political change. His subjects weren't chosen randomly; they represented the pillars of Norwegian society – industrialists who fueled economic growth, politicians who shaped national policy, and members of the aristocracy whose lineage embodied tradition.

    His portraits often depict his sitters in formal attire

    He favored three-quarter length compositions

    Backgrounds were typically simple and uncluttered

    This deliberate stylistic choice served to emphasize the individual, stripping away distractions and focusing attention on their face and demeanor. He wasn’t interested in portraying his subjects as romantic heroes; he aimed for a sense of authenticity, capturing them as they were – complex individuals with strengths and weaknesses. This commitment to realism resonated with a society that valued integrity and pragmatism.

    Beyond the Canvas: Historical Significance and Lasting Impact

    John Christen Johansen’s historical significance lies not in groundbreaking innovation but in his ability to document an era through portraiture. His paintings provide invaluable insights into the appearance, values, and social standing of Norway's elite during a period of rapid modernization. He wasn’t merely painting faces; he was creating a visual record of a nation’s evolving identity. While portraiture as a genre experienced fluctuations in popularity throughout the 20th century, Johansen’s work has enjoyed renewed appreciation in recent years. His paintings are now recognized for their technical mastery, psychological depth, and historical importance. They offer a glimpse into a bygone era, reminding us of the individuals who shaped Norway's destiny. He left behind a substantial body of work that continues to be studied and admired by art historians and collectors alike, solidifying his place as a pivotal figure in Norwegian artistic heritage. His legacy is one of quiet dedication, unwavering skill, and a profound understanding of the power of likeness.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for David Lloyd George

    artsdot.com/da/art/download/john-christen-johansen-david-lloyd-george-ARC95D-en/

    Kildehenvisning til dette kunstværk

    MLA
    johansen, john christen. David Lloyd George. 1919, https://artsdot.com/da/art/john-christen-johansen-david-lloyd-george-ARC95D-en/
    APA
    johansen, john christen (1919). David Lloyd George [Painting]. https://artsdot.com/da/art/john-christen-johansen-david-lloyd-george-ARC95D-en/
    Chicago
    john christen johansen. David Lloyd George. 1919. https://artsdot.com/da/art/john-christen-johansen-david-lloyd-george-ARC95D-en/
    Harvard
    johansen, john christen (1919) David Lloyd George. Available at: https://artsdot.com/da/art/john-christen-johansen-david-lloyd-george-ARC95D-en/

    Kig nærmere efter

    David Lloyd George — john christen johansen

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 8 — er du enig?)
    4. Vores katalog klassificerer dette værk under: portraiture, political figures, formal meeting. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på Henry Clay Frick (1943) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.