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A Guardroom Interior

Navn Klasse Dato

Jacob Duck, A Guardroom Interior (1630). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Jacob Duck artsdot.com/da/artists/jacob-duck/
Kunstnerens årstal
1600 – 1667
Malet
1630
Oprindelig størrelse
25 x 19 cm

I kontekst

A Guardroom Interior — Jacob Duck

Hvor stor er den?

Originalen måler 25 × 19 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1600
  2. 1610
  3. 1620
  4. 1630
  5. 1640
  6. 1650
  7. 1660

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 67 ved død.

Malet da kunstneren var 30 år gammel. Kunstneren blev 67 år gammel. 0 af de 5 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Jacob Duck' livstid (1600–1667) ▲ dette værk, 1630 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/jacob-duck-a-guardroom-interior-8XZDTM-en/

Farver

Målt ud fra billedet

    Primær farve

    Walnut #655031

    Katalogiseret palet

    • #655031
    • #A7885F
    • #201813
    • #D5BE9A

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Walnut
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Jacob Duck i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Jacob Duck

    1. 1 The Wine Connoisseurs, Jacob Duck, c. 1640 - c. 1642, 1642 50,0%
    2. 2 Guardroom with Soldiers Playing Cards 50,0%
    3. — A Guardroom Interior, 1630 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 13 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Jacob Duck

    Født i Utrecht, Netherlands

    The Gilded Precision of a Dutch Master

    In the vibrant, bustling landscape of the seventeenth-century Netherlands, few artists captured the quiet drama of existence with as much technical finesse and observational grace as Jacob Duck. Born in Utrecht around 1600, Duck’s journey into the world of fine art was not born from a traditional painter's studio, but rather from the meticulous workshop of a goldsmith. Having mastered the intricate craft of metalwork by the age of nineteen, he brought a unique, jeweler-like precision to his canvases. This early training in goldsmithing instilled in him an unparalleled eye for detail, a quality that would later allow him to render the glint of a soldier's armor, the texture of a tavern cloth, or the subtle sheen of a wine glass with breathtaking realism.

    His transition from precious metals to pigments began in earnest when he entered the studio of Joost Cornelisz Droochsloot. Under this mentorship, Duck moved beyond the rigid boundaries of craft and embraced the fluid storytelling of genre painting. As he matured, his artistic footprint expanded across the great cultural hubs of the Dutch Golden Age, from the industrious streets of Haarlem to the sophisticated atmosphere of The Hague. Throughout his travels, he absorbed the atmospheric brilliance of masters like Rubens and the dramatic, light-piercing shadows of Rembrandt. This synthesis of influences allowed him to master chiaroscuro, using deep shadows to push his figures forward into the viewer's space, creating a sense of intimacy that makes his scenes feel less like distant histories and more like captured moments in time.

    A Window into the Golden Age

    The true soul of Jacob Duck’s oeuvre lies in his profound dedication to the "everyday." While many of his contemporaries sought glory in grand mythological epics or sweeping historical narratives, Duck found divinity in the mundane. He was a chronicler of the human condition, finding profound narrative weight in the simplest of settings. His work often oscillates between two distinct yet equally captivating realms: the camaraderie of the military and the conviviality of civilian life.

    In his celebrated guardroom scenes, Duck provides a window into the lives of the burgeoning military class of the Dutch Republic. These paintings—often featuring officers playing cards, soldiers resting, or men sharing quiet moments of reflection—do more than just depict military life; they capture the social shifts of an era following the Eighty Years' War. Through his brush, we see the tension between duty and leisure, the camaraderie of the barracks, and the subtle psychological depth of men caught in the stillness between conflicts. His ability to render the heavy fabrics of uniforms and the stark, dramatic lighting of a dimly lit guardroom creates an immersive experience that resonates with historical gravity.

    Beyond the barracks, Duck’s artistry flourished in the depiction of domestic interiors and bustling public spaces. He possessed a remarkable talent for composing scenes of tavern life, market stalls, and private rooms where the light falls softly upon everyday objects. In these works, one might encounter:

    The Intimacy of Interiors: Quiet, contemplative scenes where figures are lost in thought or engaged in subtle domestic tasks.

    Social Conviviality: Lively gatherings in taverns, filled with the warmth of conversation and the sensory richness of food and drink.

    Genre Narratives: Small, poignant stories captured in a single frame, such as a gypsy fortune-teller or a couple sharing a private moment.

    Legacy and Artistic Significance

    The historical significance of Jacob Duck lies in his ability to elevate the common experience to the level of high art. By focusing on the textures of reality—the way light hits a pewter mug or the weary expression on a soldier's face—he contributed to the humanist spirit that defined the Dutch Golden Age. He did not need grand legends to move his audience; he relied on the truth of the visible world.

    Though he eventually returned to Utrecht, where he passed away in 1667, his influence endured through the enduring power of his imagery. Today, his works reside in some of the world's most prestigious institutions, including the Hermitage Museum, serving as vital touchstones for anyone seeking to understand the social fabric of the seventeenth century. Duck remains a master of the small-scale epic, proving that within the confines of a single room or a quiet corner of a tavern, an entire world of human emotion and historical truth can be found.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for A Guardroom Interior

    artsdot.com/da/art/download/jacob-duck-a-guardroom-interior-8XZDTM-en/

    Kildehenvisning til dette kunstværk

    MLA
    Duck, Jacob. A Guardroom Interior. 1630, https://artsdot.com/da/art/jacob-duck-a-guardroom-interior-8XZDTM-en/
    APA
    Duck, Jacob (1630). A Guardroom Interior [Painting]. https://artsdot.com/da/art/jacob-duck-a-guardroom-interior-8XZDTM-en/
    Chicago
    Jacob Duck. A Guardroom Interior. 1630. https://artsdot.com/da/art/jacob-duck-a-guardroom-interior-8XZDTM-en/
    Harvard
    Duck, Jacob (1630) A Guardroom Interior. Available at: https://artsdot.com/da/art/jacob-duck-a-guardroom-interior-8XZDTM-en/

    Se nærmere efter

    A Guardroom Interior — Jacob Duck

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: interior. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på A Couple in an Interior with a Gypsy Fortune-Teller (1632) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Jacob Duck var omkring 30 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor lys eller mørk fremstår "A Guardroom Interior" af Jacob Duck?

    Den oplevede lysstyrke i "A Guardroom Interior" af Jacob Duck er shadow. Den kan tilpasses lyset i det tiltænkte rum.

    Er "A Guardroom Interior" af Jacob Duck i det offentlige domæne, og hvorfor?

    Ophavsretsstatus for "A Guardroom Interior" – i det offentlige domæne – ophavsretten er udløbet – følger af kunstnerens død i 1667.

    Hvilke proportioner har "A Guardroom Interior" af Jacob Duck, og hvor stor er den?

    Formatet på "A Guardroom Interior" er Portrait, og originalen måler 25 x 19 cm. Begge oplysninger er nyttige, når man planlægger en reproduktion.