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Self portrait

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Henri Regnault, Self portrait. Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Henri Regnault artsdot.com/da/artists/henri-regnault/
Kunstnerens levetid
1843 – 1871

I kontekst

Self portrait — Henri Regnault

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1840
  2. 1850
  3. 1860
  4. 1870

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 28 ved død.

Skyggelagt: Henri Regnault' livstid (1843–1871) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/henri-regnault-self-portrait-A2A5UP-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Quinacridone Magenta #726045

    Gemt palet

    • #726045
    • #1A1C1A
    • #AF916D
    • #343025

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Quinacridone Magenta
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Henri Regnault i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 83,3%
    2. 2 Brasilien 16,7%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af Henri Regnault

    1. 1 Automedon with the Horses of Achilles, 1868 55,6%
    2. 2 Self portrait dette maleri 22,2%
    3. 3 Sketch for Automedon with the Horses of Achilles 11,1%
    4. 4 The spy 11,1%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 13 værker af denne kunstner, hvoraf 4 er blevet set mindst én gang. Dette maleri rangerer som nummer 2 af dem, med 22,2% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Henri Regnault

    Født i Paris, France

    A Brilliant Light Extinguished: The Life and Legacy of Henri Regnault

    The history of nineteenth-century French art is often told through the lens of enduring movements, yet few figures embody the tragic intersection of immense promise and sudden loss as poignantly as Henri Regnault. Born in Paris in 1843 to the esteemed physicist Henri Victor Regnault, the young artist was raised within an atmosphere of intellectual rigor and scientific curiosity. This foundation of precision would later manifest in his breathtaking command over anatomical detail and light. His journey through the prestigious studios of Antoine Montfort, Louis Lamothe, and the celebrated Alexandre Cabanel provided him with a formidable academic toolkit, yet Regnault was never merely a student of tradition. He possessed an innate restlessness, a desire to push beyond the rigid boundaries of the École des Beaux-Arts to capture the visceral energy of the world around him.

    Regnault’s ascent in the Parisian art world was nothing short of meteoric. The turning point of his early career arrived in 1866, when he secured the prestigious Prix de Rome. This triumph, achieved with his monumental work Thetis Bringing Vulcan’s Arms to Achilles, signaled the arrival of a master capable of blending classical grandeur with an unprecedented sense of movement and sculptural depth. While the award traditionally directed winners toward the study of antiquity in Italy, Regnault’s time in Rome and his travels through Spain and North Africa served to broaden his aesthetic horizons far beyond the classical canon. He found himself increasingly drawn to the Hispanophone-Italian school, a style that favored the materiality of life and the evocative power of capturing fleeting, everyday moments.

    Mastery of the Dramatic and the Orientalist Vision

    As his technique matured, Regnault’s work began to bridge the gap between academic precision and a burgeoning fascination with Orientalism and Spanish realism. He possessed a rare ability to infuse historical and biblical narratives with a contemporary, almost cinematic intensity. Nowhere is this more evident than in his most famous masterpiece, Salomé. Originally conceived as a portrait of an Italian model in Rome, the canvas underwent a dramatic transformation as Regnault expanded its scope, eventually completing it amidst the vibrant atmosphere of Tangier. The resulting painting is a sensory triumph; through disheveled hair, flowing drapery, and a palpable sense of tension, he captures the biblical temptress at the height of her seductive power, leaving viewers breathless with the sheer vitality of the brushwork.

    His repertoire was remarkably diverse, reflecting a deep engagement with both the mythic and the mundane. His ability to oscillate between the epic scale of Greek mythology—seen in works like Automedon with the Horses of Achilles—and the intimate, atmospheric studies of Spanish shepherds demonstrates an artist who refused to be pigeonholed. Regnault’s eye was uniquely attuned to the dynamism of urban centers and the rugged beauty of foreign landscapes, seeking to portray humanity not as static figures in a vacuum, but as living beings caught within the swirling currents of their era. His work often featured:

    Anatomical Precision: A profound understanding of the human form, inherited from his classical training.

    Luminous Color Palettes: An ability to use light to create depth and emotional resonance.

    Narrative Tension: The capacity to freeze a moment of high drama, making the mythological feel immediate and real.

    A Tragic End and Lasting Significance

    The trajectory of Regnault’s life was violently interrupted by the onset of the Franco-Prussian War. In a final, tragic act of devotion to his country, the artist laid down his brushes to take up arms. He fell on the field of battle in January 1871, at the tender age of twenty-seven. His death sent shockwaves through the Parisian art community, marking the loss of a talent that many believed would lead the next generation of French painters into a new era of brilliance.

    Despite his short life, Regnault’s impact remains indelible. He stands as a pivotal figure who navigated the delicate transition between the structured traditions of the past and the expressive freedoms of the modern age. His works continue to captivate audiences in institutions such as The Metropolitan Museum of Art, serving as enduring testaments to a spirit that was as much about the pursuit of truth as it was about the pursuit of beauty. In the annals of art history, Henri Regnault remains a luminous star—a painter whose brief, intense flame left behind a glow that continues to illuminate the complexities of 19th-century realism and Orientalism.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Self portrait

    artsdot.com/da/art/download/henri-regnault-self-portrait-A2A5UP-en/

    Kildehenvisning til dette kunstværk

    MLA
    Regnault, Henri. Self portrait. n.d., https://artsdot.com/da/art/henri-regnault-self-portrait-A2A5UP-en/
    APA
    Regnault, Henri (n.d.). Self portrait [Painting]. https://artsdot.com/da/art/henri-regnault-self-portrait-A2A5UP-en/
    Chicago
    Henri Regnault. Self portrait. n.d. https://artsdot.com/da/art/henri-regnault-self-portrait-A2A5UP-en/
    Harvard
    Regnault, Henri (n.d.) Self portrait. Available at: https://artsdot.com/da/art/henri-regnault-self-portrait-A2A5UP-en/

    Se nærmere efter

    Self portrait — Henri Regnault

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: portraits. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Automedon with the Horses of Achilles (1868) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Er en højtopløselig download af "Self portrait" tilgængelig?

    For at få en digital fil af "Self portrait" af Henri Regnault, skal du bestille et højtopløseligt digitalt billeddownload på dens Digitalt billede-side.

    Er "Self portrait" tilgængelig som et fine art-print?

    Et print af "Self portrait" af Henri Regnault kan bestilles direkte på dens Fine art-print-side: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.

    Hvad handler "Self portrait" om?

    "Self portrait" af Henri Regnault forestiller: portraits.