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Bem

Navn Klasse Dato

eric james malthouse, Bem, Royal West of England Academy. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
eric james malthouse artsdot.com/da/artists/eric-james-malthouse/
Kunstnerens levetid
1914 – 1997
Oprindelig størrelse
91 x 76 cm
Afholdt hos
Royal West of England Academy artsdot.com/da/museums/royal-west-of-england-academy-bristol_da/

I kontekst

Bem — eric james malthouse

Hvor stor er den?

Originalen måler 91 × 76 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Skyggelagt: eric james malthouse' livstid (1914–1997)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/eric-james-malthouse-bem-AQUFKY-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #412e2b

    Gemt palet

    • #412E2B
    • #947533
    • #8A2327
    • #68302B
    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Espresso
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    eric james malthouse

    A Visionary of Abstract Colour: The Life and Legacy of Eric James Malthouse

    The history of British abstraction is profoundly enriched by the vibrant, emotive spirit of Eric James Malthouse. Born in 1914, a period of immense global transition, Malthouse emerged as a pivotal figure whose work bridged the gap between traditional craftsmanship and the radical, non-figurative explorations of the post-war era. While his roots can be traced to Birmingham and his early training took him through the prestigious halls of the Birmingham College of Arts & Crafts, it was in the rugged, culturally rich landscape of Wales that his artistic soul truly found its voice. His journey was not merely one of personal development but a movement toward defining a new visual language for a nation seeking identity amidst the shadows of reconstruction.

    Malthouse’s early years were marked by a rigorous dedication to the technical foundations of art. Following his studies, his life was briefly interrupted by service in the Royal Armoured Corps during the Second World War, an experience that undoubtedly contributed to the depth and gravity found within his later compositions. Upon returning to the world of art, he took up significant teaching positions, most notably at the Cardiff School of Art, where he would influence generations of creators. It was during this period of academic and creative ferment that Malthouse became a cornerstone of the Welsh avant-garde. He was instrumental in founding the 56 Group Wales, a collective that sought to reject the constraints of traditional landscape and figurative painting in favor of an abstract approach capable of capturing the complex moods, mythologies, and atmospheres of Welsh life.

    The Alchemy of Form and Colour

    To encounter a Malthouse original is to enter a world where colour functions as the primary protagonist. His palette was famously bold, often anchored by deep reds, luminous yellows, and profound blues that seemed to vibrate against one another on the canvas. He did not merely apply paint; he orchestrated light. Whether working in oils or through the intricate medium of printmaking, Malthouse possessed a rare ability to manipulate spatial composition to evoke a sense of movement and emotional resonance. His mastery of etching and aquatint allowed him to achieve remarkable tonal gradations, creating textures that felt both organic and meticulously structured.

    His technical prowess extended far beyond the brush. As a printmaker, he explored the delicate balance between shadow and light, producing works that possessed a luminous, almost ethereal quality. This mastery of medium allowed him to translate abstract concepts into tangible experiences. In pieces such as “Half Shadowed”, one can observe how he uses contrast to suggest depth and mystery, inviting the viewer to look past the surface and engage with the underlying emotional landscape. His work often drew inspiration from the intangible—the whispers of Welsh folklore, the weight of mythology, and the shifting light of the natural world—reimagining these themes through a lens of pure abstraction.

    A Lasting Impression on British Art

    The significance of Eric James Malthouse lies in his refusal to remain static. Throughout his career, he navigated the tensions between different artistic movements, even resigning from the 56 Group Wales in protest against certain stylistic shifts, demonstrating a fierce commitment to his personal vision. His contributions were not limited to painting and printmaking; his involvement in the founding of the Watercolour Society of Wales further cemented his role as a builder of artistic institutions. His legacy is preserved today in some of the most prestigious collections in the world, ensuring that his vibrant explorations of colour continue to inspire.

    Reflecting on his immense contribution, one can see several pillars of his enduring impact:

    Foundational Leadership: As a co-founder of the 56 Group Wales, he helped establish a platform for modernism in Wales, allowing abstract expression to flourish outside the London-centric art scene.

    Technical Innovation: His sophisticated use of printmaking techniques like aquatint brought a new level of textural complexity and tonal brilliance to British graphic arts.

    Cultural Synthesis: He successfully merged the visceral energy of post-war abstraction with the deep-seated cultural motifs of Welsh identity, creating a unique regional modernism.

    Institutional Legacy: Through his long tenure as a lecturer and his role in various art societies, he helped shape the pedagogical landscape of Welsh art education.

    Ultimately, Malthouse remains a master of the unseen. His work serves as a bridge between the physical world and the emotional realm, reminding us that colour and form, when wielded with such profound intention, can speak more eloquently than any literal representation.

    Museum

    Royal West of England Academy

    Udstillet i Bristol, United Kingdom

    A Beacon of British Art: The Soul of Bristol’s Royal West of England Academy

    Nestled within the elegant enclave of Bristol’s Clifton district, the

    Royal West of England Academy

    (RWA) stands as a profound testament to over 175 years of artistic devotion. To step through its doors is to enter a sanctuary where the weight of British tradition meets the vibrant pulse of contemporary innovation. Founded in 1844 through the indomitable vision of

    Ellen Sharples

    , the Academy emerged from the Bristol Society of Artists, born from a desire to capture the picturesque landscapes of the region. This institution was never merely a gallery; it was a movement, bolstered by the early support of luminaries such as Isambard Kingdom Brunel and Prince Albert, transforming a local collective into one of the United Kingdom’s most enduring regional bastions of fine art.

    The architectural grandeur of the RWA serves as a magnificent prelude to the treasures held within. Housed in a spectacular Grade II* listed building, the Academy’s facade commands attention with its imposing presence and classical grace. As one approaches, the eye is drawn to Corinthian pilasters and shell-heavened niches, where statues of legendary sculptors like

    John Flaxman

    and

    Sir Joshua Reynolds

    keep watch over the entrance. The subtle carvings of the Three Graces lend an ethereal quality to the stone, hinting at the beauty awaiting inside. Upon crossing the threshold, visitors are greeted by a world of refined elegance; colored marble floors gleam under soft light, and a meticulously crafted replica of the

    Parthenon Frieze

    adorns the walls, grounding the space in the timeless ideals of classical antiquity.

    The collection itself is a breathtaking tapestry of British art history, offering a journey through shifting aesthetics and profound cultural movements. The RWA celebrates the atmospheric depictions of the

    Newlyn School

    , which captured the rugged, salt-sprayed essence of Cornish fishing life, alongside the abstract, light-drenched energy of the

    St Ives School

    . Within these walls, the delicate floral contemplations of

    Elizabeth Blackadder

    exist in harmony with the spirited, personality-filled still lifes of

    Mary Fedden

    . For the collector or the designer seeking narrative depth, the works of

    Carel Weight

    offer psychological complexity, while the landscapes of

    Bernard Dunstan

    provide a window into evocative, storied terrains. This diversity ensures that the Academy remains a living archive, where the legacy of the Bloomsbury Group breathes alongside modern acrylic explorations like those of

    Alastair Milne Michie

    .

    Beyond its permanent holdings, the RWA thrives as a dynamic center for creative dialogue and education. Its renowned Open Exhibitions serve as a vital stage where seasoned professionals and emerging talents converge, fostering a unique connection between artists and the public. This spirit of engagement extends to the

    RWA Drawing School

    , which continues the Academy's long-standing commitment to the mastery of craft and skill development. Whether one is drawn by the historical resonance of its halls, the technical brilliance of its canvases, or the opportunity to witness the next generation of British masters, the Royal West of England Academy remains an essential destination—a place where every brushstroke tells a story and every visitor finds inspiration.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Bem

    artsdot.com/da/art/download/eric-james-malthouse-bem-AQUFKY-en/

    Kildehenvisning til dette kunstværk

    MLA
    malthouse, eric james. Bem. n.d., Royal West of England Academy. https://artsdot.com/da/art/eric-james-malthouse-bem-AQUFKY-en/
    APA
    malthouse, eric james (n.d.). Bem [Painting]. Royal West of England Academy. https://artsdot.com/da/art/eric-james-malthouse-bem-AQUFKY-en/
    Chicago
    eric james malthouse. Bem. n.d. Royal West of England Academy. https://artsdot.com/da/art/eric-james-malthouse-bem-AQUFKY-en/
    Harvard
    malthouse, eric james (n.d.) Bem. Royal West of England Academy. Available at: https://artsdot.com/da/art/eric-james-malthouse-bem-AQUFKY-en/

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    Bem — eric james malthouse

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    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Cock among the Pigeons tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

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