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May the Eighth

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Fred Roe, May the Eighth. Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Fred Roe artsdot.com/da/artists/fred-roe/
Kunstnerens levetid
1864 – 1947
Oprindelig størrelse
85 x 116 cm

I kontekst

May the Eighth — Fred Roe

Dimensioner

Originalen måler 85 × 116 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 83 ved død.

Skyggelagt: Fred Roe' livstid (1864–1947) hvert dateret maleri, årti for årti

Første værker: frem til 1908 Primære arbejdsår: 1908–1926 Senere værker: fra 1926

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/fred-roe-may-the-eighth-AQUC2Q-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Quinacridone Magenta #796242

    Gemt palet

    • #796242
    • #3B2F21
    • #AF9167
    • #979CAF

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Quinacridone Magenta
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Fred Roe i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 7 mest viste værker af Fred Roe

    1. 1 Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front, 1915 25,0%
    2. 2 2nd Battalion 5th Gurkha Rifles at Ahnai Tangi, North West Frontier, India, 14 January 1920, 1920 12,5%
    3. 3 The Boys Come Marching Home, 1916 12,5%
    4. 4 Sir (Edward) Guy Dawber, 1926 12,5%
    5. 5 A. Gordon Bird, 1930 12,5%
    6. 6 The Return of the Hero (Lord Nelson), 1909 12,5%
    7. 7 May the Eighth dette maleri 12,5%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 23 værker af denne kunstner, hvoraf 7 er blevet set mindst én gang. Dette maleri rangerer som nummer 7 af dem, med 12,5% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Fred Roe

    The Visionary Brush of Fred Roe

    To step into the world of Fred Roe is to wander through a tapestry of historical grandeur and rugged frontier beauty. A master of both the intimate portrait and the sweeping landscape, Roe possessed a rare ability to breathe life into the past and the wild. While his name may evoke the dusty trails of the American West for some, his roots and much of his technical mastery were deeply entwared with the classical traditions of Europe. Born in 1864, Roe’s artistic identity was shaped by a dual heritage of meticulous academic training and an unquenchable thirst for exploration. Whether he was capturing the solemnity of a religious ceremony or the atmospheric mist rising over a Wyoming valley, his work remains a testament to a life spent observing the profound beauty in both the historical and the natural worlds.

    The foundations of Roe’s technique were laid in the prestigious art schools of England. As the son of the painter and engraver Robert Henry Roe, the language of art was his first tongue. He refined his skills at the Heatherley School of Fine Art under the guidance of Seymour Lucas, a period that instilled in him a rigorous command over light, shadow, and anatomical precision. This academic discipline allowed him to achieve early success, exhibiting at the prestigious Royal Academy as early as 1877. His early career was marked by an impressive ascent through the ranks of the British art establishment, earning elections to the Royal Society of British Artists and the Royal Institute of British Painters. During these years, his focus often drifted toward historical genre subjects, where he utilized large-scale compositions and period costumes to recreate scenes of English history, including poignant depictions of Joan of Arc and naval incidents involving Lord Nelson.

    From London Studios to the American Frontier

    A pivotal shift occurred when Roe’s artistic gaze turned toward the vast, untamed landscapes of the Americas. His journey to Wyoming in 1893 served as a transformative expedition that expanded his repertoire from historical narrative to environmental storytelling. This period of exploration allowed him to document the topography and culture of the American West with the eye of both an artist and a chronicler. The rugged majesty of Yellowstone National Park became a central character in his work, providing him with a canvas of dramatic sunsets, stormy afternoons, and the quiet, misty mornings of the frontier. In these landscapes, Roe moved beyond mere documentation; he utilized expressive brushwork and a sophisticated understanding of tonal harmony to convey the palpable sense of place that defines the American spirit.

    This versatility—the ability to pivot from the structured elegance of London’s high society to the raw, unscripted life of Wyoming ranchers and cowboys—is what makes his oeuvre so uniquely captivating. His talent for illustration further bridged these two worlds, as he secured prestigious commissions for Harper's Weekly and The Century Magazine. Through these publications, Roe brought the essence of Western life to a global audience, using visual storytelling to render scenes from historical narratives and contemporary frontier life with equal emotional weight. His work during this era was not merely about what could be seen, but about the feeling of the wind across the plains and the heavy silence of a historical moment frozen in time.

    A Legacy of Detail and Discovery

    Beyond the canvas, Fred Roe was a man of profound intellectual curiosity. His passion for history extended into the realm of material culture, where he became a leading expert and collector of antique furniture. His scholarly contributions, such as Ancient Coffers and Cupboards and A History of Oak Furniture, reveal an artist who sought to understand the structural soul of the eras he painted. This deep appreciation for craftsmanship and historical authenticity is mirrored in his paintings, where every detail—from the texture of a period garment to the light hitting a piece of weathered wood—is rendered with meticulous care.

    As we reflect on the life of Fred Roe, we see an artist who refused to be confined by geography or genre. His legacy is found in the intersection of several profound artistic achievements:

    Mastery of Genre: The seamless transition between historical narrative painting and contemporary landscape art.

    Atmospheric Realism: An unparalleled ability to capture transient weather conditions and the emotional weight of light.

    Cultural Documentation: His role as a visual historian for both the English past and the American frontier.

    Scholarly Depth: The integration of historical research and antique expertise into his visual aesthetic.

    Today, Roe’s works continue to resonate with collectors who seek more than just a beautiful image; they seek a window into a vanished world. His paintings remain vibrant, breathing with the energy of the landscapes he traversed and the histories he so lovingly reconstructed.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for May the Eighth

    artsdot.com/da/art/download/fred-roe-may-the-eighth-AQUC2Q-en/

    Kildehenvisning til dette kunstværk

    MLA
    Roe, Fred. May the Eighth. n.d., https://artsdot.com/da/art/fred-roe-may-the-eighth-AQUC2Q-en/
    APA
    Roe, Fred (n.d.). May the Eighth [Painting]. https://artsdot.com/da/art/fred-roe-may-the-eighth-AQUC2Q-en/
    Chicago
    Fred Roe. May the Eighth. n.d. https://artsdot.com/da/art/fred-roe-may-the-eighth-AQUC2Q-en/
    Harvard
    Roe, Fred (n.d.) May the Eighth. Available at: https://artsdot.com/da/art/fred-roe-may-the-eighth-AQUC2Q-en/

    Se nærmere efter

    May the Eighth — Fred Roe

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på S. O. S (1929) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvor mange personer ser "May the Eighth"?

    Der findes en Statistikker-side for "May the Eighth". Den viser de månedlige besøg for kunstværket og kunstnerens øvrige værker, opdelt efter land og sprog.

    Kan jeg bestille en oliereproduktion af "May the Eighth"?

    "May the Eighth" er tilgængelig som en håndmalet oliereproduktion på lærred af hør. Ordren kan lægges på dens Håndmalet reproduktion-side, med valgmuligheder for forskellige størrelser.

    Har "May the Eighth" en forhåndsvisning i augmented reality?

    Siden AR-forhåndsvisning for "May the Eighth" af Fred Roe bruger augmented reality til at vise kunstværket i dit eget rum på en kompatibel enhed.