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The Desk, (painting)

Navn Klasse Dato

howard everett smith, The Desk, (painting) (1911). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
howard everett smith artsdot.com/da/artists/howard-everett-smith/
Kunstnerens levetid
1885 – 1970
Malet
1911

I kontekst

The Desk, (painting) — howard everett smith

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Skyggelagt: howard everett smith' livstid (1885–1970) ▲ dette værk, 1911

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/howard-everett-smith-the-desk-painting-ARACXC-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Gray #887775

    Gemt palet

    • #887775
    • #3F383C
    • #ECE8E5
    • #B8A8A5
    Primær farve
    Gray
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    howard everett smith

    Howard Everett Smith: A Painter of American Life

    Howard Everett Smith, born in Windham, New Hampshire, on April 27, 1885, and passing away in Carmel, California, on October 9, 1970, was a pivotal figure in the landscape of early 20th-century American illustration and painting. His career spanned over six decades, marked by a dedication to capturing the essence of everyday life – from bustling city streets to serene rural scenes, and the captivating world of horses—a subject that would become increasingly central to his artistic vision. Smith’s journey began with formal training at the Boston Museum School under Edmund Tarbell, building upon a foundation established through studies at the Art Students' League in New York alongside Howard Pyle. This early exposure to diverse artistic approaches proved invaluable as he developed his distinctive style, characterized by a warm palette, loose brushwork, and an ability to imbue ordinary subjects with remarkable charm and narrative depth.

    Early Years and Influences: From Boston to California

    Smith’s childhood in Windham provided him with a deep appreciation for the natural world, a theme that would resonate throughout his artistic output. His family's move to Boston in 1899 exposed him to the vibrant cultural landscape of the city, further broadening his artistic horizons. The Paige Traveling Scholarship afforded him an extraordinary opportunity – a year spent traveling and drawing across Europe from 1911 to 1914. This immersive experience profoundly shaped his perspective, introducing him to European Impressionism and fostering a greater understanding of light, color, and composition. Upon returning to Boston in 1909, he continued his artistic education under Tarbell, solidifying his skills and refining his approach. Later, the influence of Harry A. Whittier, another prominent illustrator, is evident in Smith’s early work, particularly his depictions of children and domestic scenes. However, Smith quickly distinguished himself through a more nuanced portrayal of American life, moving beyond simple sentimentalism to capture the complexities and subtleties of human experience.

    Illustrative Beginnings and Artistic Evolution

    Smith's career as an illustrator began in earnest during World War I, contributing illustrations to Harper’s and Scribner’s magazines. These early works showcased his ability to tell stories through visual imagery, capturing the spirit of the times with a keen eye for detail and a subtle sense of humor. His illustrations weren’t merely decorative; they were carefully constructed narratives designed to engage the reader's imagination. Following the war, Smith continued to illustrate for several years, but he increasingly sought opportunities to pursue his own artistic vision as a painter. A pivotal moment in his career came with his relocation to Carmel, California, in 1935. The dramatic landscapes and vibrant equestrian culture of the region provided fertile ground for his creativity, leading him to focus on painting horses – from majestic racehorses to sturdy pack animals—a subject that would become a defining element of his oeuvre.

    A Master of Light and Narrative: Key Themes and Techniques

    Smith’s artistic style evolved significantly throughout his career, reflecting the changing landscapes of America and his own personal experiences. His early illustrations were characterized by clean lines and bright colors, while his later paintings demonstrate a greater emphasis on atmospheric perspective and subtle tonal variations. He was particularly adept at capturing the fleeting effects of light, using loose brushwork to create a sense of immediacy and movement. His depictions of rural life—farmers tending their fields, children playing in the streets, and families gathered around the hearth—were imbued with a deep sense of nostalgia and warmth. The influence of Impressionism is evident in his use of color and his focus on capturing the subjective experience of seeing. However, Smith’s work transcends mere imitation; he developed a unique voice that was distinctly American, reflecting the values and sensibilities of his time. His meticulous attention to detail—particularly in rendering horses—combined with his expressive brushwork created paintings that are both visually stunning and emotionally resonant.

    Legacy and Recognition

    Howard Everett Smith’s contributions to American art were recognized throughout his lifetime, earning him numerous awards and accolades, including the Hallgarten Prize in 1917 and the Isidor Medal in 1921 from the National Academy. His work was exhibited at prestigious galleries across the country, and he taught at the Rhode Island School of Design. His paintings are now held in prominent collections, testament to his enduring appeal. Smith’s legacy extends beyond his individual works; he represents a significant chapter in the history of American illustration and painting—a period marked by experimentation, innovation, and a growing appreciation for the beauty and complexity of everyday life. His ability to capture the spirit of an era, combined with his technical skill and artistic vision, ensures that Howard Everett Smith’s paintings will continue to inspire and delight audiences for generations to come.

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    Findes online

    QR-kode med link til downloadside for The Desk, (painting)

    artsdot.com/da/art/download/howard-everett-smith-the-desk-painting-ARACXC-en/

    Kildehenvisning til dette kunstværk

    MLA
    smith, howard everett. The Desk, (painting). 1911, https://artsdot.com/da/art/howard-everett-smith-the-desk-painting-ARACXC-en/
    APA
    smith, howard everett (1911). The Desk, (painting) [Painting]. https://artsdot.com/da/art/howard-everett-smith-the-desk-painting-ARACXC-en/
    Chicago
    howard everett smith. The Desk, (painting). 1911. https://artsdot.com/da/art/howard-everett-smith-the-desk-painting-ARACXC-en/
    Harvard
    smith, howard everett (1911) The Desk, (painting). Available at: https://artsdot.com/da/art/howard-everett-smith-the-desk-painting-ARACXC-en/

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    The Desk, (painting) — howard everett smith

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    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Aerial Views of Men (1990) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. howard everett smith var omkring 26 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

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