Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. emile othon friesz døde i 1949; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 2019.
I kontekst
Baigneuses — emile othon friesz
Skyggelagt: emile othon friesz' livstid (1879–1949)
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Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/emile-othon-friesz-baigneuses-9DGQB7-en/
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Hovedfarve
Rosy Brown #c0ac86
Gemt palet
Kunstner og museum
Født i Le Havre, France
Achille-Émile Othon Friesz was born in Le Havre, France, in 1879. He came from a family with artistic inclinations; his father was a marine painter.
Friesz initially pursued studies in shipbuilding before dedicating himself to painting around the age of 20.
He received formal training at the École des Beaux-Arts in Paris, studying under Gustave Moreau and Léon Bonnat.
During his time in Paris, he befriended other aspiring artists like Raoul Dufy, which would prove pivotal to his artistic development.
Friesz became a key member of the Fauvist movement, alongside artists like Henri Matisse and André Derain. This group was known for its bold use of color and expressive brushwork.
His early works from this period, such as Paysage à la Ciotat (1907), demonstrate the Fauvist aesthetic – vibrant, non-naturalistic colors applied with energetic strokes.
He exhibited with the Salon d'Automne in 1905, the exhibition that famously launched the term “Fauves” (“wild beasts”) due to their radical style.
Around 1908-1909, Friesz began to move away from the intense colorism of Fauvism towards a more personal Post-Impressionist style.
His palette became softer, and his compositions more structured. He focused increasingly on landscapes, often depicting scenes in Normandy and along the French coast.
Les baigneuses des Andelys (1908) exemplifies this transition, showcasing a more balanced composition and nuanced color scheme.
He continued to paint figure paintings and still lifes throughout his career, but landscapes remained a central theme.
Le travail à l'automne (1907-1908): A large-scale painting showcasing his Fauvist period, depicting figures working in an autumnal landscape.
Roofs and cathedral in Rouen (1908): Demonstrates his exploration of urban landscapes and architectural subjects.
Paysage les jars (ca. 1920): A representative example of his later, more refined Post-Impressionist style.
Friesz exhibited widely throughout France and internationally during his lifetime.
Émile Othon Friesz played a significant role in the development of modern art, particularly through his involvement with Fauvism.
His later work demonstrates a successful transition from radical experimentation to a more contemplative and personal style.
He influenced a generation of painters, including Marthe Rakine, who was among his pupils.
Friesz’s paintings are held in major museum collections worldwide, including the Hermitage Museum (Saint Petersburg) and the Musée du Petit Palais (Geneva).
He died in Paris in 1949 and is buried in the Cimetière du Montparnasse.
artsdot.com/da/art/download/emile-othon-friesz-baigneuses-9DGQB7-en/
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Baigneuses — emile othon friesz
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