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Dorothy Porter

Navn Klasse Dato

frederick james porter, Dorothy Porter (1929), The Kinsey African American Art - History Collection. Offentlig ejendom.

Fakta om værket

Kunstner
frederick james porter artsdot.com/da/artists/frederick-james-porter/
Kunstnerens levetid
1883 – 1944
Malet
1929
Afholdt hos
The Kinsey African American Art - History Collection artsdot.com/da/museums/the-kinsey-african-american-art-history-collection-los-angeles/

I kontekst

Dorothy Porter — frederick james porter

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Skyggelagt: frederick james porter' livstid (1883–1944) ▲ dette værk, 1929

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/frederick-james-porter-dorothy-porter-D4N9YF-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #cbc6a8

    Gemt palet

    • #CBC6A8
    • #625F4D
    • #9D987C
    • #272823
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Dorothy Porter — frederick james porter

    Dorothy Porter Wesley (1905-1995), a scholar-librarian and bibliographer was born in Warrenton, Virginia in 1905, to her father, Hayes Joseph Burnett, a physician, and her mother, Bertha Ball Burnett, a tennis champion. After receiving her A.B., from Howard University in 1928, she became the first African American woman to complete her graduate studies at Columbia University receiving a Bachelors (1931) and a Masters (1932) of Science in Library Science.Dorothy Bennett joined the library staff at Howard University in 1928, and on December 29, 1929 married James Amos Porter. In 1930 University President W. Mordecai Johnson appointed her to organize and administer a Library of Negro Life and History incorporating the 3,000 titles presented in 1914 by Jesse Moorland. The library opened in 1933 as the Moorland Foundation. In 1946 Howard University purchased the Arthur Spingarn Collection. By the time Porter retired in 1973 the library, which was now called the Moorland-Spingarn Research Center, had over 180,000 books, pamphlets, manuscripts and other primary sources. Over 43 years, Porter had successfully created a leading modern research library that served an international community of scholars.As a scholar, avid writer and researcher, Porter developed a wide variety of research tools and authoritative bibliographies based on her vast knowledge in the field that would become known as Black Studies. A Selected List of Books by and about the Negro (1936), was one of the seeds of the field of African American Studies. Other publications included “Early American Negro Writings: A Bibliographical Study,” published in The Papers of the Bibliographical Society of America (1945); North American Negro Poets (1945); A Working Bibliography on the Negro in the United States (1969); Early Negro Writing, 1760 to 1837 (1970); Afro-Braziliana; A Working Bibliography (1978); The Remonds of Salem, Massachusetts: A Nineteenth Century Family Revisited (1983); and William Cooper Nell: Nineteenth-Century African American Abolitionist – Historian – Integrationist; Selections From His Writings (1832-1874) (2002).Dr. Porter has received numerous awards over her distinguished career. In 1944 she received the Julius Rosenwald Fellowship for research in Latin American literature. She served as a Ford Foundation consultant to the National Library in Lagos, Nigeria (1962-64), and attended the 1st International Congress of Africanists in Accra, Ghana. In 1973 she received a Ford Foundation study and travel grant which took her to Scotland, Ireland, England and Italy. In 1974 she received the Distinguished Alumni Award from Howard University. In 1980 the Conover-Porter Award was established, it is the most prestigious award for published works of bibliography or reference on Africa. In 1989 she received a fellowship from the W.E.B. DuBois Institute at Harvard University. In that same year Moorland-Spingarn Research Center commenced the annual Dorothy Porter Wesley Lecture Series. In 1994 President Bill Clinton presented her with the National Endowment for the Humanities’ Charles Frankel Award.Honorary Ph.D. degrees were bestowed on her from Susquehanna University (1971), Syracuse University (1989), and Radcliffe College (1990). On November 29, 1979 Porter married historian Charles H. Wesley, the former President of Wilberforce and Central State Universities in Ohio. Dorothy Porter Wesley died in Fort Lauderdale, Florida in 1995 at the age of 91.

    Kunstner og museum

    Kunstner

    frederick james porter

    Frederick James Porter (1883 – 1944): A Pioneer of British Modernism

    Frederick James Porter was born in Auckland, New Zealand, in 1883, marking the beginning of a prolific artistic journey that would ultimately establish him as a significant figure within the burgeoning British Modernist movement. His formative years were spent honing his skills at the Auckland Art School and subsequently pursuing further studies in Melbourne, laying the groundwork for his distinctive stylistic approach. Recognizing the importance of formal training, Porter traveled to Paris in 1906 where he enrolled at the Académie Julian under the tutelage of Laurens, immersing himself in the vibrant artistic atmosphere of the era and absorbing influences from Impressionism and Post-Impressionism – movements that would profoundly shape his artistic vision.

    Early Influences: Porter’s initial exposure to European art traditions instilled a deep appreciation for capturing fleeting moments of light and color, mirroring the aesthetic principles championed by Monet and Renoir.

    Parisian Period (1906-1914): During this pivotal phase, Porter actively participated in artistic circles and collaborated with fellow artists, experimenting with innovative techniques and exploring diverse subjects – landscapes, portraits, and genre scenes—reflecting the spirit of experimentation characteristic of Parisian Modernism.

    Return to London & The London Group (1916): Following World War I, Porter relocated to London where he joined the influential London Group, a collective dedicated to challenging academic conventions and advocating for artistic freedom. This association solidified his commitment to modernist ideals and propelled him into the forefront of British art discourse.

    Notable Artistic Achievements & Style

    Porter’s distinctive style was characterized by a meticulous attention to detail combined with an expressive use of color and brushwork—a hallmark of British Modernism. He favored landscapes imbued with atmospheric perspective, skillfully conveying the mood and grandeur of the natural world. His portraits captured not merely likeness but also psychological depth, revealing nuanced emotions through subtle tonal variations and expressive gestures. Furthermore, Porter’s genre paintings explored everyday life with a humanist sensibility, portraying scenes of domestic tranquility and social interaction with remarkable sensitivity.

    Landscapes: Porter's landscapes frequently depicted dramatic vistas of the Cornish coastlines, capturing the interplay of light and shadow with masterful precision.

    Portraits: His portraits demonstrated an uncanny ability to convey inner character through careful observation and expressive brushstrokes—a testament to his artistic prowess.

    Legacy & Historical Significance

    Frederick James Porter’s contribution to British art history extends beyond his individual artworks; he served as a champion of modernist principles, advocating for artistic experimentation and challenging established norms. His unwavering dedication to capturing the essence of human experience—both aesthetically and emotionally—resonates with contemporary artists and continues to inspire appreciation for the transformative power of visual art. Porter’s influence can be seen in subsequent generations of British painters who embraced similar stylistic approaches and pursued ambitious artistic endeavors, cementing his place as a pivotal figure within the broader narrative of Modernist art.

    Further Exploration

    For more information about Frederick James Porter's life and work, please refer to resources such as:

    ULAN Full Record Display (Getty Research):https://www.getty.edu/vow/ULANFullDisplay?find=jarry%2C+alfred&role=&nation=&page=1&subjectid=500030598

    Porter, Frederick James (1883-1944) - Modernist Journals Project:https://modjourn.org/biography/porter-frederick-james-1883-1944/

    Museum

    The Kinsey African American Art - History Collection

    Udstillet på Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Dorothy Porter

    artsdot.com/da/art/download/frederick-james-porter-dorothy-porter-D4N9YF-en/

    Kildehenvisning til dette kunstværk

    MLA
    porter, frederick james. Dorothy Porter. 1929, The Kinsey African American Art - History Collection. https://artsdot.com/da/art/frederick-james-porter-dorothy-porter-D4N9YF-en/
    APA
    porter, frederick james (1929). Dorothy Porter [Painting]. The Kinsey African American Art - History Collection. https://artsdot.com/da/art/frederick-james-porter-dorothy-porter-D4N9YF-en/
    Chicago
    frederick james porter. Dorothy Porter. 1929. The Kinsey African American Art - History Collection. https://artsdot.com/da/art/frederick-james-porter-dorothy-porter-D4N9YF-en/
    Harvard
    porter, frederick james (1929) Dorothy Porter. The Kinsey African American Art - History Collection. Available at: https://artsdot.com/da/art/frederick-james-porter-dorothy-porter-D4N9YF-en/

    Se nærmere efter

    Dorothy Porter — frederick james porter

    Se nærmere efter

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    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Landscape under Snow (1920) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. frederick james porter var omkring 46 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

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