Papirformat

Guide til elevkunst

Man with Vial

Navn Klasse Dato

erastus salisbury field, Man with Vial (1827). Offentlig ejendom.

Fakta om værket

Kunstner
erastus salisbury field artsdot.com/da/artists/erastus-salisbury-field/
Kunstnerens levetid
1805 – 1900
Malet
1827
Oprindelig størrelse
97 x 82 cm

I kontekst

Man with Vial — erastus salisbury field

Hvor stor er den?

Originalen måler 97 × 82 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880
  10. 1890
  11. 1900

Skyggelagt: erastus salisbury field' livstid (1805–1900) ▲ dette værk, 1827

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/erastus-salisbury-field-man-with-vial-D39GSX-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #1d1e2a

    Gemt palet

    • #1D1E2A
    • #E8D3A8
    • #5F462E
    • #A78C5E
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    erastus salisbury field

    Erastus Salisbury Field: A Victorian Visionary of Stonehenge

    Erastus Salisbury Field (May 19, 1805 in Leverett, Massachusetts – June 28, 1900 in Sunderland, Massachusetts) stands as a compelling figure within the landscape of 19th-century American art. More than simply a portrait painter, Field was a master of evocative storytelling through image, blending elements of folk art, historical illustration, and nascent photography to create works that resonate with both regional identity and grand, romantic themes. His career, spanning over seven decades, offers a fascinating glimpse into the evolving artistic sensibilities of a nation grappling with industrialization and searching for its visual narrative.

    Born into a family deeply rooted in rural Massachusetts, Field’s early life was shaped by an appreciation for craftsmanship and a keen observational eye. His initial training, though rudimentary, involved sketching portraits under the guidance of local artists – a crucial step that instilled him with the fundamental skills of likeness and composition. This foundation proved surprisingly adaptable as he later embraced new techniques and styles, demonstrating a remarkable capacity to synthesize diverse influences into his own unique artistic voice.

    The Limner’s Path: Portraits and Regional Identity

    Field's early career was defined by his role as a “limner,” a term that aptly describes the itinerant portrait painters who thrived in New England during the 19th century. These artists traveled extensively, offering their services to rural communities – often capturing families, prominent citizens, and cherished pets. Unlike the formal studios of established artists, the limner’s practice was characterized by informality, direct engagement with clients, and a willingness to work within the constraints of a single sitting. Field quickly mastered this approach, developing a distinctive style that prioritized capturing “a good likeness” – not through meticulous detail or academic precision, but through a sensitive understanding of human expression and character.

    His portraits are notable for their immediacy and warmth. He eschewed the elaborate costumes and theatrical poses favored by some of his contemporaries, instead presenting subjects in familiar settings and engaging them in natural conversation. This approach fostered a sense of intimacy and authenticity that resonated deeply with his clientele, establishing Field as a trusted chronicler of local life.

    A Shift Towards Historical Narrative and Photographic Influence

    As the 19th century progressed, Field’s artistic focus began to shift. The rise of photography presented both a challenge and an opportunity for artists like Field. While photographic portraiture gained popularity as a more efficient and accessible means of capturing likenesses, it also spurred Field to experiment with new techniques and approaches. He became fascinated by the process of reproduction, initially through collodion printing, and later by incorporating elements of photography into his own paintings.

    This experimentation culminated in his ambitious “Historical Monument of the American Republic,” a monumental canvas depicting key moments in American history – from the arrival of Columbus to the Civil War. The painting is a remarkable synthesis of historical research, artistic skill, and imaginative vision. Field drew inspiration from architectural models and plans for the Centennial Exposition of 1876, creating a fantastical cityscape populated by iconic figures and symbolic representations of national values. The work demonstrates his growing interest in grand narratives and his ability to translate complex ideas into visually compelling imagery.

    A Legacy of Regional Vision

    Erastus Salisbury Field’s legacy extends beyond the individual works that survive today. He represents a vital link between the traditions of folk art and the emerging artistic currents of the 19th century. His paintings offer a unique window into the social, cultural, and historical landscape of rural New England – capturing not only the faces of his subjects but also the spirit of a region grappling with change and defining its own identity.

    His distinctive style—characterized by flattened forms, simplified details, and a focus on evocative storytelling—continues to fascinate art historians and collectors alike. Field’s work stands as a testament to the enduring power of visual narrative and the remarkable creativity of an artist who found his voice in the heartland of America.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Man with Vial

    artsdot.com/da/art/download/erastus-salisbury-field-man-with-vial-D39GSX-en/

    Kildehenvisning til dette kunstværk

    MLA
    field, erastus salisbury. Man with Vial. 1827, https://artsdot.com/da/art/erastus-salisbury-field-man-with-vial-D39GSX-en/
    APA
    field, erastus salisbury (1827). Man with Vial [Painting]. https://artsdot.com/da/art/erastus-salisbury-field-man-with-vial-D39GSX-en/
    Chicago
    erastus salisbury field. Man with Vial. 1827. https://artsdot.com/da/art/erastus-salisbury-field-man-with-vial-D39GSX-en/
    Harvard
    field, erastus salisbury (1827) Man with Vial. Available at: https://artsdot.com/da/art/erastus-salisbury-field-man-with-vial-D39GSX-en/

    Kig nærmere efter

    Man with Vial — erastus salisbury field

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Se tilbage på Girl of the Bangs-Phelps Family (1848) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. erastus salisbury field var omkring 22 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.