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Grazing by the River

Navn Klasse Dato

William Hart, Grazing by the River (1873), Honolulu Museum of Art. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
William Hart artsdot.com/da/artists/william-hart-1/
Kunstnerens årstal
1823 – 1894
Malet
1873
Afholdt hos
Honolulu Museum of Art artsdot.com/da/museums/honolulu-museum-of-art-honolulu_da/

I kontekst

Grazing by the River — William Hart

Hvornår er dette malet?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 71 ved død.

Malet da kunstneren var 50 år gammel. Kunstneren blev 71 år gammel. 15 af de 21 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: William Hart' livstid (1823–1894) ▲ dette værk, 1873 hvert dateret maleri, årti for årti

Første værker: frem til 1855 Primære arbejdsår: 1855–1873 Senere værker: fra 1873

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/grazing-by-the-river-by-william-hart/

Farver

Målt ud fra billedet

    Primær farve

    Putty #efe3c9

    Katalogiseret palet

    • #EFE3C9
    • #8E7F69
    • #C2B298
    • #625546

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    William Hart

    Født i Paisley, United Kingdom

    The Life and Artistic Evolution of William Hart

    Born in Paisley, United Kingdom, William Hart emigrated to the United States with his family in 1831, eventually settling in Albany, New York. His early artistic journey began as an apprentice to a decorative painter in Albany and Troy, where he gained his first experience decorating coach panels with landscapes. After a period spent as a portrait painter and an unsuccessful attempt to seek commissions in the mid-western States, Hart exhibited his first work at the National Academy of Design in 1848. Following a period of study in Europe, he returned to America and shifted his focus toward landscape painting. He eventually settled in New York City, opening a studio in the Tenth Street Studio Building in 1858 and later serving as the President of the Brooklyn Academy of Design in 1865.

    Style and Subject Matter

    As a member of the Hudson River school, Hart developed a mature landscape style that emphasized light and atmosphere, becoming particularly adept at depicting angled sunlight and foreground shadow. His later works often featured cattle as a recurring motif, frequently depicting cows grazing or watering in the foreground or middle distance against a bucolic backdrop. Beyond his oil paintings, Hart was known for his exceptional etchings, including his iconic work "Naponock (Naponoch) Scenery, Ulster County, New York." His prolific output included sketches, watercolors, and sketch books, many of which were retained by his family and are held by the Albany Institute of History & Art.

    Museum

    Honolulu Museum of Art

    Udstillet i Honolulu, United States of America

    A Cultural Beacon in the Pacific

    Nestled amidst the breathtaking beauty of Hawaiʻi, the

    Honolulu Museum of Art

    stands as a profound testament to artistic vision and cultural dialogue. It serves not merely as a repository for masterpieces but as a living, breathing beacon of creativity that celebrates the harmonious fusion of Eastern and Western traditions. To step into its galleries is to embark on an immersive journey through centuries of human achievement, where the spirit of exploration is palpable in every brushstroke and sculpted form. The museum’s extraordinary breadth offers a captivating panorama of global artistry, speaking to both the historian and the aesthete alike.

    The collection is a rich tapestry of color and form, where the delicate, ephemeral worlds of the Edo period are brought to life through the

    James A. Michener Collection

    , one of the most significant assemblages of Japanese ukiyo-e woodblock prints in the United States. This Eastern elegance is beautifully juxtaposed with the refined craftsmanship of Chinese ceramics and the serene, meditative presence of Buddhist sculptures. The dialogue extends far beyond the Pacific shores; the halls are illuminated by the light of European masters, where the Impressionistic landscapes of

    Monet

    and the Post-Impressionist emotional depth of

    Gauguin

    and

    Picasso

    create a profound sensory experience. For those drawn to the ancestral heritage of the islands, the significant collections of Native Hawaiian and Oceanic art offer a poignant and powerful connection to the natural pigments and masterful techniques of the region.

    Architectural Harmony and Innovation

    The architectural experience of the museum is itself an artistic endeavor, designed to elevate the visitor's sensory engagement. The institution strikes a perfect balance between intimacy and grandeur; historic buildings house quiet, contemplative spaces dedicated to timeless treasures, while the

    Henry R. Luce Pavilion Complex

    offers expansive, airy galleries bathed in radiant natural light. This luminosity provides a superb setting for both ambitious exhibitions and contemporary installations, making it a sanctuary for those seeking inspiration. The landscape further enhances this sense of peace, as open courtyards and tranquil ponds punctuate the grounds, creating pockets of serenity that encourage deep reflection.

    What truly distinguishes the

    Honolulu Museum of Art

    is its relentless commitment to innovation and its role as a conduit for cultural understanding. Through the integration of the

    Spalding House

    , the museum has solidified its place at the vanguard of contemporary discourse. It remains a rare space where ancient traditions coexist seamlessly with modern sensibilities, inviting collectors, designers, and dreamers alike to delve into the narratives of our shared human condition. Whether exploring the abstract works inspired by natural forms or engaging with groundbreaking exhibitions that explore themes ranging from Pacific Islander history to global artistic influences, visitors find themselves part of an enduring legacy of creativity.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Grazing by the River

    artsdot.com/da/art/download/grazing-by-the-river-by-william-hart/

    Kildehenvisning til dette kunstværk

    MLA
    Hart, William. Grazing by the River. 1873, Honolulu Museum of Art. https://artsdot.com/da/art/grazing-by-the-river-by-william-hart/
    APA
    Hart, William (1873). Grazing by the River [Painting]. Honolulu Museum of Art. https://artsdot.com/da/art/grazing-by-the-river-by-william-hart/
    Chicago
    William Hart. Grazing by the River. 1873. Honolulu Museum of Art. https://artsdot.com/da/art/grazing-by-the-river-by-william-hart/
    Harvard
    Hart, William (1873) Grazing by the River. Honolulu Museum of Art. Available at: https://artsdot.com/da/art/grazing-by-the-river-by-william-hart/

    Se nærmere efter

    Grazing by the River — William Hart

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på A Quiet Nook (1885) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. William Hart var omkring 50 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvorfor er ophavsretsstatus for "Grazing by the River" som den er?

    "Grazing by the River" af William Hart er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten løber fra kunstnerens dødsår, som var 1894.

    Hvad er den dominerende farvetone i "Grazing by the River" af William Hart?

    "Grazing by the River" har en tendens til en Ochre to Sepia nuance.

    Hvilken orientering har "Grazing by the River" af William Hart?

    "Grazing by the River" af William Hart er en Landscape komposition. Det er værd at tjekke proportionerne, før du vælger en printstørrelse.