Papirformat

Guide til elevkunst

Passing St Kilda

Navn Klasse Dato

frances walker, Passing St Kilda (2003). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
frances walker artsdot.com/da/artists/frances-walker/
Kunstnerens levetid
1930 – ?
Malet
2003
Oprindelig størrelse
109 x 153 cm

I kontekst

Passing St Kilda — frances walker

Dimensioner

Originalen måler 109 × 153 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Skyggelagt: frances walker' livstid (1930–?) ▲ dette værk, 2003

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/frances-walker-passing-st-kilda-AR2A7J-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Gray #888b90

    Gemt palet

    • #888B90
    • #2E3237
    • #AEB2B2
    • #5E6166
    Primær farve
    Gray
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    frances walker

    A Legacy of Light and Landscape: The Artistry of Frances Walker

    The history of Scottish art is enriched by the profound and enduring presence of Frances Walker, an artist whose vision transcends the boundaries of mere representation to capture the very soul of the wild. Born in Kirkcaldy in 1930, Walker emerged from a lineage of creative excellence, eventually establishing herself as a formidable force in both painting and printmaking. Her journey is one of deep connection to the earth, shaped by the rugged terrains of the Western Isles and the desolate, breathtaking expanses of the Antarctic. Through her eyes, the landscape is not merely a subject but a living, breathing entity, characterized by a sense of solitude and an almost spiritual resonance with the natural world.

    Walker’s formal education at the Edinburgh College of Art provided the technical foundation upon which she built her complex aesthetic. Her early career was marked by a period of teaching in the Hebrides, an experience that would indelibly imprint the stark beauty and atmospheric volatility of the Scottish islands onto her creative consciousness. This immersion in remote landscapes allowed her to develop a unique visual language—one that balances the structural integrity of landforms with the ephemeral qualities of light and weather. Her work often navigates the tension between the permanent and the fleeting, finding profound meaning in the textures of rock, ice, and sea.

    Mastery of Medium and Technique

    What distinguishes Walker as a true master is her extraordinary versatility across diverse media. While many artists find their niche in a single discipline, Walker’s repertoire spans the delicate nuances of painting to the intricate complexities of printmaking. Her technical prowess is evident in several key areas:

    Printmaking Excellence: As a founding member of the Peacock Visual Arts print studio, she has mastered a wide array of techniques, including screenprinting, lithography, monoprinting, etching, and collagraphy.

    Atmospheric Painting: Her paintings often evoke the vastness of her subjects, using color and form to recreate the chilling winds of the Antarctic or the misty horizons of the Scottish coast.

    Structural Composition: Even in her most abstract moments, there is a palpable sense of geological weight and topographical truth, reflecting her deep observation of the natural world.

    Her travels, supported by prestigious honors such as the James McBey Travel Award from Aberdeen Art Gallery, have allowed her to bring global perspectives into her work. The stark, crystalline landscapes of Antarctica and South Georgia provided a new frontier for her exploration of desolation and light, pushing her ability to depict environments that feel both alien and intimately connected to the primal forces of our planet.

    Achievements and Enduring Significance

    The significance of Frances Walker’s contribution to British art is cemented by her numerous accolades and her role as an educator. Her appointment as a lecturer in Drawing and Painting at Gray's School of Art in Aberdeen allowed her to pass her rigorous standards and passion for the landscape onto a new generation of artists. Her work has been recognized with prestigious titles, including being named a CBE (Commander of the Order of the British Empire) and holding memberships in the Royal Scottish Academy (RSA) and the Royal Society of Painters in Water-Colours (RSW).

    Beyond the accolades, Walker’s true legacy lies in her ability to evoke emotion through the depiction of the uninhabited. In an era of rapid change, her art serves as a meditative window into the enduring, often lonely beauty of the Earth's most remote corners. She remains a pivotal figure in Scottish contemporary art, reminding us that the landscape is not just a place we inhabit, but a powerful force that shapes our very identity.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Passing St Kilda

    artsdot.com/da/art/download/frances-walker-passing-st-kilda-AR2A7J-en/

    Kildehenvisning til dette kunstværk

    MLA
    walker, frances. Passing St Kilda. 2003, https://artsdot.com/da/art/frances-walker-passing-st-kilda-AR2A7J-en/
    APA
    walker, frances (2003). Passing St Kilda [Painting]. https://artsdot.com/da/art/frances-walker-passing-st-kilda-AR2A7J-en/
    Chicago
    frances walker. Passing St Kilda. 2003. https://artsdot.com/da/art/frances-walker-passing-st-kilda-AR2A7J-en/
    Harvard
    walker, frances (2003) Passing St Kilda. Available at: https://artsdot.com/da/art/frances-walker-passing-st-kilda-AR2A7J-en/

    Se nærmere efter

    Passing St Kilda — frances walker

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 3 — er du enig?)
    4. Se tilbage på Alistair Park tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. frances walker var omkring 73 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.