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Richard Coffin (d.1796) (formerly Bennett)

Navn Klasse Dato

Gilbert Stuart, Richard Coffin (d.1796) (formerly Bennett) (1781), National Trust. Offentlig ejendom.

Fakta om værket

Kunstner
Gilbert Stuart artsdot.com/da/artists/gilbert-stuart_da/
Kunstnerens levetid
1755 – 1828
Malet
1781
Medie
Oil On Canvas
Oprindelig størrelse
76 x 64 cm
Bevægelse
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Afholdt hos
National Trust artsdot.com/da/museums/national-trust-plymouth_da/
Artistic style
Portraiture
Subject or theme
Colonial figure portrait

I kontekst

Richard Coffin (d.1796) (formerly Bennett) — Gilbert Stuart

Dimensioner

Originalen måler 76 × 64 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Skyggelagt: Gilbert Stuart' livstid (1755–1828) ▲ dette værk, 1781

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/gilbert-stuart-richard-coffin-d-1796-formerly-bennett-AQSHGJ-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #21201d

    Gemt palet

    • #21201D
    • #FDFDFC
    • #BFA27D
    • #7F674F
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Richard Coffin (d.1796) (formerly Bennett) — Gilbert Stuart

    A Glimpse into Colonial Grandeur: Gilbert Stuart's Portraiture

    To stand before this portrait of Richard Coffin is to step directly into the sophisticated drawing rooms of late eighteenth-century America. Painted in 1781 by the masterful hand of Gilbert Stuart, the work transcends a mere likeness; it is a carefully constructed monument to status and civic importance. The subject, clad in the imposing blue coat trimmed with crisp white accents, exudes an air of established authority. His wig, the immaculate cravat, and his direct gaze all conspire to present us not just with a man, but with a portrait of prominence—perhaps a statesman, a merchant prince, or a figure whose influence shaped the nascent American landscape.

    The Artistry of Gilbert Stuart: Technique and Vision

    Gilbert Stuart, an artist whose career spanned the pivotal years of America's transformation, captured this moment with remarkable technical precision. His training, which took him from early promise to rigorous study in London under masters like Benjamin West, is evident in every brushstroke. Notice how the dark background serves not as emptiness, but as a deliberate theatrical curtain, allowing the illuminated figure to emerge with breathtaking clarity. Stuart possessed an unparalleled ability to render texture—the sheen of fine wool on the coat, the soft cascade of the white cravat, and the subtle highlights catching in the wig’s curls. This mastery of light and shadow, characteristic of Neoclassicism, gives the painting a timeless, almost sculptural quality.

    Historical Resonance: Life at the Crossroads

    The date, 1781, places this portrait squarely within one of the most tumultuous and defining periods in American history. The sitter, Richard Coffin (formerly Bennett), was a man living through revolutionary fervor and the dawn of a new republic. Owning or commissioning such a piece was an act of cultural statement; it tethered the subject to the established order while simultaneously celebrating his personal success within that changing world. For the modern admirer, this painting offers a tangible connection to the very genesis of American identity—a moment suspended between colonial tradition and revolutionary promise.

    Emotional Impact and Decorative Presence

    The emotional core of the piece lies in its unwavering directness. Coffin meets the viewer’s eye with an intelligence that feels both commanding and approachable. For those considering this work for a grand hall, library, or formal reception area, it promises immediate gravitas. It is art that speaks volumes without uttering a word. Reproducing such a masterpiece allows one to infuse a space with historical depth, lending an air of cultivated pedigree and enduring dignity to any interior design scheme.

    Kunstner og museum

    Kunstner

    Gilbert Stuart

    Født i Saunderstown, Rhode Island

    Gilbert Stuart (1755–1828): America’s Foremost Portraitist

    Gilbert Charles Stuart (født Stewart) (December 3, 1755 – July 9, 1828) var en amerikansk maler fra Rhode Island. Han anses generelt for at være Amerika's førende portrætfarver af det 18. århundrede og efterlod sig et betydeligt kunstnerisk arv, der fortsætter med at fascinere kunsthistorikere og publikum i dag. Stuart var en kompleks figur, kendt både for sin tekniske dygtighed og sit temperament – egenskaber, der ofte beskrives som både geni og selvdestruktivitet. Hans arbejde repræsenteres nu i nogle af verdens største kunstmuseer, hvilket vidner om hans varige betydning inden for amerikansk kunsthistorie.

    Tidlig Liv og Uddannelse

    Kunstnerisk Karriere og Store Arbejder

    Påvirkninger og Udvikling

    Historisk Betydning og Eftermæle

    Tidlig Liv og Uddannelse

    Gilbert Stuart blev født i Saunderstown, Rhode Island, den 3. december 1755, søn af Gilbert Stewart, en skotsk immigrant der etablerede den første snapsmølle på Rhode Island. Familien flyttede senere til Newport, hvor Stuart fik sin kunstneriske uddannelse under Cosmo Alexander, en ung skuespiller og kunstner fra Edinburgh. Efter Alexanders død i 1775 fortsatte Stuart sin træning i London med Benjamin West, en fremtrædende amerikansk maler der boede i England, hvilket var afgørende for at udvikle hans kunstneriske stil og opnå anerkendelse inden for Royal Academy. Tidligt viste Stuart talent for tegning og illustration, hvilket blev dokumenteret af hans første kendte værk, "Dr. Hunter's Spaniels," udført allerede som 14-årig – et billede der straks demonstrerede hans evne til at fange essensen af sit subjekt og udtrykke dets karakter. Denne tidlige interesse for kunst satte scenen for en produktiv karriere præget af både teknisk finesse og psykologisk indsigt.

    Kunstnerisk Karriere og Store Arbejder

    Stuart mødes med udfordringer under den amerikanske revolution, hvilket førte til hans udvandring til England i 1775. Han fik tidlig succes med "The Skater" (1782), et portræt der hurtigt etablerede hans ry som en talentfuld kunstner og blev rost af kritikere og offentlighed. Stuart’s mest ikoniske værk er det ufærdige portræt af George Washington, kendt som Athenaeum Portrait (begun i 1796). Dette billede har gennemgået flere revisioner og kopier og er blevet brugt til at illustrere amerikansk kunsthistorie og kultur. Stuart producerede omkring 1.000 portrætter af prominente personer, inklusive de første seks præsidenter – en imponerende liste over kunstneriske præstationer der dokumenterer hans betydelige rolle i at forme den amerikanske historie og kultur. Hans stil var karakteriseret af en neoclassisk tilgang, hvor han søgte inspiration fra klassiske former og idealer og anvendte teknikker som blev udviklet af europæiske kunstnere for at skabe billeder der både var realistiske og psykologisk dybe. Stuart’s fokus lå på at fange ikke blot et fysisk udtryk, men også subjektets karakter og personlighed – en ambition der gjorde hans værker til unikke dokumenter om deres tid og deres personer.

    Påvirkninger og Udvikling

    Stuart fik tidlig træning under Cosmo Alexander, hvor han lærte vigtige teknikker og kompositoriske principper. Benjamin West havde en betydelig indflydelse på Stuart’s kunstneriske forståelse og udvikling, hvilket førte til et samarbejde om flere projekter og udvidede Stuart’s kunstneriske horisonter. Stuart var selv meget opmærksom på sine omgivelser og interaktioner med hans kunder og subjekt – egenskaber der bidrog til den psykologiske dybde og realismen i hans portrætter. Han søgte konstant nye måder at udtrykke sig kreativt og udviklede sin kunstneriske stil gennem årenes løb, hvilket førte til nogle af de mest ikoniske og eftertragtede billeder fra det 18. århundrede. Stuart’s arbejde blev præget af både teknisk perfektionisme og en dyb forståelse for menneskelig psykologi – kvaliteter der gjorde hans kunstværker til unikke dokumenter om deres tid og deres personer.

    Historisk Betydning og Eftermæle

    Gilbert Stuart er betragtet som en af Amerika’s mest fremstående portrætfarvere og spillede en vigtig rolle i at dokumentere de tidlige år af USA. Athenaeum Portrait af George Washington har gennemgået flere revisioner og kopier og er blevet brugt til at illustrere amerikansk kunsthistorie og kultur. Dette billede er blevet ikonisk og repræsenteres på U.S.-dollar sedler og forskellige postkort – hvilket vidner om Stuart’s betydning for amerikansk kultur og identitet. Hans værker er repræsenteret i nogle af verdens største kunstmuseer, hvilket sikrer hans eftermæle og hans kunstværkers fortsatte værdighed for kommende generationer. Stuart etablerede en distinkt amerikansk stil indenfor portrætfarveri der blandede europæiske teknikker med unikke amerikanske følelser – en stil der fortsat inspirerer kunstnere og forskere i dag.

    Museum

    National Trust

    Udstillet på Plymouth, Storbritannien

    A Symphony of Stone and Bloom: Exploring the National Trust’s Legacy at Saltram House

    Saltram House, nestled within the verdant embrace of Devon’s River Plym, is more than simply a stately home; it's an immersive experience—a carefully orchestrated dialogue spanning centuries, echoing through its Palladian façade and whispering secrets from meticulously cultivated gardens. Established in 1582 by the Parker family, Saltram has evolved far beyond its initial conception, reflecting not only shifting architectural styles but also the ever-changing tastes and passions of those who have called it home. It stands as a tangible link to Britain’s past, simultaneously offering a vibrant glimpse into the lives lived within its walls—a testament to enduring beauty and thoughtful preservation.

    The house itself is a breathtaking masterpiece of 18th-century design, largely thanks to the visionary hand of Robert Adam. His influence permeates every corner, from the soaring ceilings adorned with intricate plasterwork – a dazzling display of skill and artistry that seems to defy gravity – to the harmonious color palettes that create an atmosphere of refined elegance and quiet contemplation. Pay particular attention to the Saloon, a room dominated by an extraordinary Axminster carpet designed entirely by Adam himself; its geometric patterns and rich hues aren’t merely decorative but integral to the overall architectural composition, acting as a visual anchor within the grand space. Beyond the formal reception rooms, Saltram's true charm lies in its intimate details: the hand-painted chinoiserie wallpaper in the library, depicting scenes of serene landscapes and exotic flora, the collection of antique furniture reflecting evolving styles from the Baroque to the Regency, and the subtle yet powerful presence of portraits by Joshua Reynolds, each capturing a moment frozen in time—a silent testament to the lives and ambitions of those who once graced these halls.

    The Living Tapestry of the Gardens

    Saltram’s gardens are not static displays; they're a dynamic reflection of evolving horticultural philosophies and a profound expression of centuries of careful cultivation. Initially conceived as formal parterres and geometric lawns, meticulously planned to impress visiting dignitaries, the landscape has gracefully embraced a more naturalistic approach over time, seamlessly blending with the surrounding parkland—a testament to an understanding of harmony between human design and the wild beauty of nature. The Orangery, a stunning example of 18th-century architecture, stands as a focal point, offering a sheltered sanctuary for exotic plants and providing a vital link between the house and the outdoors. Beyond this formal centerpiece, explore the meandering pathways that invite you to wander through woodland groves, across rolling lawns dotted with wildflowers, and alongside the gently flowing River Plym. The parkland reveals hidden corners—a forgotten quarry hinting at past industrial activity, remnants of old stone walls – offering glimpses into the estate’s layered history and its connection to the land.

    A recent addition, the “Secret Wild Garden,” showcases a carefully curated selection of native wildflowers and shrubs, demonstrating a commitment to sustainable landscaping practices and celebrating the beauty of Devon's natural heritage. This deliberate shift towards embracing indigenous flora underscores a deeper understanding of ecological balance—a recognition that true beauty lies not just in grand design but also in fostering a thriving ecosystem.

    A Legacy of Preservation and Innovation

    The National Trust’s presence at Saltram extends far beyond the preservation of the house and its gardens. The estate serves as a living laboratory for conservation research, with ongoing projects focused on habitat restoration, archaeological investigation, and sustainable tourism—a dedication to safeguarding not only the physical fabric of the estate but also its rich ecological diversity. Notably, the integration of technology – particularly the HistoryScapes app – has revolutionized the visitor experience, allowing guests to step back in time and explore the estate through a captivating augmented reality journey. Imagine walking through the gardens as they appeared centuries ago, overlaid with historical information and interactive elements—a truly immersive way to connect with the past.

    The Trust’s commitment to accessibility is equally commendable. Saltram offers a range of educational programs for schools and families, fostering an appreciation for history, art, and nature among future generations. Regular events – from guided tours exploring the intricacies of Adam's design to craft workshops celebrating traditional crafts—provide opportunities for visitors to engage with the estate in meaningful ways. The recent focus on community engagement ensures that Saltram remains a vital part of the local landscape, enriching the lives of residents and attracting visitors from around the world.

    Notable Exhibitions & Events

    Saltram House regularly hosts a diverse range of exhibitions and events, showcasing both its own collections and those of external artists and organizations. Past highlights include temporary displays focusing on the history of textiles—revealing the intricate craftsmanship that went into creating the carpets and furnishings within the house—the art of landscape gardening, demonstrating the evolution of garden design over centuries, and the lives of notable figures associated with the estate. Keep an eye out for upcoming events celebrating seasonal changes, featuring local artists and artisans, and offering a unique glimpse into Devon’s cultural heritage.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Richard Coffin (d.1796) (formerly Bennett)

    artsdot.com/da/art/download/gilbert-stuart-richard-coffin-d-1796-formerly-bennett-AQSHGJ-en/

    Kildehenvisning til dette kunstværk

    MLA
    Stuart, Gilbert. Richard Coffin (d.1796) (formerly Bennett). 1781, National Trust. https://artsdot.com/da/art/gilbert-stuart-richard-coffin-d-1796-formerly-bennett-AQSHGJ-en/
    APA
    Stuart, Gilbert (1781). Richard Coffin (d.1796) (formerly Bennett) [Painting]. National Trust. https://artsdot.com/da/art/gilbert-stuart-richard-coffin-d-1796-formerly-bennett-AQSHGJ-en/
    Chicago
    Gilbert Stuart. Richard Coffin (d.1796) (formerly Bennett). 1781. National Trust. https://artsdot.com/da/art/gilbert-stuart-richard-coffin-d-1796-formerly-bennett-AQSHGJ-en/
    Harvard
    Stuart, Gilbert (1781) Richard Coffin (d.1796) (formerly Bennett). National Trust. Available at: https://artsdot.com/da/art/gilbert-stuart-richard-coffin-d-1796-formerly-bennett-AQSHGJ-en/

    Se nærmere efter

    Richard Coffin (d.1796) (formerly Bennett) — Gilbert Stuart

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: portraiture, colonial times, dignified man. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Horatio Gates (1793) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    Richard Coffin (d.1796) (formerly Bennett) — Gilbert Stuart

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. Who is the artist credited with painting the portrait of Richard Coffin?

      • A Benjamin West
      • B Gilbert Stuart
      • C Cosmo Alexander
    2. 2. What artistic movement is Gilbert Stuart associated with, as noted in his biography?

      • A Baroque
      • B Rococo
      • C Neoclassicism
    3. 3. What period does the date of this artwork, 1781, place it within?

      • A The Renaissance
      • B The Colonial/Early American Period
      • C The Victorian Era
    4. 4. Based on the description, what element of the painting helps to emphasize the subject?

      • A Brightly colored background elements
      • B A dark background
      • C Minimalist composition
    5. 5. What type of attire is the subject, Richard Coffin, depicted wearing in the painting?

      • A Modern casual wear
      • B A wig and a blue coat with white trim
      • C Military armor

    Min score: ____ ud af 5

    Facitliste — til læreren

    Dette starter en ny trykt side, som blot kan udelades fra kopierne.

    1A · 2B · 3A · 4A · 5A