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Venice, Sunset

Navn Klasse Dato

Harry Goodwin, Venice, Sunset (1888), Maidstone Museum - Bentlif Art Gallery. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Harry Goodwin artsdot.com/da/artists/harry-goodwin_da/
Kunstnerens årstal
1924 – 2013
Malet
1888
Oprindelig størrelse
17 x 25 cm
Afholdt hos
Maidstone Museum - Bentlif Art Gallery artsdot.com/da/museums/maidstone-museum-bentlif-art-gallery-maidstone/

I kontekst

Venice, Sunset — Harry Goodwin

Hvor stor er den?

Originalen måler 17 × 25 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980
  12. 1990
  13. 2000
  14. 2010

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 89 ved død.

Skyggelagt: Harry Goodwin' livstid (1924–2013) ▲ dette værk, 1888 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/harry-goodwin-venice-sunset-AR26M2-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #ccc69c

    Katalogiseret palet

    • #CCC69C
    • #674E37
    • #3B281B
    • #B79C6B

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Harry Goodwin i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%200 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Harry Goodwin

    1. 1 View on the Thames, Evening, When Swallows Homeward Fly, 1897 50,0%100 besøg
    2. 2 Long Alley Almshouses and St Helen's Churchyard, Abingdon, Oxfordshire, 1891 50,0%100 besøg
    3. — Venice, Sunset, 1888 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 10 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Harry Goodwin

    Født i Fallowfield, United Kingdom

    A Life Through the Lens: The Story of Harry Goodwin

    Harry Goodwin, born in Fallowfield, Manchester, in 1924, wasn't initially destined for a life steeped in photographic history. His early years were shaped by the modest upbringing afforded by his father’s profession as a bookmaker in Chorlton-cum-Hardy. However, fate intervened with the outbreak of World War II, leading Goodwin to enlist in the Royal Air Force in 1943. It was during his service, stationed with reconnaissance planes over Japanese territory in Burma, that his journey into photography truly began. Initially tasked with loading cameras, he quickly discovered a talent – and an entrepreneurial spirit – by photographing local girls and selling prints to fellow servicemen. This nascent passion wasn’t merely a hobby; it was the honing of technical skills and the spark of artistic vision that would define his future. Returning to Manchester after the war, Goodwin transitioned into professional photography, navigating the post-war landscape with assignments ranging from beauty pageants to the gritty world of boxing circuits. A pivotal early subject was the beloved comedian Ken Dodd, a stepping stone towards photographing many prominent figures who would come to populate his extraordinary archive.

    The Top of the Pops Years: Capturing a Generation

    Goodwin’s career ascended to its zenith in 1964 when he secured the coveted role as resident photographer for BBC’s Top of the Pops. This wasn't through conventional means; it was a serendipitous opportunity arising from his temporary employment as a scene-shifter at the BBC’s Manchester Studios. Producer Johnnie Stewart, recognizing Goodwin’s keen eye and dedication, offered him the position for a modest weekly fee of £30, coupled with valuable on-screen credit at the end of each program. The role was multifaceted: providing backdrops for artists unable to appear in person and supplying visuals accompanying the chart rundown. Over nine years, Goodwin demonstrated remarkable commitment, missing only six broadcasts – an astonishing feat considering the constant flux of musical talent passing through the studio doors. He documented virtually every act that graced the UK Singles Chart’s Top 30 (with notable exceptions like Frank Sinatra and Elvis Presley), earning a reputation for tenacity in securing images even under challenging circumstances. His photographs weren't just documentation; they were snapshots of a cultural revolution, capturing the energy and excitement of Britain’s burgeoning pop music scene.

    Beyond the Charts: The Beatles & Sporting Icons

    While Top of the Pops provided a consistent platform, Goodwin’s career was punctuated by significant encounters with iconic figures. A defining moment arrived in 1963 at Manchester's Apollo Theatre when he first photographed The Beatles. This initial meeting blossomed into a close working relationship, resulting in some of the most enduring and intimate images of the band during their meteoric rise to fame. These photographs weren’t simply posed portraits; they captured the raw energy, charisma, and playful spirit that defined John Lennon, Paul McCartney, George Harrison, and Ringo Starr. Beyond his musical endeavors, Goodwin maintained a lifelong passion for sports, particularly boxing. He earned accreditation with the British Boxing Board of Control, allowing him to photograph numerous champions, including the legendary Muhammad Ali. His ability to capture decisive moments extended beyond the ring; his striking portrait of Sir Matt Busby became so iconic it was chosen for the commemorative plaque at Old Trafford, a testament to his skill in immortalizing sporting legends.

    Recognition and Legacy: A Photographer Rediscovered

    Despite a self-professed reluctance to actively sell prints during his lifetime, Harry Goodwin’s work gradually gained wider recognition in later years. Exhibitions began to showcase his photographs, offering the public an opportunity to appreciate his unique perspective and artistic talent. His images found their way into prestigious collections, including those of the National Portrait Gallery in London, solidifying his place within photographic history. Notable exhibitions included "Icons of Pop" (1999), “Beatles on the Balcony” (2006), and "Legends: The Photographs of Harry Goodwin" (2004). A landmark moment arrived in 2010 with a major exhibition at the Victoria and Albert Museum, "My Generation: The Glory Years of British Rock – Photographs from Top of the Pops 1964–1973," accompanied by a published book. In December 2009, he was honored with a lifetime achievement award by the Lord Mayor of Manchester. Goodwin’s legacy lies in his ability to encapsulate an era, documenting both musical and sporting icons with remarkable skill and dedication. His generous donation of his extensive archive to the University of Salford ensures that his work will continue to be studied, celebrated, and inspire generations to come. Harry Goodwin passed away in September 2013 at the age of 89, leaving behind a visual chronicle of a generation’s defining moments.

    Museum

    Maidstone Museum - Bentlif Art Gallery

    Udstillet i Maidstone, United Kingdom

    A Sanctuary of Timeless Elegance

    To step through the doors of

    Maidstone Museum - Bentlif Art Gallery

    is to leave the modern bustle of Kent behind and enter a sanctuary where history breathes through every gilded frame and ancient relic. Housed within the magnificent

    Challington Manor

    , an Elizabethan masterpiece completed in 1577, the museum offers a physical timeline that mirrors its vast collections. The architecture itself tells a story of prestige and evolution; the manor’s stately walls wrap around much older Tudor structures, creating a setting where historical grandeur provides the perfect stage for aesthetic discovery. For the discerning interior designer or art lover, the museum serves as a masterclass in how heritage spaces can elevate the presentation of fine objects.

    The heart of this institution beats with an extraordinary diversity of treasures, most notably its world-renowned Japanese collection. This assemblage is a true jewel in Kent’s artistic crown, offering a profound glimpse into the delicate balance of Zen Buddhism and feudal elegance. Visitors are often captivated by the meticulous craftsmanship of Japanese ceramics and the ethereal beauty of woodblock prints, which possess a graphic power that continues to inspire contemporary visual culture. Alongside these Eastern delights, the museum holds one of the most significant Anglo-Saxon collections outside of London, where the heavy weight of history is felt in every intricately carved piece of jewelry and monumental sculpture.

    A Tapestry of Global Heritage

    Beyond the fine arts, the museum serves as a chronicle of human curiosity and global exploration. It weaves together disparate threads of human achievement, blending natural history, archaeology, and fine art within a single, cohesive experience. The collections are a symphony of different eras and cultures, ranging from the prehistoric roar of dinosaur fossils in the Earth Heritage Gallery to the delicate precision of 18th-century clocks and medals.

    The museum's unique character is further enriched by several distinct narratives:

    The Brenchley Collection:

    Amassed by the Victorian adventurer Julius Brenchley, bringing the spirit of ethnography to life.

    The Queen’s Own Royal West Kent Regimental Museum:

    Adding a layer of poignant local narrative and colorful, thought-provoking exhibits.

    Ancient Wonders:

    Featuring a 2,500 year old Egyptian mummy that connects the local landscape to the ancient world.

    Whether exploring the intricate details of fine art or the scientific wonders of geology, the museum remains an essential pilgrimage for anyone seeking to understand the profound interconnectedness of our global heritage. It is a place where the past is not merely preserved but remains a living dialogue between eras.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Venice, Sunset

    artsdot.com/da/art/download/harry-goodwin-venice-sunset-AR26M2-en/

    Kildehenvisning til dette kunstværk

    MLA
    Goodwin, Harry. Venice, Sunset. 1888, Maidstone Museum - Bentlif Art Gallery. https://artsdot.com/da/art/harry-goodwin-venice-sunset-AR26M2-en/
    APA
    Goodwin, Harry (1888). Venice, Sunset [Painting]. Maidstone Museum - Bentlif Art Gallery. https://artsdot.com/da/art/harry-goodwin-venice-sunset-AR26M2-en/
    Chicago
    Harry Goodwin. Venice, Sunset. 1888. Maidstone Museum - Bentlif Art Gallery. https://artsdot.com/da/art/harry-goodwin-venice-sunset-AR26M2-en/
    Harvard
    Goodwin, Harry (1888) Venice, Sunset. Maidstone Museum - Bentlif Art Gallery. Available at: https://artsdot.com/da/art/harry-goodwin-venice-sunset-AR26M2-en/

    Se nærmere efter

    Venice, Sunset — Harry Goodwin

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på The Marketplace, Norwich, Norfolk (1887) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken farvepalette er brugt i "Venice, Sunset" af Harry Goodwin?

    Farvepaletten i "Venice, Sunset" af Harry Goodwin beskrives som Earthy. Det er en kortfattet beskrivelse af værkets farver.

    Hvordan downloader jeg billedet af "Venice, Sunset" af Harry Goodwin?

    Du kan downloade billedet af "Venice, Sunset" af Harry Goodwin på værkets side med Download: et højopløseligt digitalt billeddownload.

    Hvor lys eller mørk fremstår "Venice, Sunset" af Harry Goodwin?

    Overordnet set er "Venice, Sunset" registreret som balanced. Den oplevede lysstyrke beskriver, hvor lyst eller mørkt værket fremstår.