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Guide til elevkunst

David Campbell

Navn Klasse Dato

Fisher, Flavius James, David Campbell (1800), Library of Virginia. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Fisher, Flavius James artsdot.com/da/artists/fisher-flavius-james/
Kunstnerens årstal
1833 – 1905
Malet
1800
Afholdt hos
Library of Virginia artsdot.com/da/museums/library-of-virginia-richmond/

I kontekst

David Campbell — Fisher, Flavius James

Hvornår er dette malet?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880
  10. 1890
  11. 1900

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 72 ved død.

Skyggelagt: Fisher, Flavius James' livstid (1833–1905) ▲ dette værk, 1800 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/fisher-flavius-james-david-campbell-D7GD3Y-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #49442b

    Katalogiseret palet

    • #49442B
    • #1F1C14
    • #D1B386
    • #78633E

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Fisher, Flavius James i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Holland 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 2 mest viste værker af Fisher, Flavius James

    1. 1 James Lawson Kemper, 1876 100,0%
    2. — David Campbell, 1800 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 3 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Fisher, Flavius James

    Født i Wythe County, United States

    Flavius James Fisher: A Life in Art

    Born: February 9, 1833, Wythe County, United States

    Died: May 8, 1905

    Origin: AllPaintingsStore

    Flavius Josephus Fisher was an American painter whose career spanned several decades and encompassed portraiture and landscape painting. Born in Wythe County, Virginia, his family relocated to McMinn County, Tennessee, when he was a young boy. Early recognition of his artistic talent led him to the prestigious Pennsylvania Academy of Fine Arts, laying the groundwork for a life dedicated to art.

    Early Life and Artistic Training

    Early Education: Fisher received his initial education in Pennsylvania before attending the Pennsylvania Academy of Fine Arts.

    Formal Studies: His time at the Academy provided him with a solid foundation in artistic techniques and principles.

    European Sojourn: In 1859, Fisher traveled to Germany to further refine his skills, becoming one of the first Americans admitted to the Berliner Kunstakademie under Julius Friedrich Anton Schrader. He also studied in Düsseldorf, London, and Paris, supporting himself through commissions from European patrons.

    Friendships: During his time in Berlin, he cultivated a close friendship with sculptor Edward Virginius Valentine, whom he aided after contracting smallpox. In gratitude, Fisher presented Valentine with a crayon portrait of Edgar Allan Poe.

    Artistic Style and Notable Works

    Subject Matter: Fisher’s work primarily focused on landscape and portrait paintings, capturing both the likenesses of notable figures like Gilbert C. Walker and scenes from the American countryside.

    Technique: He favored oil on canvas as his primary medium, demonstrating a keen attention to detail and utilizing vibrant colors in his compositions.

    Influence of Movements: While rooted in traditional techniques, Fisher’s style showed influences from both Impressionism and Expressionism, evident in his use of light and shadow to create depth and dimensionality.

    Notable Works: Examples include portraits commissioned by the Virginia state government and landscapes depicting scenes from Tennessee, North Carolina, and Virginia. Hog Island Picnic of the Hyena Club (1868) is a notable work memorializing a social gathering.

    Legacy and Influence

    Impact on Subsequent Artists: Fisher’s emphasis on color and detail significantly influenced later generations of painters, including Mark Rothko (Marcus Rothkowitz), whose abstract expressionist works demonstrate an appreciation for vibrant hues and nuanced forms.

    Museum Holdings: His paintings are featured in prominent institutions such as the Smithsonian American Art Museum, the Indianapolis Museum of Art, and various collections within Virginia’s state art collection.

    Recognition: Fisher's ability to accurately capture likenesses with minimal sittings was widely recognized during his lifetime, contributing to his reputation as a skilled portraitist.

    Later Years and Continued Artistic Pursuits

    Return to the United States: After the American Civil War, Fisher returned to the United States and established studios in New York, Lynchburg, Virginia, and Washington, D.C.

    Washington Residency: His long residency at the Corcoran Gallery of Art in Washington provided him with a stable base for commissions and artistic exploration.

    Continued Commissions: He continued to receive commissions from prominent figures throughout his career, including Senator John Warwick Daniel.

    Final Years: Fisher died on May 8, 1905, leaving behind a legacy of vibrant landscapes and compelling portraits that continue to be appreciated today. His widow organized an exhibition of his work in Washington shortly after his death.

    Museum

    Library of Virginia

    Udstillet i Richmond, United States of America

    A Sanctuary of Virginia’s Soul: The Library of Richmond

    Nestled within the historic heart of Richmond, Virginia, the Library stands not merely as a repository of books and documents, but as a vibrant, breathing chronicle of the Commonwealth's enduring identity. More than just walls safeguarding aged parchment and delicate photographs, it is an immersive experience—a testament to the countless stories that have shaped Virginia’s trajectory, from its nascent colonial days through the tumultuous echoes of the Civil War and into the dynamic present. Stepping inside feels akin to entering a sanctuary of knowledge, where sunlight streams through expansive windows illuminating meticulously preserved manuscripts and rare editions, while the building itself whispers tales of architectural evolution and unwavering commitment to preserving the past for future generations.

    The Library’s design is a thoughtful dialogue between tradition and innovation. A deliberate blend of classic architectural elements—grand columns, soaring ceilings, and intricate detailing—harmoniously intertwines with more contemporary design choices, reflecting Virginia's own journey: a deep respect for its heritage interwoven with an embrace of progress. The structure isn’t simply aesthetically pleasing; it embodies the spirit of a state constantly looking back while simultaneously forging ahead. The careful consideration given to light and space within the building creates an atmosphere conducive to both scholarly research and quiet contemplation, fostering a genuine connection between visitors and the vast wealth of knowledge contained within.

    Delving into Virginia’s Narrative: A Collection Unveiled

    The Library's collection is remarkably comprehensive, a sprawling tapestry woven from countless threads of Virginia history. For those tracing their family lineage or meticulously researching specific historical events, the sheer volume of original manuscripts—letters penned by colonial governors, intimate diaries detailing life on the frontier, and official government records charting the course of legislation—is truly astounding. The Library’s holdings regarding the Civil War are particularly poignant, offering deeply personal glimpses into a nation fractured and families torn apart through the eyes of those who lived through it – correspondence revealing anxieties, battlefield reports documenting harrowing experiences, and firsthand accounts of daily life under occupation. Beyond these grand narratives, however, lies a remarkable strength: the Library excels at illuminating everyday lives. Photographic archives, spanning centuries, reveal the evolving face of Virginia’s cities and landscapes—capturing moments of both triumphant celebration and profound hardship. Rare books offer not only literary insights but also invaluable clues about printing practices, binding techniques, and the cultural values reflected in their creation.

    A crucial element of the Library's mission is its dedication to uncovering untold stories. The Virginia Untold project stands as a shining example, meticulously documenting the lives of enslaved and free African Americans—a vital counter-narrative that challenges traditional historical accounts and provides a more complete understanding of Virginia’s past. This commitment to inclusivity extends beyond this single initiative, ensuring that diverse voices are represented within the Commonwealth's collective memory. The Library doesn’t simply present history; it actively reinterprets it, challenging conventional wisdom and fostering a nuanced appreciation for the complexities of Virginia’s journey.

    Beyond the Archives: A Living Cultural Hub

    The Library of Virginia is far from a static archive; it thrives as a dynamic cultural hub. Regular exhibitions—carefully curated experiences designed to engage visitors on an emotional level—offer compelling glimpses into significant historical events and influential figures. These aren’t merely displays of artifacts; they are thoughtfully constructed narratives that invite exploration and reflection. Educational programs cater to audiences of all ages, fostering a deeper appreciation for history among residents and tourists alike. The Library actively engages with the community through strategic partnerships with local schools, libraries, and historical societies, solidifying its role as a vital resource for learning and discovery.

    Furthermore, the annual Virginia Literary Awards celebrate the state’s vibrant literary scene, recognizing outstanding authors and books that illuminate Virginia's culture and heritage. The Library’s commitment to fostering intellectual curiosity extends far beyond its walls, making it an indispensable institution for anyone seeking to understand the rich tapestry of Virginia’s past—and its enduring legacy. The annual events, like the celebration of emancipation day in 1905, are a testament to this dedication.

    Notable Artistic Connections & Future Exhibitions

    Considering Richmond's artistic heritage, it is fitting to note connections to artists such as John Elder, whose evocative landscapes and poignant Civil War scenes resonate deeply with the Library’s collection. The Library also holds works by Bessie Moore, a captivating 1899 pencil portrait showcasing academic style & delicate detail – an example of the rich artistic talent nurtured within Virginia. Looking ahead, the Library plans to host exhibitions exploring themes such as “Richmond During the Civil War,” featuring newly digitized letters and photographs, and “The Rise of Richmond’s Black Community,” drawing on Virginia Untold resources to illuminate this vital chapter in the city's history. These initiatives promise to further enrich the visitor experience and solidify the Library’s position as a leading center for historical research and cultural engagement.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for David Campbell

    artsdot.com/da/art/download/fisher-flavius-james-david-campbell-D7GD3Y-en/

    Kildehenvisning til dette kunstværk

    MLA
    James, Fisher, Flavius. David Campbell. 1800, Library of Virginia. https://artsdot.com/da/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    APA
    James, Fisher, Flavius (1800). David Campbell [Painting]. Library of Virginia. https://artsdot.com/da/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    Chicago
    Fisher, Flavius James. David Campbell. 1800. Library of Virginia. https://artsdot.com/da/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    Harvard
    James, Fisher, Flavius (1800) David Campbell. Library of Virginia. Available at: https://artsdot.com/da/art/fisher-flavius-james-david-campbell-D7GD3Y-en/

    Se nærmere efter

    David Campbell — Fisher, Flavius James

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på James Lawson Kemper (1876) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor kan jeg købe en håndmalet reproduktion af "David Campbell" af Fisher, Flavius James?

    Håndmalede kopier af "David Campbell" af Fisher, Flavius James kan købes hos denne hjemmeside: en håndmalet oliereproduktion på lærred af hør, via deres Håndmalet reproduktion-side.

    Kan jeg bruge augmented reality til at se "David Campbell" af Fisher, Flavius James i mit eget rum?

    Siden Se i AR for "David Campbell" af Fisher, Flavius James bruger augmented reality til at vise kunstværket i dit eget rum på en kompatibel enhed.

    Fremstår farverne i "David Campbell" kraftige eller bløde?

    "David Campbell" af Fisher, Flavius James har en Monochromatic farveintensitet.