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History Painting

Navn Klasse Dato

John Bartlett, History Painting (1994). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
John Bartlett artsdot.com/da/artists/john-bartlett_da/
Malet
1994
Oprindelig størrelse
275 x 366 cm

I kontekst

History Painting — John Bartlett

Hvor stor er den?

Originalen måler 275 × 366 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1990

▲ dette værk, 1994

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/john-bartlett-history-painting-ARAMEW-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #455258

    Gemt palet

    • #455258
    • #A2A4A0
    • #797D7A
    • #C8CDD2
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    John Bartlett

    A Life Etched in Detail: The World of John Bartlett

    The name John Bartlett appears across a surprising breadth of historical records, yet the artist we focus on here—the one celebrated for his evocative engravings and paintings—presents a fascinating case study in artistic evolution. While multiple individuals share this moniker, our subject is best known through works depicting American & European landscapes, architecture, and scenes steeped in history. Born in 1960, John Bartlett has cultivated a career spanning over three decades, marked by a restless curiosity and a dedication to capturing the essence of place and time. His journey began with self-directed exploration, punctuated by formative periods of tuition—a brief stint at Montsalvat focusing on tonalism, and crucially, guidance from Erica McGilchrist in Caulfield which proved pivotal to his development. This early grounding laid the foundation for a practice that would embrace both meticulous realism and bold abstraction.

    From Figurative Beginnings to Encaustic Explorations

    Bartlett’s artistic path wasn't linear. His initial focus lay in figurative work, but the 1980s witnessed a significant shift towards abstract themes. This period saw experimentation with innovative techniques like Rank Zerox technology—extra-large photocopies of computer circuit boards meticulously fitted onto Masonite supports. This foray into technological imagery foreshadowed his later interest in complex systems and patterns. He then moved through phases exploring geometrical abstraction, re-enacting real-life games inspired by the burgeoning video game culture, followed by vibrant depictions of Hip Hop and the energy of The People’s Ballet of Rap and Break Dancing. These works weren't merely representations; they were attempts to capture a cultural zeitgeist. The series The Still Point, impressions of heaven meeting earth in reflections on water, signaled a return to more contemplative subject matter, paving the way for his explorations of the Australian landscape and the legendary Lasseter expedition. This culminated in a distinctive style utilizing Encaustic—raw pigments suspended in virgin beeswax with dammar—applied to sheet aluminum.

    Themes of History, Memory, and the Spiral

    A recurring motif throughout Bartlett’s oeuvre is an engagement with history, not as a static record but as a living force shaping the present. His monumental work *History Painting* (1993-94), depicting the 1990 Poll Tax Riots in Trafalgar Square, exemplifies this approach. The piece garnered significant media attention for its raw depiction of social unrest and remains a powerful commentary on civic engagement. Beyond specific historical events, Bartlett delves into personal memory—evocations of past dwellings and fleeting moments—imbued with cinematic qualities. His exploration of the spiral is particularly noteworthy; originating from computer-generated images, it evolved into the Korean Spiral and Hexagrams of the I-Ching, ultimately manifesting in his Ceremonial and Portal series. These works suggest a fascination with universal patterns and the interconnectedness of all things.

    Recognition and Legacy

    John Bartlett’s work has been showcased in numerous solo exhibitions—sixteen to date—alongside participation in thirty-seven group shows. His paintings have found their way into prestigious collections, including those of the Museum of London, the Guildhall Art Gallery, and the V&A Museum of Childhood. The inclusion of his drawings in the Royal Academy of Arts’ survey Driven to Draw further cemented his reputation. A mid-career retrospective at the Guildhall Art Gallery in 2012-13, featuring over fifty paintings and drawings under the title London Sublime, stands as a testament to the breadth and depth of his artistic vision. More recently, his work has been featured alongside New Contemporaries and Modern British art at the Osborne Samuel Gallery. Private collectors such as Andrew Wilton (former keeper of the British Collection at the Tate Gallery) and Nicholas Penny (former Director of the National Gallery, London) recognize the enduring quality and intellectual rigor of Bartlett’s creations.

    A Continuing Dialogue

    John Bartlett continues to live and work in Folkestone, Kent, his practice evolving yet remaining rooted in a profound engagement with history, memory, and the search for underlying patterns in the world around us. His art is not simply about what is depicted but how it is depicted—a meticulous layering of technique, symbolism, and personal experience that invites viewers to contemplate their own relationship to place, time, and the enduring power of visual storytelling. He stands as a compelling example of an artist who has consistently challenged conventional boundaries and forged a unique path through the landscape of contemporary art.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for History Painting

    artsdot.com/da/art/download/john-bartlett-history-painting-ARAMEW-en/

    Kildehenvisning til dette kunstværk

    MLA
    Bartlett, John. History Painting. 1994, https://artsdot.com/da/art/john-bartlett-history-painting-ARAMEW-en/
    APA
    Bartlett, John (1994). History Painting [Painting]. https://artsdot.com/da/art/john-bartlett-history-painting-ARAMEW-en/
    Chicago
    John Bartlett. History Painting. 1994. https://artsdot.com/da/art/john-bartlett-history-painting-ARAMEW-en/
    Harvard
    Bartlett, John (1994) History Painting. Available at: https://artsdot.com/da/art/john-bartlett-history-painting-ARAMEW-en/

    Kig nærmere efter

    History Painting — John Bartlett

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Cars and Chaos (panel 1 of 4) (1996) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.